Gaude gloriosa Dei mater, motet (antiphon) for 6 voices, P. 123: Gaude gloriosa Dei mater
Gaude gloriosa Dei mater, motet (antiphon) for 6 voices, P. 123: Gaude Virgo Maria quam dignam
Gaude gloriosa Dei mater, motet (antiphon) for 6 voices, P. 123: Gaude Virgo Maria, qu? corpore
Gaude gloriosa Dei mater, motet (antiphon) for 6 voices, P. 123: Gaude Virgo Maria, Christi benedicta Mater
Loquebantur variis linguis, motet for 7 voices, P. 272
Audivi vocem, motet for 4 voices, P. 90
Suscipe quaeso, motet for 7 voices, P. 222: Suscipe qu?so Domine
Suscipe quaeso, motet for 7 voices, P. 222: Si enim iniquitates recordaberis
Dum transisset Sabbatum, motet for 5 voices, P. 257
Lamentations (of Jeremiah), 2nd lesson for 5 voices, P. 110: De lamentatione Jeremiae prophetae
Lamentations (of Jeremiah), 2nd lesson for 5 voices, P. 110: DALETH. Omnes persecutores ejus
Lamentations (of Jeremiah), 2nd lesson for 5 voices, P. 110: HE. Facti sunt hostes
Salve intemerata virgo, motet (antiphon) for 5 voices, P. 144: Salve intemerata Virgo Maria
Salve intemerata virgo, motet (antiphon) for 5 voices, P. 144: Tu nimirum universas
Salve intemerata virgo, motet (antiphon) for 5 voices, P. 144: Secundum humnitatem
Thomas Tallis died in Greenwich in 1585 at about 80 years of age, of which more than half had been spent as a musician at the English Chapel Royal. During his time in royal service, no less than four different monarchs sat... more » on the throne. Music was his means of expression--his real secret garden--and in this, he had no peer. Dominating 50 years of Tudor musical life, Tallis was capable of the most staggering feats of technical virtuosity as well as the simplest and most elegant means of expressing sadness and joy.« less
Thomas Tallis died in Greenwich in 1585 at about 80 years of age, of which more than half had been spent as a musician at the English Chapel Royal. During his time in royal service, no less than four different monarchs sat on the throne. Music was his means of expression--his real secret garden--and in this, he had no peer. Dominating 50 years of Tudor musical life, Tallis was capable of the most staggering feats of technical virtuosity as well as the simplest and most elegant means of expressing sadness and joy.