Drum Improvisation [Live][#] - Trio of Doom, Williams, Tony [Dru
Dark Prince [Live][#] - Trio of Doom, McLaughlin, John [J
Continuum [Live][#] - Trio of Doom, Pastorius, Jaco
Para Oriente [Live][#] - Trio of Doom, Williams, Tony [Dru
Are You the One, Are You the One? [Live][#] - Trio of Doom, McLaughlin, John [J
Dark Prince [Studio] - Trio of Doom, McLaughlin, John [J
Continuum [Studio] - Trio of Doom, Pastorius, Jaco
Para Oriente [Studio][Alternate Take][#] - Trio of Doom, Williams, Tony [Dru
Para Oriente [Studio] - Trio of Doom, Williams, Tony [Dru
Recorded at the 1979 Havana Jazz Festival, this short and powerful set, with Miles Davis alumni, drummer Tony Williams and guitarist John McLaughlin, and Weather Report bassist Jaco Pastorius, was one for the ages. The pre... more »viously unreleased selections, one through five, are explosive, but mis-miked live tracks. Williams? "Drum Improvisation" segues into McLaughlin?s fuzz-toned "Dark Prince," which does not swing in a silent way. Pastorious? theme song "Continuum" is scaled down to its essential twilight textures, while the drummer?s "Para Oriente" - which later became a stable in V.S.O.P?s book, and was recast as "Angel Street" ? is rendered here in a funky, pre-grunge mode. The guitarist?s "Are You the One, Are You the One?" previews the jam band craze. The rest of the cuts were recorded a week later in a New York studio, But the warts-and-all original sides are unmatched for their primal power. --Eugene Holley, Jr.« less
Recorded at the 1979 Havana Jazz Festival, this short and powerful set, with Miles Davis alumni, drummer Tony Williams and guitarist John McLaughlin, and Weather Report bassist Jaco Pastorius, was one for the ages. The previously unreleased selections, one through five, are explosive, but mis-miked live tracks. Williams? "Drum Improvisation" segues into McLaughlin?s fuzz-toned "Dark Prince," which does not swing in a silent way. Pastorious? theme song "Continuum" is scaled down to its essential twilight textures, while the drummer?s "Para Oriente" - which later became a stable in V.S.O.P?s book, and was recast as "Angel Street" ? is rendered here in a funky, pre-grunge mode. The guitarist?s "Are You the One, Are You the One?" previews the jam band craze. The rest of the cuts were recorded a week later in a New York studio, But the warts-and-all original sides are unmatched for their primal power. --Eugene Holley, Jr.
Legendary meeting, a bit less than legendary performance.
Michael Stack | North Chelmsford, MA USA | 07/05/2007
(3 out of 5 stars)
"In 1979, a group of jazz musicians gave a series of performances in Havana, one of the seemingly endless gestures of art reaching out through the blocade to Cuba. Legendary among these performances was the "Trio of Doom" performance, a power trio of guitarist John McLaughlin, bassist Jaco Pastorius and drummer Tony Williams, all at the heights of their powers. Their brief performance (about 25 minutes) was intended for partial release, but McLaughlin blocked it, instead pulling the group in the studio for a brief session that was then released, with crowd noise dubbed in, as these performances (a popular technique since at least Duke Ellington's legendary "Live at Newport" performance). This CD gathers together all the material-- the 25 minute live show and about 15 minutes of studio material.
McLaughlin's concerns may have been a bit extraneous-- the live performance has its flaws, to be certain (Jaco wanders off key briefly on "Dark Prince", "Are You the One, Are You the One?" threatens to fall apart), but there's a rare energy and power to the performance that really can't be underestimated, starting with Williams brief drum solo intro that sets the mood for high tension before welcoming his band mates on a racing "Dark Prince". For me, as a Jaco fan, the highlight is "Continuum", performed with grace as Pastorius and Williams stick true to the studio recording and McLaughlin offers a superb commentary that sounds both new and natural.
The studio material, particularly when presented next to the live takes sounds a bit sterile. "Dark Prince" probably best illustrates this-- live, it has an energy and urgency to it, McLaughlin's guitars sound dirty and fierce, Pastorius and Williams explode full of energy. In the studio, McLaughlin's tone, while still overdriven, cleans up and the rhythm section gets a bit too lockstep.
All of the material has been remastered and sounds fantastic-- the live material in particular is notable, clearly the source tapes were in good shape, this could have been recorded yesterday. The set is augmented by brief liner notes by McLaughlin and an essay discussing the performance and subsequent studio session.
This recording is difficult to rate-- the sentimental part of me wants to give it five stars and an endlessly positive, glowing review, but in all honesty, while this is a great recording and one that I'm ecstatic to have, it's not exactly the sort of jaw-dropping performance you'd hope it'd be. Fans of any of the three artists will want this, but don't expect something that'll shake the world."
The Bay of Gigs
KaiserSozay | 08/05/2007
(2 out of 5 stars)
"Other than a great drum solo by Tony Williams that starts this disc out, a burning solo by McLaughlin on "Dark Prince" and a decent version of Pastorius' "Continuum", there is really nothing here to listen to. Much of the rest of this CD is Pastorius playing away from the changes and McLaughlin trying to salvage the proceedings by playing either louder or faster. Williams tries desperately to hold it all together while Mclaughlin and Pastorius twiddle away at each other. McLaughlin was never happy with the results of this meeting in the first place and stated for years that he never wanted this recording to see the light of day. Knowing Pastorius was going through a lot of personal problems at this time and probably wasn't in top form here, I bought this mostly out of curiosity. You're better off spending your money on both the new essential McLaughlin and Pastorius CD's that just came out. You can get this if you're really that curious, but don't expect much."
Jaco
Kennedy Connor | 10/01/2007
(5 out of 5 stars)
"I never really understood the "Jaco" phenomenon until I heard the live take of "Continuum." This is a must have cd for me. Mclaughlin also is in fine form. He seems out of his element in a way which allowed for some real on the spot improv. Forcing him to play with such melodic bass player demands some outside the box thinking for Mclaughlin and of course Williams is superb. I am not a purist or collector just a listener who longs for the early era of "fusion" when people were really playing by the seat of their pants."
The Cream of fusion
Bodhi Heeren | Copenhagen | 08/23/2007
(5 out of 5 stars)
"Although the playing time is rather short this is absolutely wonderful music by three of my favorite musicians. The visionary guitarist John McLaughlin, not only a master improvisatot but a briliant composer as well. Pastorius, one of the true innovators on the bass, and Tony Williams, perhaps only John Bonham could match him when it comes to combining the heavy and the subtle.
So this meeting is really a dream come true, and luckily there are no ego-clashes, instead it reminds me of Cream - certainly an inspiration for all three, Tony Williams Lifetime really an attempt to translate Cream and Hendrix into electric fusion. Where all three musicians and all three instruments have equal status in the furious jamming.
John's solo in "The Dark Prince" is truly in the zone , Jaco's take on "Continuum" beautiful, Tony driving and commenting all the time.
Just a shame they end the live-set on a kind of bum note with some incoherent jamming that can really only be identified as "Are You The One?" when McLaughlin plays the riff at the closure of the jam. Certainly a far cry from the majestic original on "Electric Guitarist" with John, Tony and another basslegend: Jack Bruce.
But all in all this music is just as inspiring today as it was that day in Havana. Created in the Now by some of the best musicians of our age."
Don't waste a penny on this one
Adam Toth | Seattle, WA USA | 04/05/2010
(1 out of 5 stars)
"There is a reason this wasn't released in full for almost 30 years. It sucks.
Read the liner notes, and even John McLaughlin told the studios not to release it back then, "over his dead body". He has since had a "change of heart", or maybe it was a change in his pocket book, because this CD should have never been put out.
All three of these musicians are my personal favorites at their respective instruments, but this recording is absolutely terrible. Tony Williams' drumming is OK (not his best, not like VSOP Quintet) but was miked so poorly that all you hear is cymbals, so overbearing that they wash out everything else. Jaco, well, you can't even hear him on most of this recording, he is so quiet and also miked so poorly. And McLaughlin has a couple moments of Mahavishnu Orchestra-esque potential that never quite blossoms, the rest dragging and uninspired. My comments are the same for the live tracks as for the studio ones as well.