Do It Again (Featuring Jeff Lorber and Warren Hill)
Peg (Featuring Doc Powell)
FM (No Static At All) (Featuring Jeff Lorber and Nick Kirgo)
Deacon Blues (Featuring Richard Elliot and Tony Guerrero)
Rikki Don't Lose That Number (Featuring Warren Hill)
Josie (Featuring Chieli Minucci and Dave Koz)
Bad Sneakers (Featuring Rogger Smith and Eddie M.)
Caves of Altimira (Featuring Michael Sims)
Hey Nineteen (Featuring Michael Lington and Tony Guerrero)
Reelin' in the Years (Featuring Eddie M. and Roger Smith)
Pearl of the Quarter (Featuring Steve Nieves and Jango)
Steely Dan's seamless blend of pop and jazz influences has made them a staple of the smooth-jazz format, and many of the genre's top performers cite the band as a major influence. No Static At All stands as an all-star ins... more »trumental tribute to the band, with eight instantly recognizable "greatest hits" and three lesser-known gems. The oddities are a brass funk jam of "Bad Sneakers" (featuring Eddie M on sax and Roger Smith on keys), the haunting electric-guitar-driven moods exploring "The Caves of Altamira," and a dreamy, reflective take on "Pearl of the Quarter." The hit parade includes a percussive retro-soul reading of "Do It Again," featuring Warren Hill and Jeff Lorber (alternating between Hammond B-3 and Fender Rhodes). The energetic, simmering, blues-infused "Peg" features guitarist Doc Powell, and a soulful, throbbing "FM (No Static at All)" boasts Lorber and guitarist Nick Kirgo. "Deacon Blues" sasses with the sizzling horn textures of Richard Elliot and trumpeter Tony Guerrero, and "Rikki, Don't Lose That Number" is both breezy and hypnotic in Warren Hill's hands. "Josie" comes as an unlikely crackling rocker with Chieli Minucci on electric guitar, Nick Kirgo on rhythm guitar, and Dave Koz on sax. And "Hey Nineteen" gets a bubbly, tropical twist with Michael Lington and trumpeter Guerero. Appropriately referring to all the glorious time traveling, a swinging jam of "Reeling in the Years" marks a journey that never quite grows old, no matter the presentation. --Jonathan Widran« less
Steely Dan's seamless blend of pop and jazz influences has made them a staple of the smooth-jazz format, and many of the genre's top performers cite the band as a major influence. No Static At All stands as an all-star instrumental tribute to the band, with eight instantly recognizable "greatest hits" and three lesser-known gems. The oddities are a brass funk jam of "Bad Sneakers" (featuring Eddie M on sax and Roger Smith on keys), the haunting electric-guitar-driven moods exploring "The Caves of Altamira," and a dreamy, reflective take on "Pearl of the Quarter." The hit parade includes a percussive retro-soul reading of "Do It Again," featuring Warren Hill and Jeff Lorber (alternating between Hammond B-3 and Fender Rhodes). The energetic, simmering, blues-infused "Peg" features guitarist Doc Powell, and a soulful, throbbing "FM (No Static at All)" boasts Lorber and guitarist Nick Kirgo. "Deacon Blues" sasses with the sizzling horn textures of Richard Elliot and trumpeter Tony Guerrero, and "Rikki, Don't Lose That Number" is both breezy and hypnotic in Warren Hill's hands. "Josie" comes as an unlikely crackling rocker with Chieli Minucci on electric guitar, Nick Kirgo on rhythm guitar, and Dave Koz on sax. And "Hey Nineteen" gets a bubbly, tropical twist with Michael Lington and trumpeter Guerero. Appropriately referring to all the glorious time traveling, a swinging jam of "Reeling in the Years" marks a journey that never quite grows old, no matter the presentation. --Jonathan Widran
CD Reviews
Elevated or Elevator?
Chris S. Markham | Felton, CA United States | 06/07/2000
(2 out of 5 stars)
"The production values are good, the choice of material is unassailable, but there doesn't appear to be any intensity or freshness in these recordings. There's plenty of opportunity in Becker/Fagen's music for interpretation, improvisation and play, but I found almost every cut just too safe, disappearing into mere background music. This unfortunately leaves me wanting the originals rather than being engaged by the new interpretations. This isn't a tribute, because it lacks any passion. Even static raises an emotion. This doesn't even irritate. Listening or party music? No. At the Bar, Mall or Hotel, sure, why not. If you're not just the biggest SD fan, pass on this and get the real deal in a greatest hits compilation."
Good for a laugh
A. Dumville | Providence, RI United States | 01/13/2002
(1 out of 5 stars)
"If you love Steely Dan, do not buy this CD. There is none of the wit and none of the amazing riffs. All the wrong horns (what's with the Kenny G style sax?) What a shame about this!"
Music for supermarkets, dentists, elevators
A. Dumville | 07/04/2000
(1 out of 5 stars)
"For those who might not know it, The Wave radio format was commercially developed by a large corporation. This CD will fit right in: soulless, formulaic saccharine for the mindless masses. Also available in drip-injection format for euthanasia."
Awful
lothar-the-conqueror | Lotharvania, USA | 06/26/2000
(1 out of 5 stars)
"I really tried to like this. It was given to me from someone who was very enthusiastic about it. But by the third or fourth song I just started feeling totally unsatisfied. I don't understand the motivation to take some of the most structurally complex lyrical pop music ever made and turn it into Kenny G."
Elevator Music
lothar-the-conqueror | 06/07/2000
(2 out of 5 stars)
"Good jazz chops, but elevator music nonetheless."