Search - Thought Chamber :: Angular Perceptions

Mindblowing debut.

Murat Batmaz | Istanbul, Turkey | 04/03/2007

(5 out of 5 stars)

"Thought Chamber came to life after guitar virtuoso Michael Harris released an album called Sketches from the Thought Chamber in 2001 when he decided to form a real band, enlisting the vocal services of Enchant's Ted Leonard, the amazing rhythm section of Haji's Kitchen, and Outworld's keyboard player Bobby Williamson. Harris himself is responsible for the guitars, some keys, and even backing vocals. Even though this is primarily his creation, Thought Chamber seems far from a one-man project, as there are moments of brilliance that could be attributed to solely each member in this band.



For a debut album, Angular Perceptions, whose songwriting was completed over a course of three years, is an incredible effort. The musicianship is tight through and through, and the arrangements are mindblowing. Just listening to the first two songs, "Premonition" actually serving as an extensive intro to "Sacred Treasure", attests to the magnificence and high level of songcraft these guys are capable of. Contrary to what one may expect, the keyboards that open up "Premonition" are dark and menacing, followed by riveting guitar riffs and solid drum and bass before Harris comes up with an uplifting melodic transition that slowly segues into yet another dark acoustic passage with grim keys lingering over it. The final second of this track ties in with the very brief flamenco-like guitar prior to erupting into a mind-bending riff, vintage keyboard exercise, and swirling rhythm battery. It all happens within the course of merely a few seconds yet it is incredibly powerful, utilising a two-note solo performance from each member, with Derek Blakely's bass standing out. Blakely is a monster player, and his contribution to this album is invaluable. Not only is he technically superior, he also exercises wonderful slap bass on some songs, not unlike Stu Hamm. Ted Leonard enters around a minute into the song, providing vocals that are sung in a much lower range than his work with Enchant. The melody is strong and leaves a long-lasting effect, and as the middle section calls for an instrumental break, Harris' guitar playing, with furious sweeping, plays off blazing synth motifs, bringing in a multitude of background effects and super acoustic guitars. The main harmony is sublime and the fusion-like guitar playing blended with sturdy bass and keyboards at the end are testimony to this band's calibre. "Sacred Treasure" will easily be one of the best songs of 2007.



Although Michael Harris, known for his work with keyboard maestro Vitalij Kuprij, is undoubtedly a rare talent in guitar playing, it is his songwriting and arrangement ability that comes through on this album. I am particularly impressed by his constant use of acoustic guitar lines wowen behind heavy clusters of rhythm guitar and bass. Even during the heavier and busy parts, as the one on "A Legend's Avalon", Harris plants a distant acoustic line underlining Leonard's melodic chorus. Even though the guitar work here is incredibly complex, delving into tech metal territory, Harris' playing always resolves with unexpected outburts of melodic segments. This is another dark piece, particularly during the instrumental section, evoking images of Tool with its tribal drumming and King's X-like bass guitar drive, and Leonard's vocals are some of his finest ever. The scream at the end is something we'd never hear him do on an Enchant album. Likewise, the vocal performance on "Transmigration of Souls" is unique. He goes from a very low, almost tortured tone during the exotic, Egyptian scales to dynamic clean singing in the blink of an eye. As is the case, it is the acoustic guitars why this song is so intense, as they contrast the other instruments. The vocal melody around the middle is killer, and I love how the composition is not compromised during even the wild improvised ending brought into the piece.



Of course it is impossible to imagine Ted Leonard not doing his Kansas-like hard rock vocals and these are offered on "God of Oblique" and "Balance of One", the latter featuring guitar, keyboards and back vocals by Michael Harris. The main harmony vocals of "God of Oblique" work surprisingly well given the dexterous rhythms fused with swirling keyboards and guitars. The largely acoustic ballad "Silent Shore" brings in a healthy dose of string arrangements, some violin, and the occasional electric guitars underpinning a strong symphonic idiom.



The two instrumentals, which contain strong input by both Stankiewicz and Blakely, help in balancing out the album. They are tremendously technical musically, but once again, the writing is solid as a rock. "Mr Qwinkle's Therapy" is whimsical, with plenty of slap bass a la King's X, and fuses intense groove-inflected riffage and vintage 70's prog, throwing in eastern scales and eerie minor chord progressions. The funky outro is particularly enjoyable given the head-spinning dexterity exposed during the middle. "Accidently on Purpose" sports more prominent keyboards, and Stankiewicz' drum fills are both tasteful and at breakneck speed. The album closes with "A Mind Beyond", another dark piece, with creepy atmosphere, marching drum beats, and a curious piano melody. That said, the middle part of the song strangely evokes Enchant because of the vocal arrangement.



Inside Out continues to release amazing debut albums. Last year, it was Frost's Milliontown, and to me, this year it will be Angular Perceptions. For the time being, I can't fathom another debut surpassing this one. It's going to be one of the highlights of the year."

A fine debut by seasoned performers

R. Gorham | 08/16/2007

(5 out of 5 stars)

"THE BAND: Ted Leonard (vocals), Michael Harris (guitar, guitar synth, keyboards), Derek Blakley (bass), Bobby Williamson (keyboards), Rob Stankiewicz (drums & percussion).



THE DISC: (2007) 10 tracks clocking in at approximately 54 minutes. Included with the disc is a 14-page booklet containing song titles/credits/times, song lyrics, individual band member photos, odd artwork pertaining to the songs or conceptual album artwork, and thank you's. All music & lyrics written by Michael Harris (except "Mr. Qwinkle's Therapy" and "Accidentally On Purpose" by Harris/Blakley/Stankiewicz). Recorded at Nomad Studio & PsychoSound, Dallas, TX. Label - InsideOut Music.



COMMENTS: This is Michael Harris' album. With Enchant's lead singer Ted Leonard lending his vocal chords honorably. Harris' other band Arch Rival, as well as his solo career, had some notoriety in the 1990's (especially in Europe & Japan), but never really crossed into the main stream (anywhere else). This "Angular Perceptions" might not cross the line either, but there's no denying the talent in the band. So by word of mouth, or by continuous clicks of the mouse, I hope this album and the reviews here on Amazon somehow cross your path. Looking for a new disc in the world or progressive music... try Thought Chamber. You'll notice hints of Enchant (hard not to with Leonard's trademark vocals... and at times Leonard's vocals remind of the one-two punch from Kansas with Kerry Livgren and Steve Walsh); perhaps some references to Dream Theater, Fates Warning and Spock's Beard with the complexity of the music; and some incredibly passionate guitar playing by Michael Harris. As for the songs - the album contains 3 instrumentals - the opener "Premonition", "Mr. Qwinkle's Therapy" and "Accidentally On Purpose". All intricate playing and glorious tunes, and I feel Stankiewicz's drumming on each really stands out. "Premonition" is a great beginning and I'd consider it more of a prelude to the 2nd song due to it's short 2-minute length. Track 2, "Sacred Treasure" is musically and lyrically my favorite song on the disc (the album title also comes from within this song). My other favorite is the album closer "A Mind Beyond" combining progressive rock with jazz fusion. I sit back and wonder how much of this was improvised in the song's early stages. Simply some great tracks in between - with "Silent Shore" (their slowest piece here), and "Balance Of One" (perhaps the heaviest song on the disc) - being the other highlights. In the scheme of things, it's hard to pick the best tracks... they're ALL good. Insightful lyrics - stirring up visions of kings and other legendary figures, mountains and uncompromising seas, and man's inner struggle(s). Even though this is considered a debut for the band... it's hardly that. This album feels as if the band has been performing together for years. Thought Chamber combines some very technical playing and some great chemistry between Harris and Leonard. One of my favorite discs from 2007. Fans of progressive rock need this album (5 stars)."

Interesting combination

The Punisher | 06/29/2007

(4 out of 5 stars)

"Ted Leonard is singing for this super group.The musicians are great and it is very progressive.The only reason I gave it a 4 star rating is because sometimes trying to prove one is a great musician can be done other ways instead of going at a supersonic speed.There are some jazz elements very present and I don't particulalary like that combo.However,if done right,the results are good.



This proves that there is still inventivenes.I feel that Enchant should have been going towards this field.There are elements of fusion,metal,prog and power metal all together."