"First off I think some other reviewers are confusing the Truth with the Temptations...
However if you a fan of the Truth then you will be very happy with what you have here...remastered versions of their interpretations of some Temps classics and their own popular tracks from the 70's!
Oh and by the way, the slower (and much longer) version of Ball of Confusion is....well it just is!
Rockin soul...funky soul...good stuff!"
This Undisputed Truth cd ain't the whole truth!
D. Clark | 12/08/2006
(4 out of 5 stars)
"The Undisputed Truth, or "Underrated Truth" as I sometimes call them, are generally remembered today as the "Smiling Faces" group, but producer Norman Whitfield really took them to fascinating musical heights in the years following that everlasting hit. You need to buy a turntable, and hunt down their old albums to completely understand the Truth.
Unfortunately, you can't buy records on Amazon, and turntables aren't exactly the most practical means of home audio. So, just go ahead and buy this album, even if you own all the records. Just so you can hear "Lil' Red Ridin' Hood" remastered in your thumpin' car stereo, with the windows rolled down, while you're cruisin' through the ghetto!
"Law of the Land" is a pulsing, rythmical, complex soul/funk work-out. It has grooving chops, and dynamic vocal and string arrangement. Sorry to say, I don't know the stand-out female singer's name, but this lady can belt it like the best Motown vocalists. She makes you wanna gasp for air whenever you hear her.
"UFOs" is a pristine example of the group at their pulsing, psychedelic funk rock best. Great lyrics, trippy sounds fx, goofy vocals. Very interesting stuff.
"Lil' Red Ridin' Hood" is almost the penultimate black rock song. This one, I think, is up their with some of Funkadelic's most grungy opuses. The premise for the song is genius: a young, pretty, rich girl in a red dress walks through the ghetto and gets harrassed by a funny-cigarette smokin' brother. Instrumentally, the song is simplistic, and frankly have a thrashy, head-banging feel. Vocally, the lyrics of the verses aren't melodic, and are "exclaimed" more than sung, giving the song a unique and threatening feel. I dig it as one of my favorite '70s recordings.
"Help Yourself" is a great song, but I'd much rather have the version from the Higher than High LP than this one.
"Poontang" a fun, raucous funk romp. It's a self-referential song where the singer talks about dreaming of becoming a star since childhood, how he recorded "Smiling Faces" (or "a hit record" as it's referred to), how it sold sold a million ten days after it was first released, "and that sounds alright to me!", he says. Consequently, he gets a lot of Poontang. Good, bouncing, joyous funk with great horn arrangements...naturally.
Well the Truth of the matter is, this's just a sample of the what the band was all about. But until they finally release their whole original albums on CD, this is the best you'll have to do. Please Universal, please give us the Truth, the whole Truth, and nothing but the Truth, in the form of a BOX SET. Now that would be NASTAY.....
just an idea
"
Undiputedly groovy and funky !
Eddie Landsberg | Tokyo, Japan | 10/06/2007
(4 out of 5 stars)
"Honestly speaking, though MOTOWN epitomizes CLASSIC SOUL... I wouldn't have called the label "consistently funky" - - artists on Motown tended to be a lot more poppish and polished as compared to their other label counterparts... The TRUTH however, were definitely Motown's REBEL group... Though their productions were definitely MOTOWN slick the their tracks were incredibly groovy... and very funky at times... I always thought of them as THE TEMPTATIONS on lot's and lot's of acid... They take classic vocal soul, mix in a bit of Phil Spector's layer of sound approach, but then have lot's and lot's of strange wa wa, production hooks and wierd stuff that most other straight soul groups weren't doing at the time.
As for this particular compilation... a nice intro... however, realistically speaking the UNDISPUTED TRUTH were one of those groups who had their share of hits and great tunes, but I don't think they really had enough "anthems" to fill up a "greatest hits" album... that's to say, instantly recognizable tunes automatically associated with the group's sound (Smiling Phases and their version of Pappa Was A Rolling Stone are the one's most people remember.)... So rather than a GREATEST HITS album, I think an fuller ANTHOLOGY capturing all their different sounds would have been way better.... One particular thing about the group was that they were very experimental... but their thing was to take the sound of other groups then do it in their style... from their early years in which they sounded a lot like the TEMPS to later years in which they had sort of a P-Funk/Bootsy thing going (take the Ohio Players/Blowfly-ish "Poontang" (with its outrageous "I used to hate it til I ate it!" chorus!) for example... and in the middle where you even hear takes on groups like The Staples (Help Yourself) and even the Commodores (Higher than High)...
All in all, its ashame this group today is probably one of the lesser known artists from the MOTOWN stable... in my book, they were among the best and funkiest...
Now if only some FOOTAGE and more material by THE DYNAMIC SUPERIORS would emerge...
As for the best of the UNDISPUTED TRUTH, you want the album they did with BOOGIE BUMP BOOGIE - - Check out ESSENTIAL COLLECTION (as opposed to this compilation) to get it and a few more..."
Rock and rap confidential tell us
Eddie Landsberg | 08/22/2003
(4 out of 5 stars)
"...vehicle for producer Norman Whitfield's psychedelic soul, with two female group members giving an added dimension to the crisp, billowing orchestration. While "Smiling Faces Sometimes (Tell Lies)" can be seen as cynical, the overall content (give or take "Poontang") is a call to revolution, in stark contrast to the self-centered focus of modern R&B."
Just an info
Grand Puba | Cologne, Germany | 04/20/2006
(5 out of 5 stars)
"at oberon "from motown": "Papa Was A Rolling Stone" was written by Norman Whitfield and Barrett Strong for The Undisputed Truth. The Single was released in the spring of 1972. This is almost forgotten, because later in 72 Norman Whitfield revised the song for The Temptations and created the grammy-winning funk symphonie."