Search - Townes Van Zandt :: High, Low And In Between/Late Great

Sweet writer, with a voice that grows on you...

William E. Adams | Midland, Texas USA | 07/03/2005

(5 out of 5 stars)

"This single-CD collection of two of Townes' early LP's should confirm for any lover of country/folk that Van Zandt's reputation is well-deserved. People such as Guy Clark, Nancy Griffith, Emmy Lou Harris, Billy Joe Shaver, Todd Snider, Willie Nelson, Steve Earle and many others who had more successful performing careers than Townes all praise his writing. I was pleased with the writing, but pleasantly surprised that TVZ could sing so well. His voice is limited, but endearing. He is one of a long line of artists who could not survive alcohol and drugs and the stress of the music business. All of the songs on here, all 22, are worth hearing, but more than half of them deserve and reward repeated listening. Those stand up to dozens of playings without getting stale. I'm speaking of songs such as "To Live is to Fly" and "No Lonesome Tune" and "Don't Let the Sunshine Fool Ya'" and "Poncho and Lefty" and "If I Needed You." While "Sunshine" was written by Guy Clark, Townes' version is almost as good as Clark's own. Eighteen of the tracks were written by Van Zandt. These performances were laid down on vinyl in the 1970's, but they hold up pretty darn well. If you have heard about TVZ, and want a good sample of his lyrics and singing, this item is a great value."

A lot to listen to

Paula Berman | Phoenix, AZ | 02/02/1999

(4 out of 5 stars)

"There are two separate albums on this portmanteau CD, and it may be best to listen to them separately -- which is not at all a criticism. There's a lot packed into the simplicity of these songs -- Townes was one of very few people who could be described as "intense, in a laid-back kind of way" -- and trying to assimilate all 22 songs at once could lead to an overdose."

Great introduction

Elliot Knapp | Seattle, Washington United States | 02/15/2007

(4 out of 5 stars)

"I'm not a big fan of compilations and "best of" CDs; like a lot of music fans I prefer to hear entire albums in their original context. That's why this economically-priced two-fer from Townes Van Zandt is such a good introduction--it includes two entire albums from one of his most productive periods, and offers a wide variety of his music to get you interested in exploring more. Between these two albums, you can see what a talented songwriter, understatedly excellent vocalist, and all-around worthwhile musical personality he was. Not only that, you'll have over an hour of great country-tinged folk to listen to.



The first album included is High, Low, and In Between. It's probably the lesser of the two choices, but still very worthwhile. Van Zandt is usually accompanied by some subtle acoustic guitar, often combined with some bass, or even bigger band arrangements. He certainly has a skill for melancholy--songs like "You are Not Needed Now" and the title track really get under your skin with simple melodies and some occasionally chilling lyrics. He does include a few upbeat numbers, though, like the great and humorous "No Deal," and the groovy "Standin.'" There are a few weaker tracks, most notably the gospel tunes "Two Hands" and "When He Offers His Hand;" they lack the personality that Van Zandt is so capable of injecting into a great song. Overall, though, there are some great highlights.



The second album is even better. The Late Great Townes Van Zandt opens with "No Lonesome Tune," a very homey, heartwarming tune combined with some really cool music--the heavy bass sounds great combined with the mandolin. The singer sounds totally at ease in the relaxed "German Mustard" blues, and rips out some of his most harrowing compositions, the mysterious "Ships of Andilar," and the oft-covered "Pancho and Lefty." On both discs, he shows great skill at storytelling, and it's too bad every other country singer had a hit with "Pancho and Lefty," but its own composer couldn't. This album really shows off his deft skill at mystery, since more often the music matches his deceptively dense words. Again, though, there are also fun moments like the cover, "Honky Tonkin.'" Also again, though, there are a few weaker moments--"Sad Cinderella" sounds like a textbook paraphrased rewrite of Dylan's "Queen Jane Approximately," and "Heavenly Houseboat Blues" isn't quite a compelling closer.



All in all, though, Townes Van Zandt has made some great music, and deserves to be much better known. This disc is a steal, containing two solid albums' worth of music, with some music that's good, and some that's GREAT. If you're unfamiliar with TVZ, I recommend that this is as good a place as any to get into some great music!"