"It's hard to concieve of anyone improving on Joni Mitchell's performance of any of her songs, but Tom Rush's "Urge For Going" is the definitive version of this classic. "No Regrets", even in it's overdone form included here, is one of the best songs of any era, and Rush's voice is a miracle. If you know his work, buy this for the new song and the old favorites included here. If you don't know Tom Rush, this is a great intorduction to a performer without peer. I hope he and John Leventhal soon do an entire album. That's a match made in heaven!"
Not perfection, but close enough for the time being
Jerome Clark | Canby, Minnesota | 02/24/2000
(4 out of 5 stars)
"Like most people, I haven't heard Tom Rush in more years than I can remember. This new retrospective should serve to remind all of us just how good he was ... well, is, since the recent and previously unrecorded "River Song" lets us know he hasn't lost his chops: vocal, instrumental, or compositional. Rush himself put this collection together, interesting if for no other reason than that it tells us what an artist deems his best work -- as opposed, say, to what the rest of us might judge it to be. I am sure I'm not the only one wondering what in the world "San Francisco Bay Blues" -- a song long overdue for deep-sixing -- is doing here; much worse is the inexplicable inclusion of Lee Clayton's brain-dead, witless "Ladies Love Outlaws," which not even a superior interpreter like Rush can redeem. Eric Kaz's hippyish "Mother Earth" -- not to be confused with Memphis Slim's grown-up song of the same name -- has not aged well. And why, oh why, is Ed Holstein's classic "Jazzman" not here? Fortunately, that's it for the complaints. A few weird missteps aside, the rest of this is sheer beauty, from gorgeous explorations into the tradition ("Mobile-Texas Line," "Galveston Flood") to brilliant takes on modern folk-accented songs (Joni Mitchell's "Urge for Going," David Wiffen's "Lost My Drivin' Wheel") and on to Rush's melancholic, melodic originals ("No Regrets," "Merrimac County"). It makes you hope that the first decade of the new century finds Rush back in action and in the studio. This old world could use some fresh Tom Rush music. I guess this splendid collection will have to do -- at least for the time being."
Glorious and long past due!
Carole McNall | Olean, NY USA | 12/26/1999
(5 out of 5 stars)
"If you even think you like folk music, give this one a listen. As other reviewers have said, Tom Rush has a gorgeous voice -- did in the '60s, does today. The songs span much of his career, although (as mentioned) the Elektra tunes are mostly missing (Elektra, it's time for at least one re-release!). For me, though, any collection that has "Urge for Going" (one of my songs for a desert island) and "No Regrets" (another one) can't be passed up."
Loses Its Way for About Five Cuts
James Carragher | New York | 11/11/2002
(4 out of 5 stars)
"This fine collection gets penalized one star because the five cuts beginning with Kids These Days and ending with the over-exposed Jamaica Say You Will by the way over-praised Jackson Browne are very weak, overlong (The Dreamer), preachy (Mother Earth), or a bad try at doing Willie Nelson (Ladies Love Outlaws). And where, by the way, is Circle Game? Those quibbles aside, you get a dozen superb songs here, beginning with San Francisco Bay Blues which sounds like it was recorded in Tom's living room and is all the more refreshing for it in today's overproduced musical world. Panama Limited is, of course, perhaps THE classic train song, with one of folk's saddest final lines, "she's gone everywhere but home." Rush's version of Joshua Gone Barbados rivals Johnny Cash's in this story of a labor leader sellout. No Regrets is, well, No Regrets. You can't hear it often enough. Child's Song is bittersweet leaving home and was new to me. River Song proves contemporary Rush to be as strong a singer and writer as he was three decades ago. I play this CD a lot and so will you."