Collard Greens and Black-Eyed Peas - Pettiford, Oscar
Ruby - Parish
I Could Have Danced All Night - Lerner, Alan Jay
Track Listings (14) - Disc #2
Serenade in Blue - Gordon
All the Things You Are - Hammerstein
Star Eyes - DePaul, Gene
Paying the Dues Blues - Niehaus, Lennie
I'm an Old Cowhand - Mercer, Johnny
Jordu - Jordan, Duke
Scrapple From the Apple - Parker, Charlie [Sa
Old Fashioned Love - Johnson, James [01]
On the Sunny Side of the Street - Fields, Dorothy
Whisper Not - Golson, Benny
I Could Write a Book - Hart
Grooveyard - Perkins, Carl [Jazz
Serpent's Tooth - Davis, Miles
Invisible - Coleman, Ornette
Track Listings (12) - Disc #3
Stardust - Carmichael, Hoagy
Misty - Burke, Johnny [Voca
Summertime - Gershwin, George
Oleo - Rollins
Exodus - Gold, Ernest
A Deed for Dolphy - Shaw, Woody
My Funny Valentine - Hart, Lorenz
Morning - Hawes, Hampton
Will You Still Be Mine? - Adair, Tom
Beyond the Rain - Freeman, Chico
Love Walked In - Gershwin
Over the Rainbow - Arlen, Harold
From its inception in 1951, Contemporary Records was an important independent jazz label, a West Coast equivalent to New York's Blue Note, Prestige, or Riverside. When its founder Lester Koenig was blacklisted in the film ... more »industry for refusing to testify before the House Un-American Activities Committee, he turned full-time to recording jazz. Koenig began chronicling the airy tones, relaxed swing, and often complex, clever arrangements favored by Shelly Manne, Lennie Niehaus, and other key figures of the burgeoning West Coast movement. The label achieved tremendous success with artists like the elegant pianist André Previn, with his sophisticated arrangements of Broadway show tunes, and the Poll Winners trio composed of guitarist Barney Kessel, bassist Ray Brown and drummer Manne. But Contemporary also reflected the dual nature of the Los Angeles jazz scene, which contrasted the largely white "cool school" (often played by Hollywood studio musicians) with the edgy and forceful hard bop practiced by the city's perennially unsung black musicians. As the label's story unfolds here in recordings from 1952 to 1977, Koenig's vision is consistently impressive, whether he was recording a witty date by visiting East Coast icon Sonny Rollins or early sessions by avant-garde figures Ornette Coleman and Cecil Taylor. There are also superb mainstream dates by swing-era giants like Benny Carter, Red Norvo, and Ben Webster. Then there are the two figures who best connected all the points in the Contemporary world, pianist Hampton Hawes and alto saxophonist Art Pepper--both brilliant players who stretch throughout the label's active history and who reach musical heights that few artists ever achieve. This four-CD set provides a view of California jazz that's more multifaceted and far more richly expressive than is often recognized. --Stuart Broomer« less
From its inception in 1951, Contemporary Records was an important independent jazz label, a West Coast equivalent to New York's Blue Note, Prestige, or Riverside. When its founder Lester Koenig was blacklisted in the film industry for refusing to testify before the House Un-American Activities Committee, he turned full-time to recording jazz. Koenig began chronicling the airy tones, relaxed swing, and often complex, clever arrangements favored by Shelly Manne, Lennie Niehaus, and other key figures of the burgeoning West Coast movement. The label achieved tremendous success with artists like the elegant pianist André Previn, with his sophisticated arrangements of Broadway show tunes, and the Poll Winners trio composed of guitarist Barney Kessel, bassist Ray Brown and drummer Manne. But Contemporary also reflected the dual nature of the Los Angeles jazz scene, which contrasted the largely white "cool school" (often played by Hollywood studio musicians) with the edgy and forceful hard bop practiced by the city's perennially unsung black musicians. As the label's story unfolds here in recordings from 1952 to 1977, Koenig's vision is consistently impressive, whether he was recording a witty date by visiting East Coast icon Sonny Rollins or early sessions by avant-garde figures Ornette Coleman and Cecil Taylor. There are also superb mainstream dates by swing-era giants like Benny Carter, Red Norvo, and Ben Webster. Then there are the two figures who best connected all the points in the Contemporary world, pianist Hampton Hawes and alto saxophonist Art Pepper--both brilliant players who stretch throughout the label's active history and who reach musical heights that few artists ever achieve. This four-CD set provides a view of California jazz that's more multifaceted and far more richly expressive than is often recognized. --Stuart Broomer