This Polish trio first came together a decade ago, playing with Tomasz Stanko. Then in their teens, their rapport with the trumpet player 40 years their elder was immediate, and they still continue to this day as a quartet... more ». Here they cast out on their own, showing the full breadth of artistry. Pianist Marcin Wasilewski is the primary writer, composing a third of the set. His pieces range from the perky "K.T.C." to the jubilant "Shine." In addition to a handful of group improvisations, they also cover Stanko's "Green Sky," Wayne Shorter's "Plaza Real," and, in a surprise move, a gorgeously rendered version of Björk's "Hyperballad." Following similar impulses as Bill Evans, they embrace jazz piano trio traditions, along with European classical motifs. --David Greenberger« less
This Polish trio first came together a decade ago, playing with Tomasz Stanko. Then in their teens, their rapport with the trumpet player 40 years their elder was immediate, and they still continue to this day as a quartet. Here they cast out on their own, showing the full breadth of artistry. Pianist Marcin Wasilewski is the primary writer, composing a third of the set. His pieces range from the perky "K.T.C." to the jubilant "Shine." In addition to a handful of group improvisations, they also cover Stanko's "Green Sky," Wayne Shorter's "Plaza Real," and, in a surprise move, a gorgeously rendered version of Björk's "Hyperballad." Following similar impulses as Bill Evans, they embrace jazz piano trio traditions, along with European classical motifs. --David Greenberger
"Out of left field. Check. Three Poles, who form the backup group to trumpet genius, Thomasz Stanko. But who would've predicted that they'd move the music beyond their boss and master? (Well, setting modesty aside, I did say, in my review of Stanko's Suspended Night, "As impressive as Stanko is here . . . the real heroes are his Polish [backup group].")
Weird intersection of ravishing beauty and hardcore rigor. Check. These guys, although they can and do hang with the most gorgeous of the recent ECM trio outings, e.g., the Tord Gustavson Trio, Anderson/Tsabropoulos/Marshall, and Taylor/Johnson/Baron, also have a similarly rigorous, deeply delved jazz sensibility. Where they got it from, who knows. Endlessly listening to Bill Evans and Keith Jarrett sides clandestinely available in Poland? Tuning in to Radio Free America jazz broadcasts? Encountering likeminded musicians as they toured the Free World with their trumpet master? Somehow connecting with, absorbing, and transmuting Ryuichi Sakamoto's unique musical vision? It matters little. The important thing is, they've got it.
Absolute assurance in the conceptualization and execution of their unique musical vision. Check. This is jazz that I've never heard before, but, paradoxically, have heard my entire adult life. Shades of past and present masters (Evans, Jarrett, Werner, Lafaro, Baron, Haden, Motian, Erskine, Higgins), dancing, lilting, singing, swinging in their own glorious idiom, resonating with jazz icons of the first water, but somehow uniquely showing forth their own hard-won musical insights.
Music that's just too beautiful, but that you don't want to quit listening to (unlike saccharine sweet jazz lite, that initially beguiles but soon wears out its welcome). Check. I, literally, can't get this stinkin' disc off my player. It keeps working its way back in, no matter how hard I try to listen to other stuff.
Music that continually surprises, even as it becomes more and more listener-friendly. Check. Each time I hear this astounding disc, I get something new out of it. But, weirdly, not as some kind of jazz LESSON; just as the consequence of listening with ears open and encountering music of great generosity clothed in almost simplistic garb. To paraphrase C. S. Lewis: The door to jazz is low, and you must stoop to enter. And its foremost practitioners have mastered the off-hand grandeur that characterizes this music at its, paradoxically, most exalted and most humble moments.
Seldom does any disc, no matter from what genre or idiom, rise to the heights this music naturally walks in and among. One thinks of Omar Sosa at the summit of his ecstatic expression (Mulatos and Pictures of Soul), or, perhaps, of Peter Epstein's magical The Invisible or Nascer, or the Egberto Gismonti of Magico or Sanfona, or Safa. And few others. For me to include this altogether marvelous music among these masters means I have placed it in some kind of veritable musical Pantheon.
And I have.
So if you don't pick up on it, don't blame me. I gave you fair warning."
Relaxin' at Krakow
David J. Engel | Bethesda, MD USA | 03/27/2005
(5 out of 5 stars)
"I am always listening to a lot of new music. And when there's a new ECM release I usually grab it immediately. That was the case with Trio. And I am glad. Here we have wonderful, inventive, relaxed trio playing by three very talented players. Young, creative guys I have seen at Blues Alley here in D.C. accompanying Tomasz Stanko. I think I may prefer the Trio to the Stanko group as I find Stanko's searing, sarchastic tone (reminding me of Prokofiev & Shostakovich) can wear me down a bit. Listening to Trio these past couple of weeks I have been reminded of an old-ish favorite of mine, Lyle Mays's Fictionary, with all its Bill Evans-isms. This is not a bad thing. Trio is a really rewarding new release. I will look forward to hearing more from these guys."
Great atmospheric jazz
Darekk | Warsaw Poland | 03/19/2005
(5 out of 5 stars)
"I've seen Simple Acoustic Trio (the full name of the band) live with Stanko on March 6 and I was smitten, esp. by the piano virtuoso and their energy. I bought the CD and, though restrained compared to the concert, it is one of my current favourites (esp. Bjork's Hyperballad, KTC and Sister's Song). I like this kind of piano playing (I also like Jarrett, Evans, Svensson of EST) and this atmosphere reminiscent of Stanko but more, shall I say, "optimistic". Strong 5 stars and a place in Top 10% of my CD collection."
Restless . . .
Ronald Scheer | Los Angeles | 03/06/2006
(5 out of 5 stars)
"I got this CD on the recommendation of an NPR music reviewer, and when I first listened to it, I didn't hear the laid-back, easy mellowness I'd been led to expect. But when I gave it another go, I began hearing the wonderful complexity of haunting melodic riffs, the soulful bass lines, and agitated drum work, and while I can't pronounce the names of any of the performers, I fell for this group in a big way.
It's not a stretch to compare "Trio" to what it must have been like hearing "Kind of Blue" for the first time. What seems to be a melancholy restlessness begins to materialize as the thoughtful and deeply felt, making an imprint on memory that promises and delivers a welcome journey through moods and colorations at the start of each replayed cut. Sounds great in a car stereo and after many listenings I've found that it responds nicely to all kinds of traffic conditions. Also recommended: Tord Gustavsen Trio, "Changing Places.""