Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 1. Watchmen, alert!
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 1. Solo: Watchmen, alert! the King is here
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 1. Recit.: Father! Sire and King
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 1. Solo: At eve to the greenwood
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 1. Trio: On the ocean and the river
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 1. Chorus: Rest, weary monarch
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 2. Solo and chorus: Tread the mystic circle around
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 2. Chorus (Invocation): Lord of dread
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 2. Recit.: Bard, what read ye?
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 2. Solo and chorus: Leap to the light
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 2. Chorus: Hence, ere the Druid's wrath is woke
Track Listings (17) - Disc #23
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 3. Introduction (Woodland Interlude)
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 3. Chorus: Come! beneath our woodland bow'rs
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 3. Solo: O'er-arched by leaves
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 3. Solo: Last night beneath the sacred oak
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 3. Chorus and duet: Come! beneath our woodland bow'rs
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 4. Chorus: Wild rumours shake our calm retreat
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 4. Solo: When the glow of the evening had died
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 4. Chorus: We were gather'd by the river
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 4. Solo and chorus (Lament): O my soldiers, tell me truly
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 5. Chorus and solo: Captive Britons, see them!
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 6. Chorus: The march triumphal thunders
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 6. Unbind his hands
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 6. Solo: Heap torment upon torment
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 6. Chorus and recit.: Slay, slay the Briton
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 6. Solo: I plead not for myself
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 6. Quartet: Grace from the Roman!
Caractacus, cantata for soloists, chorus & orchestra, Op. 35: Scene 6. Chorus: The clang of arms is over
Track Listings (5) - Disc #24
The Banner of St George, ballad for chorus, organ & orchestra, Op. 33: Scene 1
The Banner of St George, ballad for chorus, organ & orchestra, Op. 33: Scene 2 - Epilogue (March)
Psalm 48 'Great is the Lord,' anthem for chorus & organ (or orchestra), Op. 67
Te Deum and Benedictus, for chorus, orchestra & organ, Op. 34: Te Deum
Te Deum and Benedictus, for chorus, orchestra & organ, Op. 34: Benedictus
Track Listings (6) - Disc #25
The Spirit of England, songs (3) for soprano/tenor, chorus & orchestra, Op. 80: 1. The Fourth of August
The Spirit of England, songs (3) for soprano/tenor, chorus & orchestra, Op. 80: 2. To Women
The Spirit of England, songs (3) for soprano/tenor, chorus & orchestra, Op. 80: 3. For the Fallen
Give unto the Lord (Psalm 29), anthem for chorus, organ & orchestra ad lib, Op. 74
O Hearken Thou, offertory for chorus, organ & orchestra, Op. 64
Coronation Ode ('Land of Hope and Glory'), for soloists, chorus & orchestra, Op. 44: Land of Hope and Glory
Track Listings (14) - Disc #26
Ave verum, motet for chorus, Op. 2/1
Ave Maria gratia plena, motet for chorus, Op. 2/2
Ave maris stella, motet for chorus, Op. 2/3
Vesper Voluntaries (8), for organ, Op. 14: Introduction
Vesper Voluntaries (8), for organ, Op. 14: Andante
The Angelus, partsong for chorus, Op. 56/1
Give unto the Lord (Psalm 29), anthem for chorus, organ & orchestra ad lib, Op. 74
O Hearken Thou, offertory for chorus, organ & orchestra, Op. 64
Te Deum and Benedictus, for chorus, orchestra & organ, Op. 34: Te Deum
Te Deum and Benedictus, for chorus, orchestra & organ, Op. 34: Benedictus
Organ Sonata No. 1 in G major, Op. 28: 1. Allegro maestoso
Organ Sonata No. 1 in G major, Op. 28: 2. Allegretto
Organ Sonata No. 1 in G major, Op. 28: 3. Andante espressivo
Organ Sonata No. 1 in G major, Op. 28: 4. Presto (comodo)
Track Listings (22) - Disc #27
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: (Moderato e nobilmente)
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: We are the music makers
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: With wonderful deathless ditties
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: We, in the ages lying
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: A breath of our inspiration
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: They had no vision amazing
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: And therefore to-day is thrilling
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: But we, with our dreaming and singing
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: For we are afar with the dawning
The Music Makers, ode for alto, chorus, organ & orchestra, Op. 69: Great hail! we cry to the comers
The Sanguine Fan, ballet, Op. 81: A glade
The Sanguine Fan, ballet, Op. 81: Pan enters piping, then curls up to sleep
The Sanguine Fan, ballet, Op. 81: A Young Man enters, awaiting someone
The Sanguine Fan, ballet, Op. 81: Two girls enter gaily; the Young Man returns the fan which the First Girl has dropped in the excite
The Sanguine Fan, ballet, Op. 81: The Young Man declared his passion for the First Girl and is blindfolded; a quarrel
The Sanguine Fan, ballet, Op. 81: Echo awakes Pan, who falls in love with her; they dance till exhausted
The Sanguine Fan, ballet, Op. 81: Three Shepherdesses bring gifts for Pan
The Sanguine Fan, ballet, Op. 81: The First Girl and the Young Man enter, she angry, he pleading; thunder
The Sanguine Fan, ballet, Op. 81: Echo snatches Pan's pipes and tempts the Young Man
The Sanguine Fan, ballet, Op. 81: Echo, now disguised as a mortal, captivates the Young Man
The Sanguine Fan, ballet, Op. 81: Pan rouses and, full of jealous wrath, pursues the Young Man; thunder and lightning; the Young Man
The Sanguine Fan, ballet, Op. 81: Echo, sans disguise, runs back to pan; they embrace madly and run off; the girl kneels by her prost
Track Listings (27) - Disc #28
The Starlight Express, incidental music, Op. 78: 1. Prelude: Overture & Organ-Grinder's Song 1: To the Children
The Starlight Express, incidental music, Op. 78: Act 1. Bourcelles: The Den at La Citadelle. Scene 1. 2-5. The Earth had forgotten it
The Starlight Express, incidental music, Op. 78: Act 1. Bourcelles: The Den at La Citadelle. Scene 1. 6-7. Daddy's star story - The S
The Starlight Express, incidental music, Op. 78: Act 1. Bourcelles: The Den at La Citadelle. Scene 1. 8-10. The Gardener comes - A gr
The Starlight Express, incidental music, Op. 78: Act 1. Bourcelles: The Den at La Citadelle. Scene 1. 11. Interlude: The Organ-Grinde
The Starlight Express, incidental music, Op. 78: Act 1. Bourcelles: The Den at La Citadelle. Scene 2. 12, 14. What jolly stars! - Goo
The Starlight Express, incidental music, Op. 78: Act 1. Bourcelles: The Den at La Citadelle. Scene 2. 15. Second Prelude: Organ-Grind
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 17, 18. Orion and the Pleiades
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 19. Interlude (Home to sleep)
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 20-22. Outside the Star Cave -
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 23-25. Entry of the Sweep - Ent
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 26-28. Entry of the Laugher - L
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 29. Organ-Grinder's Song 4: Wak
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 30. Ballet: The Dance of the Li
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 31-32. The kind old Dustman - I
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 33. Loading up with Star-Dust (
The Starlight Express, incidental music, Op. 78: Act 2. Scene 1. Outside Bourcelles: The Pine Forest. 34. Interlude: The Wistaria Pen
The Starlight Express, incidental music, Op. 78: Act 2. Scene 2. Bourcelles: The Wistaria Pension. 35-36. The Lamplighter at work - O
The Starlight Express, incidental music, Op. 78: Act 2. Scene 3. Bourcelles: The Den at La Citadelle. 37-38. The Den at Night - Un-wu
The Starlight Express, incidental music, Op. 78: Act 2. Scene 3. Bourcelles: The Den at La Citadelle. 39-41. The Lamplighter at work
The Starlight Express, incidental music, Op. 78: Act 2. Scene 3. Bourcelles: The Den at La Citadelle. 42. Third Prelude: Organ-Grinde
The Starlight Express, incidental music, Op. 78: Act 3. Scene 1. Bourcelles: The Den at La Citadelle. 43-45. Jane-Anne's Song - Miss
The Starlight Express, incidental music, Op. 78: Act 3. Scene 1. Bourcelles: The Den at La Citadelle. 46. Interlude: The Waltz of the
The Starlight Express, incidental music, Op. 78: Act 3. Scene 2. Outside Bourcelles: The Pine Forest at Night. 47. Outside the Star-C
The Starlight Express, incidental music, Op. 78: Act 3. Scene 2. Outside Bourcelles: The Pine Forest at Night. 48. The Spirit of Miss
The Starlight Express, incidental music, Op. 78: Act 3. Scene 2. Outside Bourcelles: The Pine Forest at Night. 49. Our Fairyland - En
The Starlight Express, incidental music, Op. 78: Act 3. Scene 2. Outside Bourcelles: The Pine Forest at Night. 50. Finale: The Dance
Track Listings (24) - Disc #29
Scenes From the Bavarian Highlands, songs (6) arranged for chorus & piano (or orchestra), Op. 27a: 1. The Dance (Sonnenbichl)
Scenes From the Bavarian Highlands, songs (6) arranged for chorus & piano (or orchestra), Op. 27a: 2. False Love (Wamberg)
Scenes From the Bavarian Highlands, songs (6) arranged for chorus & piano (or orchestra), Op. 27a: 3. Lullaby (In Hammersbach)
Scenes From the Bavarian Highlands, songs (6) arranged for chorus & piano (or orchestra), Op. 27a: 4. Aspiration (Bei Sankt Anton)
Scenes From the Bavarian Highlands, songs (6) arranged for chorus & piano (or orchestra), Op. 27a: 5. On the Alm (Hoch Alp)
Scenes From the Bavarian Highlands, songs (6) arranged for chorus & piano (or orchestra), Op. 27a: 6. The Marksman (Bei Murnau)
Pleading, song for voice & piano, Op. 48/1
Song Cycle, for voice & orchestra, Op. 59 (3 complete of 6): 3. Was it some golden star?
Song Cycle, for voice & orchestra, Op. 59 (3 complete of 6): 1. Oh, soft was the song
Song Cycle, for voice & orchestra, Op. 59 (3 complete of 6): 6. Twilight
Songs (2) for voice & piano, Op. 60: 1. The Torch
Songs (2) for voice & piano, Op. 60: 2. The River
Songs (2) for chorus, Op. 71: The Shower
Partsongs (3) for chorus, Op. 18: My love dwelt in a northern land
From the Greek Anthology, partsongs (5) for male chorus, Op. 45: 1. Yea, cast me from heights of the mountains
From the Greek Anthology, partsongs (5) for male chorus, Op. 45: 2. Whether I find thee
From the Greek Anthology, partsongs (5) for male chorus, Op. 45: 3. After many a dusty mile
From the Greek Anthology, partsongs (5) for male chorus, Op. 45: 4. It's oh! to be a wild wind
From the Greek Anthology, partsongs (5) for male chorus, Op. 45: 5. Feasting I watch
The Wanderer, part song for male chorus
The Reveille, partsong for male chorus, Op.54
Partsongs (4) for chorus, Op. 53: No. 2. Deep in my soul
Jerusalem ('And did those feet in ancient time'), for chorus & organ (or orchestra)
God Save the Queen (National Anthem of the United Kingdom of Great Britain and Northern Ireland)
Track Listings (15) - Disc #30
Pomp and Circumstance, marches (5) for orchestra, Op. 39: No. 1 in D
Pomp and Circumstance, marches (5) for orchestra, Op. 39: No. 2 in A minor
Pomp and Circumstance, marches (5) for orchestra, Op. 39: No. 3 in C minor
Pomp and Circumstance, marches (5) for orchestra, Op. 39: No. 4 in G
Pomp and Circumstance, marches (5) for orchestra, Op. 39: No. 5 in C
The Dream of Gerontius, oratorio for soloists, chorus & orchestra, Op. 38: Prelude
Serenade, for strings in E minor, Op. 20: 1. Allegro piacevole
Serenade, for strings in E minor, Op. 20: 2. Larghetto
Serenade, for strings in E minor, Op. 20: 3. Allegretto - Come prima
Piano Improvisations (5) by Elgar, recorded in 1915: No. 4
Salut d'amour, for violin & piano, Op. 12
Pieces (2) ('Chanson de matin' & 'Chanson de nuit'), for violin & piano (later orchestrated), Op. 15: No. 1. Chanson de nuit
Pieces (2) ('Chanson de matin' & 'Chanson de nuit'), for violin & piano (later orchestrated), Op. 15: No. 2. Chanson de matin
Coronation Ode ('Land of Hope and Glory'), for soloists, chorus & orchestra, Op. 44: Land of Hope and Glory
Cockaigne Overture ('In London Town'), concert overture for orchestra & organ, Op. 40
Elgar is the Quintessential English Composer. He is Loved as Our Shakespeare of Music, and We Turn to Him at Times of Solemn Remembrance and National Rejoicing. This Edition, Released to Celebrate the 150th Anniversary of ... more »the Composer's Birth, Presents all the Major Orchestral, Choral, Chamber and Stage Works, as Well as Many Lesser Pieces and Rarities, in Interpretations by the 20th Century's Finest Elgarians. All Your Favourite Elgar is Here, in Over 32 Hours of Music on 30 Cds.« less
Elgar is the Quintessential English Composer. He is Loved as Our Shakespeare of Music, and We Turn to Him at Times of Solemn Remembrance and National Rejoicing. This Edition, Released to Celebrate the 150th Anniversary of the Composer's Birth, Presents all the Major Orchestral, Choral, Chamber and Stage Works, as Well as Many Lesser Pieces and Rarities, in Interpretations by the 20th Century's Finest Elgarians. All Your Favourite Elgar is Here, in Over 32 Hours of Music on 30 Cds.
CD Reviews
Great Bargain of Elgar Masterworks and Forgotten Gems!
Darin Tysdal | Bloomington, MN 55420 | 12/22/2007
(5 out of 5 stars)
"Like Sony's Stravinsky set, this Elgar set from EMI seems to want to challenge the Brilliant Classics label by providing lots of music for little money. This costs more than the Stravinsky, but you get 30 cds here as opposed to the 22 in the Stravinsky set. On the average, you are paying $2 a disc, as opposed to the seperate issues listed on Amazon that are going for about $20 in some instances.
What about the performances? I have many of these works already in my collection and most are digital recordings. Two are bonafide classics: Jaqueline du Pre's Cello Concerto and Janet Baker's Sea Pictures. Problem is, many people might already have these already-this remastering was in 2004 and released as a "Great Recordings of the Century" for $12.98. Most of the orchestral works are conducted by Sir John Barbirolli. The symphonies are impressive, but I can think of better ones to use as supplements-Solti, Previn, Colin Davis and George Hurst in No.1 and Solti, Previn, Downes in No.2. Barbirolli's interpretations are rather mellower than the ones listed above and I feel that one should get to know these works through their recordings first. The smaller works fare better: Introduction and Allegro, Elegy, Sospiri, Cockaigne Overture, Serenade in E Minor. Falstaff and Froissart come in competition with Simon Rattle on EMI and Mark Elder on the Halle Orchestra's label. The Enigma Variations and Pomp and Circumstance Marches will be much appreciated for those who like the old school way of performing these works. Also note that the Barbirolli recordings are analog stereo and the quality varies from work to work. Hugh Bean's recording of the Violin Concerto was chosen instead of both of Nigel Kennedy's and Menhuin's recordings-and this was a great idea, because there is no duplication involved with my collection! Bean's recording is on the slow side which seems to be the norm nowadays. Anyone used to this should really enjoy his interpretation. He also plays the Violin Sonata. Cd 7 includes Sir Charles Groves conducting Suites: Nursery, Severn, Crown of India (with it's swaggering March of the Mogul Emperors) and Coronation March. The rest of the set has relatively unknown Elgar compositions that have been recorded sporadically, therefore upping the desirableness of this set. There are some very good digital recordings here. Although I have not listened to all of it, here are some highlights: the Coronation Ode (with its end using "Land of Hope and Glory", Gordon Jacob's orchestration of the Organ Sonata, a illustrated talk on The Apostles and The Kingdom narrated by Sir Adrian Boult, Scenes from the Saga of King Olaf, The Spirit of England, and a Elgar conducts Elgar sampler for cd 30. Even if there is duplication, this cd set has much repertoire that is hard to find, although you will be missing texts and program notes, which may be more of a detriment in the choral works with orchestra. If you already have those on other recordings you can use their texts along with this set. Maybe EMI will post texts on their web site. I will continue to sample and discover new works of Elgar as well as appreciate these performances of works that I already am familiar with."
Excellent if imperfect
Michael Suh | 07/20/2008
(4 out of 5 stars)
"It's hard not to like Elgar -- his music is tuneful, bombastic in all the right ways, and has an air of ceremony that somehow perfectly fits what British music should sound like. I guess it's just that Elgar defines "British" music.
There are certainly highlights in this set -- Falstaff and the Cello Concerto are so good that I think any other performance I'll ever hear of either of them will be ruined because they won't compare. The oratorios The Dream of Gerontius and The Apostles as presented are widely considered the best out there. And I haven't heard better. There's plenty more here to enjoy even if they're not absolutely authoritative.
I don't like Barbirolli's interpretation of the symphonies -- he takes the "noble" themes in both symphonies and slows them down, probably thinking that stretching them out emphasizes their gloriousness. He does this in the Pomp and Circumstance Marches, too. It's pretentious and doesn't work. The momentum is disrupted to the point that the music is painfully dragging.
I also take issue with the remastering job. Most of the digital remastering was done 15 to 20 years ago, and it shows. The sound is not as crisp as it should be, especially among the strings. It's not terrible, but it really sticks out in the later discs (20 and beyond). It's all of the non-famous stuff, so I don't know if many people will care; some may never work their way all the way to the end.
One reason why many may get turned off by this set and never get through it is that the booklet included just lists the tracks. There's no text, libretto, biography, or explanation of the works. I recommend going to the Elgar Foundation's website to get more information about the compositions and Elgar's life. But with the exception of Gerontius, you're going to have a tough time finding libretti. It's painful to listen to 20 hours of choral works when you can't follow along.
Semi-major works like Caractacus and Scenes from the Saga of King Olaf are hard to appreciate when there's limited information about them online. They're 2 hour blurs to me -- I can't focus on them because I don't know what all the singing is about and there's virtually no way to know because the diction is so-so and the sound quality isn't crystal clear. Maybe others don't share this problem, but I get the feeling I'm not alone.
There's plenty of good here, especially in the orchestral side, to justify the price. The packaging is satisfactory -- paper sleeves for the discs in a shelf-saving format. For $50, it's what you should expect. But EMI fails to grasp that Elgar's works aren't just about the recording legacies Groves, Barbirolli, and Handley -- it should also be about Elgar himself. With a composer who wrote so much vocal and choral music, the lack of texts and biographical information is enough to take away a significant amount of appeal of this box set, regardless of its price point."
Generally Execellent
Steven G. Weikert | Chicago, Illinois United States | 10/12/2009
(4 out of 5 stars)
"I have to agree with the previous 2 reviewers as to both the strengths and weaknesses of this set, but for anyone interested in really getting to know the music of Sir Edward Elgar, this certainly can't be beat.
If you want to decide on whether to purchase this based on the particular performances (which can be researched elsewhere), here are the details of the recordings that comprise these 30 disks:
CD1 [67:54]
Symphony No. 1 in A flat Op. 55
Philharmonia Orchestra/Sir John Barbirolli
Introduction and Allegro, Op. 47
Allegri Quartet, Sinfonia of London/Sir John Barbirolli
CD2 [65:40]
Symphony No. 2 in E flat Op. 63
Hallé Orchestra/Sir John Barbirolli
Elegy, Op. 58 , Sospiri, Op. 20
New Philharmonia Orchestra/Sir John Barbirolli
CD3 [63:30]
Falstaff: Symphonic Study in C minor Op. 68
Hallé Orchestra/Sir John Barbirolli
Cockaigne (In London Town) - Concert Overture Op. 40
Philharmonia Orchestra/Sir John Barbirolli
Froissart - Concert Overture Op. 19
New Philharmonia Orchestra/Sir John Barbirolli
CD4 [73:17]
Variations on an Original Theme 'Enigma' Op. 36
Philharmonia Orchestra/Sir John Barbirolli
Pomp and Circumstance March Nos. 1, 4
Philharmonia Orchestra/Sir John Barbirolli
Pomp and Circumstance March Nos. 2, 3, 5
New Philharmonia Orchestra/Sir John Barbirolli
Serenade in E minor Op. 20
Sinfonia of London/Sir John Barbirolli
CD5 [53:55]
Sea Pictures Op. 37
Dame Janet Baker, London Symphony Orchestra/Sir John Barbirolli
Cello Concerto in E minor Op. 85
Jacqueline du Pré, London Symphony Orchestra/Sir John Barbirolli
CD6 [74:36]
Violin Sonata in E minor Op. 82
Hugh Bean, David Parkhouse
Violin Concerto in B minor Op. 61
Hugh Bean, Royal Liverpool Philharmonic Orchestra/Sir Charles Groves
CD7 [69:33]
Nursery Suite, Severn Suite Op. 87, Suite from The Crown of India Op. 66, Coronation March Op. 65
Royal Liverpool Philharmonic Orchestra/Sir Charles Groves
CD8 [62:29]
Organ Sonata in G Op. 28 (orch. Gordon Jacob), The Wand of Youth Suites Nos. 1 & 2 Op. 1a & 1b
Royal Liverpool Philharmonic Orchestra/Vernon Handley
CD9 [52:51]
Three Bavarian Dances, Chanson de nuit Op. 15 No. 1, Chanson de matin Op. 15 No. 2, Fantasia and Fugue in C minor Op. 86, Overture in D minor, In the South (Alassio) Op. 50
London Philharmonic Orchestra/Sir Adrian Boult
CD10 [49:46]
Carillon Op. 75, Elgar arr. of Chopin Piano Sonata No. 2 in B flat minor, Grania and Diarmid Op. 42, Polonia Op. 76, Caractacus Op. 35, Imperial March Op. 32, Empire March
London Philharmonic Orchestra/Sir Adrian Boult
CD11 [62:28]
Minuet Op. 21, May Song, Rosemary, Romance for Bassoon and Orchestra Op. 62, Sevillana Op. 7, Sérénade lyrique, Mazurka Op.10 No. 1, Serenade mauresque Op. 10 No. 2, Contrasts Op. 10 No. 3, Carissima, Mina
Minuet from Beau Brummel, Dream Children Op. 4, Salut d'amour Op. 12,
Royal Philharmonic Orchestra/Lawrence Collingwood, Northern Sinfonia of England/Sir Neville Marriner
CD12 [77:09]
Piano Quintet in A minor Op. 84
John Ogdon, Allegri Quartet
String Quartet in E minor Op. 83
Music Group of London
Serenade, Concert Allegro Op. 46
John Ogdon, piano
CD13 [38:49]
The Dream of Gerontius Op. 38 - Part I
CD14 [70:40]
The Dream of Gerontius Op. 38 - Part II
Janet Baker (mezzo-soprano); Richard Lewis (tenor); Kim Borg (bass); Halle Choir; Sheffield Philharmonic Chorus; Ambrosian Singers/Halle Orchestra/Sir John Barbirolli
CD15 [78:00]
The Apostles Op. 49 - Part I
CD16 [57:38]
The Apostles Op. 49 - Part II
Sheila Armstrong (soprano); Helen Watts (alto); Robert Tear (tenor); Benjamin Luxon (bass); Clifford Grant (bass); John Carol Case (bass); Choir of Downe House School; London Philharmonic Choir; London Philharmonic Orchestra/Sir Adrian Boult
The Apostles and the Kingdom - An Illustrated Introduction by Sir Adrian Boult (lecture with music)
CD17 [72:19]
The Kingdom Op. 51 - Part I
CD18 [64:05]
The Kingdom Op. 51 - Part II
Margaret Price (soprano); Yvonne Minton (alto); Alexander Young (tenor); John Shirley-Quirk (bass); London Philharmonic Choir; London Philharmonic Orchestra/Sir Adrian Boult
Coronation Ode Op. 44
Dame Felicity Lott (soprano); Alfreda Hodgson (alto); Richard Morton (tenor); Stephen Roberts (bass); Cambridge University Musical Society Chorus; Choir of King's College Cambridge; New Philharmonia Orchestra; Band of the Royal Military School of Music, Kneller Hall/Sir Philip Ledger
CD19 [71:12]
The Light of Life (Lux Christi) Op. 29
Margaret Marshall, (soprano), Helen Watts (mezzo-soprano), Robin Leggate (tenor), John Shirley-Quirk (bass-baritone) Royal Liverpool Philharmonic Orchestra/Sir Charles Groves
CD20 [72:21]
The Black Knight Op. 25
Royal Liverpool Philharmonic Orchestra/Sir Charles Groves
Scenes from The Saga of King Olaf Op. 30 - Part I
CD21 [48:43]
Scenes from The Saga of King Olaf Op. 30 - Part II
Teresa Cahill (soprano), Philip Langridge (tenor), Brian Rayner Cook (bass), London Philharmonic Orchestra, London Philharmonic Choir/Vernon Handley
Royal Liverpool Philharmonic Orchestra, Liverpool Philharmonic Choir/Sir Charles Groves
CD22 [54:19]
Caractacus Op. 35 - Scenes I & II
CD23 [59:01]
Caractacus Op. 35 - Scene III - VI
Sheila Armstrong (soprano), Robert Tear (tenor), Peter Glossop (baritone), Brian Rayner Cook (bass), Stuart, Richard (bass), Royal Liverpool Philharmonic Orchestra, Liverpool Philharmonic Choir/Sir Charles Groves
CD24 [46:10 ]
The Banner of St George Op. 33, Great is the Lord (Psalm 48) Op. 67, Te Deum and Benedictus Op. 34
Stephen Roberts (baritone), London Symphony Chorus, Northern Sinfonia of England/Richard Hickox
CD25 [46:10]
The Spirit of England Op. 80, Give unto the Lord (Psalm 29) Op. 74, O hearken thou (Offertory) Op. 64,
Land of Hope and Glory (arr. Arthur Fagge)
Dame Felicity Lott (soprano), London Symphony Chorus, Northern Sinfonia of England/Richard Hickox
CD26 [76:10]
Ave verum corpus Op. 2 No. 1, Ave Maria Op. 2 No. 2, Ave maris stella Op. 2 No. 3, 11, Vesper Voluntaries Op. 14, Angelus Op. 56 No. 1, Give unto the Lord Op. 74, O hearken thou Op. 64, Te Deum and Benedictus Op. 34,
Harry Bramma (organ), Worcester Cathedral Choir/Christopher Robinson
Organ Sonata in G Op. 28
Herbert Sumsion (organ)
CD27 [55:19]
The Music Makers Op. 69
Dame Janet Baker (soprano), London Philharmonic Choir, London Philharmonic Orchestra/Sir Adrian Boult
The Sanguine Fan Op. 81
London Philharmonic Orchestra/Sir Adrian Boult
CD28 [70:40]
The Starlight Express - Incidental Music Op. 78
Valerie Masterson (soprano), Derek Hammond-Stroud (baritone), London Philharmonic Orchestra/Vernon Handley
CD29 [72:38]
Scenes from the Bavarian Highlands Op. 27,
Bournemouth Sinfonietta, Bournemouth Symphony Chorus/Norman Del Mar
Pleading Op. 48 No. 1, Was it some golden star? Op. 59 No. 3, Oh, soft was the song Op. 59 No. 1, Twilight Op. 59 No. 6, The Torch Op. 60 No. 1, The River Op. 60 No. 2,
Robert Tear (tenor), City of Birmingham Symphony Orchestra/Vernon Handley
The Shower Op. 71 No. 1, My love dwelt in a northern land,
City of Birmingham Symphony Chorus/Simon Halsey
Five Part-Songs from the Greek Anthology Op. 45, The Wanderer, The Reveille Op. 54, 4
Baccholian Singers of London
Choral Songs Op. 53 - Deep in my Soul
King's Singers
Herbert Parry - Jerusalem (arr. Elgar)
The National Anthem ("God Save the King") (arr. Elgar)
Royal Philharmonic Orchestra, Goldsmiths Choral Union/Owen Arwel Hughes
CD30 [76:55] - Historical recordings conducted by Sir Edward Elgar
Pomp and Circumstance March No. 1 - 5, The Dream of Gerontius Op. 38 - Prelude, Serenade in E minor Op. 20
Five Piano Improvisations, Salut d'amour Op. 12, Chanson de nuit Op. 15 No. 1, Chanson de matin Op. 15 No. 2, Pomp and Circumstance March No. 1 in D Op. 39 No. 1 - Trio, Cockaigne (In London Town) - Concert Overture Op. 40
BBC Symphony Orchestra, London Symphony Orchestra, Royal Albert Hall Orchestra, London Philharmonic Orchestra, New Symphony Orchestra/Sir Edward Elgar