Los Frijoles Bailan - Tony de la Rosa, DeLaRosa, Tony
Copas de Placer - Tony de la Rosa, Gonzalez, Edubiges
El Circo - Tony de la Rosa, DeLaRosa, Tony
Amores Que Van y Vienen (Lovers Who Come and Go) - Tony de la Rosa, Sanchez, Cuco
Atotonilco - Tony de la Rosa, Traditional
Todo Lo Conciento - Tony de la Rosa, Perez, Adan
Anita - Tony de la Rosa, DeLaRosa, Tony
Dos Lindas Palomitas - Tony de la Rosa, Cantu, Frank
Mis Brazos Te Esperan - Tony de la Rosa, Morante, Jose
Paloma Negra - Tony de la Rosa, Mendez, Tomas
Ana Rosa - Tony de la Rosa, DeLaRosa, Tony
Tantas Mentiras - Tony de la Rosa, Parra, Gilberto
Una Cualquiera - Tony de la Rosa, Guerrero, Ernesto
Perdi el Albur - Tony de la Rosa, Queseda, Roberto M.
Old-timey classics come alive in this retrospective collection from Arhoolie Records. Tony De La Rosa's best material from the late '50s and early '60s is included here, including his signature polkas "El Circo," "Atotonil... more »co," "El Sube y Baja," and "Ana Rosa." The tune "Atotonilco" is based on an old Mexican standard that De La Rosa learned growing up on the King ranch in South Texas. And "El Circo" is De La Rosa's adaptation of Red Foley's "Alabama Jubilee," which became a top 10 country single in 1951. These tunes from a master of the accordion and conjunto polkas have become the standards that every beginning accordionist has to learn to pass muster. Also notable here is "Sufriendo y Penando," De La Rosa's collaboration with Isidro Lopez, the man who would become the founding father of the modern Tejano sound. --Ramiro Burr« less
Old-timey classics come alive in this retrospective collection from Arhoolie Records. Tony De La Rosa's best material from the late '50s and early '60s is included here, including his signature polkas "El Circo," "Atotonilco," "El Sube y Baja," and "Ana Rosa." The tune "Atotonilco" is based on an old Mexican standard that De La Rosa learned growing up on the King ranch in South Texas. And "El Circo" is De La Rosa's adaptation of Red Foley's "Alabama Jubilee," which became a top 10 country single in 1951. These tunes from a master of the accordion and conjunto polkas have become the standards that every beginning accordionist has to learn to pass muster. Also notable here is "Sufriendo y Penando," De La Rosa's collaboration with Isidro Lopez, the man who would become the founding father of the modern Tejano sound. --Ramiro Burr