Jarrod D. Lawrence | Avon, IN United States | 07/13/2006
(5 out of 5 stars)
"First of all, a little history of how I discovered this group. My main musical background for the past couple of years has been mostly made up of hardcore/metalcore, bands such as As I Lay Dying, Hopesfall, The Bled, Norma Jean, etc and the whole warped tour scene, such as From Autumn To Ashes, My Chemical Romance and the likes. Anyone who listens to this genre knows that it has become completely saturated. I have discovered some fairly new bands that have impressed me however, such as Bleed The Sky, and Versus The Mirror, but for the most part, my favorites are the ones of old who seem to have left their legacy behind (such as Poison The Well). So, being one who always likes to discover new and great music, I began to try and think of other musical genres that I might like. One day, while I was listening to an old favorite of mine, Type O Negative's October Rust, I decided that I would like to look into more music that was similar to it, since no other cd I owned was comparable. Of course, I came on Amazon and began using the listmanias and so you'd like to.. lists which I find really handy in situations like this. Suddenly a whole new world of music was opened to me.
I first started with Theatre Of Tragedy's album Aegis. And it was freaking incredible. Theatre of Tragedy led me to other bands similar, such as Within Temptation, Tristania, Sirenia, Beseech, Leave's Eyes, Nightwish, After Forever, Edenbridge and a ton more. I decided at this point that my favorite kind of "darker music", besides Type O that is, was mostly female fronted vocals, and my curiousity did not stop with just gothic metal bands. I eventually was led to the projekt label, and discovered etheral dreampop like music, such as Mira and Love Spirals Downwards. Then I began to collect others like Collide, Switchblade Symphony, Kidney Thieves, London After Midnight, and many others. And that is the point where I found The Birthday Massacre. I was reading a listmania and it was included. Since I had already purchased or listened most of the others on the list, I decided to take a shot in the dark and just order "Violet," which ended up being the best shot in the dark ever.
I now own both TBM albums and they are by far the best discovery I have made in my long journey to find...well whatever the heck I guess I was looking for, this being it. The music sets a dark yet calming atmosphere unmatched by anything I have ever heard. You will find yourself getting lost into the music while at the same time having an overwhelming urge to dance. The lyrics are superb and "cute" in a mischievious way. The best for me, however, are the vocals. Her vocals couldn't sound more perfect to me. I would describe them as being haunting and seductive, like a female vampire. Her seductive power makes you desire her with a passion, but you know in the end she's going to bite you. And in this case, I hope she does."
I love this!
Peter Blitz | PHX, AZ | 10/23/2006
(5 out of 5 stars)
"I stumbled onto this band completely by accident. I was surfing through myspace, and happened to hear Blue. I was hooked instantly.
I grew up in the 80's and was generally a fan of heavy metal and so-called hair metal, but at the same time, I did enjoy some of the other rock and new wave sounds. As the 90's hit, I had no use for grunge music (I think Kurt Cobain is terribly overrated), and pretty much gave up on modern music. As the decade went on, and metal started coming back (but a lot heavier), I followed along and also heard a song or two by Garbage and a couple other musicians with industrial aspects to their stuff.
Having said all that....this band put a whole new spin on my taste in music. They have this 80's sound and melody but with aggressive guitars. It's not metal.... but it is really fun.
Also, check out Tapping The Vein. They also do a version of the whole dark, electronic, heavy girl rock."
"I wore my black and white dress to the birthday massacre...
Skippy Smithers | Home, USA | 09/06/2005
(5 out of 5 stars)
"This album is totally amazing. I was in hot topic looking for a poster for my sister and decided to check out the listening station. Well, it was pretty much the same old lame story... emo, hardcore, emo, hardcore, blah, blah, blah... I usually look at the names of their record labels to rule out all of the emo and hardcore stuff. I noticed Metropolis Records... AWESOME! That almost never happens! But who was this band of which I have never heard, even being a major fan of the label? I listened to it and only made it to track 4 before I went and bought it. ( I couldn't really stay in there too much longer with all of the teenagers buying the newest MTV-sponsored bands such as Fall Out Boy... with their John Lennon meets Fuse haircuts... ) LOL. But, I got to my car and played it the whole way home... and am STILL listening to it as I speak. Right now, its on track 8, one of my favorites.
Ok, lets break this style down... Almost never do you hear so many different musical styles and genres in an album. It starts off with Prologue, a very typical intro track for an album released by Metropolis Records. lol. Each song blends 80's new wave ( Cyndi Lauper ), darkwave ( Cruxshadows ), pop ( 80's Madonna... try, "Holliday", which btw, is also the name of track 12 on Violet. lol. ) EBM ( Assemblage 23 ), futurepop ( VNV Nation ), industrial ( Mostly in the form of guitar... similar to a lot of Rammstein's newer stuff ), and very bass-driven rhythems. How this band actually pulled all of this off, I will NEVER figure out... TO compare them to a very weak example, I'll use Orgy. Orgy attempts about the same thing, with two major differences: One, THe Birthday Massacre is actually MELODIC all the time. Two, THe Birthday Massacre is much more capable of finding a home on dancefloors everywhere.
I rarely agree with this cliched phrase, but there is TRULY something on this cd everyone will like! LOL!
If anyone reading this has stumbled across The Birthday Massacre by chance with very limited experience with this style or with Metropolis or Cleopatra Records, I recommend...
With Close ties to The Birthday Massacre............VNV Nation, Clan of Xymox, Wumpscut, Orgy, Bella Morte, The Last Dance, Rammstein, Poison Black, Type O Negative, and Cradle of Filth... ( BTW!!! Compare the chorus on "Blue" to Cradle of Filth! Chibi changes from angelic voice to like a screaming whisper over unrelenting heavy playing... )
Very similar bands................ Within Temptation, Assemblage 23, Zeromancer, Pitbull Daycare, Collide, Eisbrecher, Ego Likeness, Cruxshadows, Switchblade Symphony, The Kidneythieves, The Dreamside...
These are stretching it a bit, but there are hints of them in The Birthday Massacre....................Depeche Mode, The Rasmus, Celldweller, Evanescence, Chevelle, The Cure, Skinny Puppy, New Order...
My favorite tracks are, "Happy Birthday", "Violet, "Blue, and "Nevermind".
This album is just amazing. Also worth mentioning are the lyrics for track #3, "Happy Birthday"... VERY interesting to listen to!
Overall, I'd say The Birthday Massacre is a mix of VNV Nation, Clan of Xymox, Rammstein, and Cradle of Filth... with a female singer!"
They should be huge.
Turiel | DC, KS | 09/12/2006
(5 out of 5 stars)
"As a music collector, i'm always pissed off when I hear some one who doesn't really listen to much music or look for new stuff complain "that they don't make good music anymore" or that "there's nothing interesting", or something along those lines. If your musical exposure is along the lines of whatever the radio or MTV,etc play i'm sure your view of music is that it is incredblely boring. However acts like the Birthday Massacre are direct evidence against the idea that music is going stale. I must admit I often do wonder myself why we can't have more interesting, young, creative, and very driven acts like this out today.
Often when asked to describe the sound of the act, I tell people to imagine what it would be like if the movie "the Neverending Story" became a rock band. I"m suprised they aren't signed to a major and being marketed to the kiddies en masse, however the vibe i've gotten from the band is that they would rather remain independant and keep control rather then sell their soul to the devil. Which is good for the listener, personally I would hate to see the creativity of this act comprimised in any way.
But if you don't own this album, head to the record store, or start ordering it now here on amazon, stop reading this review and get to it."
To the Left of Wonderland, Alice
TastyBabySyndrome | "Daddy Dagon's Daycare" - Proud Sponsor of the Lit | 08/13/2007
(5 out of 5 stars)
"Coming out of the Canadian EBM scene, The Birthday Massacre managed to do accomplish something that a few other interesting acts out of Canada has done - they built a steady following by dropping a really rare disc, followed this up with an EP, put out "Nothing and Nowhere," and then put together one of the best albums I've heard in quite a while. They've since joined Metropolis records and have been touring lately with a few different acts, and having seen them on tour made me realize just how talented the band really is. When they take the stage they really do take the stage, building a mixture of really cryptic sounds and really beautiful tones, taking a montage of emotions and delivering them in a way that not only sounds great but hat also manages to hold one's attention with thoughts of "that was different."
Considering the amount of music that is circulating these days, that seems a bold statement to throw to the wind.
This is really evident when you listen to many of their songs, and especially when you plug in some of their "better knowns." The single "Blue" really managed to get a lot of attention when it was released, and was followed up quickly by a series of people singing the praise of "Happy Birthday." Personally these are some of my favorite songs on the album; Blue has this almost surreal ambiance that makes me think of the Alice in Wonderland picture on the front of their disc, only the rabbit isn't quite so friendly and has a mouth filled with teeth. When you listen to it you can also tell the type of range you get with your lead singer - one minute she sounds like she's an innocent bystander in a room filled with tragedy and the next she sounds like anger personified.
It really is worth the listen.
Happy Birthday is the same way; it talks about a little foray into something horrific, mentioning "sticking (it) in the back of her head" and other things that make you think of the song's namesake.
It's also a fun listen.
Video Kid, Violet; it really is hard to find flaws in the album and makes my "best of" for the last few years because it is so easy to listen to. It works for fans of electronica, fans of music with sublime undertones of horror, people who enjoy the new wave of sounds that are coming out of Metropolis these days, and many other people. If you want to know more about them, check out Metropolis-Records and listen to everything the band has to offer. Also, September 2007 brings another release from the band, Walking with Strangers, and it sounds like it The Birthday Massacre has another hit on their hands."