Search - Larry Coryell, Victor Bailey, Lenny White :: Traffic

Steven B. (stevenmbell) from ONEKAMA, MI
Reviewed on 7/13/2009...

This is simply one of the best hard hitting fusion recordings out there.The chemistry between these three is moving to say the least.From the first note you are taken on a trip of sound that is a once in a lifetime happening.Chesky is the master of one take recording.Coryell is at his finest here,playing with the enthasism of a fourteen year old boy touching his first breast.But with the refinement of an expirenced lover.Both Bailey and White shine in much the same way.This disc can make a deaf mute hear again.Do I like this recording yes in a word, But I don't want to Rave about it. You listen for yourself and decide.

Excellent Jazz Rock

Gregory Edwards | 10/05/2006

(5 out of 5 stars)

"Following their rockin' 2005 debut album, "Traffic" finds guitarist Larry Coryell, bassist Victor Bailey and drummer Lenny White harnessing their considerable experience in an eclectic blend of jazz, R&B and rock.



Larry Coryell debuted on Chico Hamilton's "Dealer" album in 1966 and has appeared on more than 200 albums, 70 as a leader. Coryell was involved in the early fusion movement, later moved into acoustic, and for the last few years has refined his sound as a traditional jazz guitarist.



Victor Bailey began his recording career with Weather Report, and has played with such diverse groups as Steps Ahead and Madonna. Bailey's ability to play both rhythm and lead provides for a deep rhythm section.



Lenny White is best known for participating as one of the drummers on Miles Davis's Bitches Brew sessions, and as a member of the most famous lineup of Chick Corea's Return to Forever. Since embarking on a solo career White has collaborated with the cream of fusion players, including Brian Auger, Jan Hammer, Miroslav Vitous and Al DiMeola. With a heavy groove and chops to burn, White is a drummer comfortable in any style.



"Traffic" begins "Judith Love Jazz," a Coryell composition with blazing solos by both Coryell and Bailey.



Though the melody to Hendrix's "Manic Depression" is weak, Coryell manages to pull it out with an excellent rock guitar solo.



One of the highlights of the album is White's quirky "Door #3". This is a great tune, played wonderfully by all. White shows what an incredible drummer he is with his use of finesse and clever odd meters.



Coryell pulls out his acoustic on the Bailey's beautiful tune "Joyce's Favorite". Both Bailey and Coryell play lovely solos that could easily end up on a smooth jazz station.



For the first time on a recording, Coryell plays slide on the Monk tune "Misterioso". With a country flavor, Coryell solos with uncommon flair during the break. This tunes finishes with jazz comping and a short jazz solo by Coryell.



Once again Coryell plays acoustic on White's "Dedication". On this on, Bailey demonstrates some of the most beautiful bass lines you'll ever hear.



Where other similar artists might come out shredding, Bailey and While play with incredible restraint on their duet outing "Drums and Bass". Bailey plays mostly chord figures on this funky, uplifting jam.



Coryell is alone on his modern acoustic solo piece "Jake's Lullaby". Coryell demonstrates what a master guitarist he is on this jazz and classical workout.



The band returns with "Overruled". This track has a head that sounds loosely like a "Led Zeppelin" tune, but breaks into heavy jazz-rock chording.



The album concludes with the anthem "Electric Jam". Once you hear this tune, you can't get it out of your head. With its rock-inflected solos and incredible rhythm section, this track alone is worth the cost of the album.



There isn't a single low-point on "Traffic". Every tune has the vibe of a working band playing live at the top of their game. This is one of the top jazz-rock fusion albums of the last few years.

"

More killer guitar work from Mr. Coryell

John Terry | Kansas City, Mo | 12/16/2006

(5 out of 5 stars)

"CBW is back with their second album and Mr. Coryell, Mr. Bailey and Mr. White show why they're the best power trio slash jazz fusion group working today. By and large, big name recognition has eluded Larry Coryell despite his considerable talents. Larry will tell you that Jimi Hendrix is, hands down, the best guitarist ever. In the same breath, he'll tell you he resents him because it feels like his life was stolen from him. At roughly the same time as Jimi, Larry Coryell was blasting out fiery lick after lick and is widely regarded as the father of jazz fusion guitar. Doesn't seem fair that one man is a legend and the other man is acknowledged as one of the founders of a genre that many people think died back in the seventies. Stylistically, this album is more diverse than the first album, reminding his audience that Larry is equally at home playing straight jazz as well. Oh yeah, the other two guys, Victor Bailey and Lenny White, are pretty darned good as well. Seems like I've heard their names some place before. I think maybe they played fusion as well. Tongue planted firmly in cheek. One of my favorites of the year."