The album that named a movement (and a magazine), No Depression rocks and twangs in just about equal measure, though the rock side wins out most of the time. Even when a song downshifts from full-on punk to banjo- and mand... more »olin-graced interludes, it usually shifts back again, seemingly louder and angrier than before. Beyond the influential sound, though, are some great songs, whether they're raging originals like "Graveyard Shift," an earnest, acoustic cover of the Carter Family's title track, or a decidedly desperate portrait of Leadbelly's "John Hardy." Six bonus cuts flesh out the 2003 expanded and remastered edition, including a cover of Gram Parsons's "Sin City." --David Cantwell« less
The album that named a movement (and a magazine), No Depression rocks and twangs in just about equal measure, though the rock side wins out most of the time. Even when a song downshifts from full-on punk to banjo- and mandolin-graced interludes, it usually shifts back again, seemingly louder and angrier than before. Beyond the influential sound, though, are some great songs, whether they're raging originals like "Graveyard Shift," an earnest, acoustic cover of the Carter Family's title track, or a decidedly desperate portrait of Leadbelly's "John Hardy." Six bonus cuts flesh out the 2003 expanded and remastered edition, including a cover of Gram Parsons's "Sin City." --David Cantwell
"Uncle Tupelo might be one of the most impressive and important bands you have never heard of. In the few short years -- and four amazing albums -- of their existence they developed a sound that would turn into the alt-country movement."No Depression" is the first record they released. You can hear the twang of the country music background that was around them in Bellville, IL, the punk rock sounds of The Clash and The Romones in the heavy, quick guitar riffs, and the folk influences of Bob Dylan in the lyrics of this album. It really transcended any music of the time.The songs individually are all excellent. The songs "No Depression", "Screen Door" and "Live Worth Livin'" stand out in my mind as the best of the disk. Farrar and Tweedy's voices compliment each other track to track while also giving a depth to the sound of the album. Quickly you will pick up on differences of Farrar's raspy voice, and deep outward looking lyrics while Tweedy's voice is smoother and lyrics are more inward looking.I would recommend any current fans of the new resurgence of Alt-Country (the likes of Ryan Adam and Jesse Malin) to pick up this CD and all of Uncle Tupelo's albums to see where the genre began. Fans of Wilco (Tweedy's current band) and Son Volt (Farrar's band) will already know about the greatness of them music, and should also pick of these disks as before the re-release they were almost impossible to find."
A foundational album by a dynamic indie-rock band
Joe Sixpack -- Slipcue.com | ...in Middle America | 05/25/2003
(4 out of 5 stars)
"Uncle Tupelo, coming from the St. Louis suburbs on the Illinois side of the Mississippi River, were a striking and dynamic Midwestern indie-rock band, synthesizing the driving, punkish rhythms of earlier bands such as Soul Asylum with the Seattle-based grunge scene and the various soul-searching, profundity drenched REM wannabees. As an extra, double-dog-dare twist, they also threw in clever hints of old-fashioned country and twang, music that hip kids in the South and Midwest had been taught to despise as redneck trash. They were not, as advertised, the founders of alt.country (Gram Parsons, Willie Nelson, High Sheriff Ricky Barnes and the Knitters might have something to say about that...) but they were probably the band that made the biggest dent in the indie-rock landscape of the time.This 1990 debut showed an enthusiastic and eclectic band, mostly a three-piece comprised of songwriter guitarists Jay Ferrar and Jeff Tweedy, along with drummer Mike Heidorn, which plowed through emotive, grungy roots rock and some folkie acoustic material, with unrepentant whiffs of cowpunk and grindcore included in the margins. This new CD edition offers six extra tracks -- live perfomances, demo tracks and outtakes -- as well as casual, informative liner notes by drummer Mike Heidorn, and lots of Uncle Tupelo memorabilia, such as reprints of old show posters, advertising the band playing at frat parties and teeny local bars. For devoted fans or the newly curious, this is a pretty classy package."
Oh My, yes indeed!
Frank Garon | Breinigsville, PA United States | 08/09/2004
(5 out of 5 stars)
"Now this, THIS is my kind of music. Punk meets Country, with Rock sprinkled all over for good measure! From the opening note of "Graveyard Shift" to the close of "Blues Die Hard, there's 19 tracks of pure great music to be had here.
This stuff is potent - what creativity, what diversity, what a great sound these guys put out. Makes me mad I didn't discover them sooner, because Uncle Tupelo and Son Volt are two of the best groups I've been lucky enough to come across in the past year or two. Really and truly well worth buying this one is, you will be very glad you did!"
Classic
Greg H. | Missouri | 02/14/2004
(5 out of 5 stars)
"One of the best albums made in the last 14 years. A powerful St. Louis area three-piece band, this is one of the best works of the careers of Jay Farrar and Jeff Tweedy. The remastered version adds more language to this hard hitting epic. Uncle Tupelo nails a gut wrenching blue collar existence of crappy factory work, hard drinking, no money, smoke filled bars and just living in an environment where the only way you can see a way out is to just get out. Mainstream country and popular music try and usually fail to capture it, often sounding so very insincere. Maybe that's because of the gap that exist between the struggling artist that often write the songs and the multi-millionaires that record them. On this album there is little doubt that Uncle Tupelo is living what they write and sing about. Songs like: Graveyard Shift, Before I Break, No Depression, Factory Belt, Whiskey Bottle, Life Worth Livin' and Screen Door strike directly at the working class soul. They even bring a sincerity to the two songs on this disc they didn't write; the title track "No Depression" and "John Hardy". This is the album that launched a genre that has been too often overlooked. It may the fate of this album that it is one of the greatest albums that a good part of the country will never hear."
Alternative country comes alive...
Brian E. Burgess | NY, USA | 12/19/2004
(5 out of 5 stars)
"A friend of mine actually gave me a copy of No Depression on tape shortly after this release came out and told me I had to check this new band out. For some reason it sat at the bottom of my tape collection for well over a year. I finally rediscovered the tape one day and realized it was time to check out the band with the unique name. Man, had I missed out on some seriously good music! There is a nice mix of punk and country on many of the songs on this cd. Songs such as "Graveyard Shift" and "Factory Belt" are quick paced, high-flying country/punk tunes but the song that blew me away (and still does to this day) is the old school country drinking song "Whiskey Bottle". Everytime I hear this song it just sends shivers up my spine as you can feel the pain and heartache in Jay Farrar's voice. Some great bonus tracks on the remastered version including a great version of Gram Parson's "Sin City" and an informative booklet just add to the original beauty of this release. Tupelo move forward into a more traditional country sound after this cd but "No Depression" is a groundbreaking effort.