Add Some Music to Your Day - The Beach Boys, Knott, Joe
Susie Cincinnati - The Beach Boys, Jardine, Al
This Whole World - The Beach Boys, Wilson, Brian [Pop]
Long Promised Road - The Beach Boys, Rieley, Jack
Disney Girls (1957) - The Beach Boys, Johnston, Bruce
'Til I Die - The Beach Boys, Wilson, Brian [Pop]
Surf's Up - The Beach Boys, Parks, VanDyke
Marcella - The Beach Boys, Reilley, Tommy
Sail on Sailor - The Beach Boys, Almer, Tandyn
The Trader - The Beach Boys, Rieley, Jack
California Saga (On My Way to Sunny Califon-I-A) - The Beach Boys, Jardine, Al
Rock and Roll Music - The Beach Boys, Berry, Chuck
It's O.K. - The Beach Boys, Love, Mike [Beach B
Honkin' Down the Highway - The Beach Boys, Wilson, Brian [Pop]
Peggy Sue - The Beach Boys, Allison, Jerry
Good Timin' - The Beach Boys, Wilson, Brian [Pop]
Goin' On - The Beach Boys, Love, Mike [Beach B
Come Go with Me - The Beach Boys, Martinee, Lewis
Getcha Back - The Beach Boys, Love, Mike [Beach B
California Dreamin' - The Beach Boys, Phillips, John [1]
One of the most popular touring acts of the '70s and '80s, the Beach Boys nonetheless found sales of their new music disappointing for much of those decades. Their Brother Records imprint was stamped on some of the best al... more »bums of their "mature" period--Sunflower, Surf's Up, and the one-of-a-kind The Beach Boys Love You--but earlier classics such as "Surfin' U.S.A." and "Good Vibrations" remained their most popular work. This third volume of greatest hits collects 20 Brother cuts, including the occasional chart success ("Rock & Roll Music," the twice-released "Sail On, Sailor," "It's OK," "Getcha Back"). A few lesser-known winners ("This Whole World," "Long Promised Road," "Honkin' Down the Highway") provide welcome highlights. Still, the inclusion of one too many remade oldies on the disc's second half underscores the Beach Boys' loss of creative energy by 1980. --Rickey Wright« less
One of the most popular touring acts of the '70s and '80s, the Beach Boys nonetheless found sales of their new music disappointing for much of those decades. Their Brother Records imprint was stamped on some of the best albums of their "mature" period--Sunflower, Surf's Up, and the one-of-a-kind The Beach Boys Love You--but earlier classics such as "Surfin' U.S.A." and "Good Vibrations" remained their most popular work. This third volume of greatest hits collects 20 Brother cuts, including the occasional chart success ("Rock & Roll Music," the twice-released "Sail On, Sailor," "It's OK," "Getcha Back"). A few lesser-known winners ("This Whole World," "Long Promised Road," "Honkin' Down the Highway") provide welcome highlights. Still, the inclusion of one too many remade oldies on the disc's second half underscores the Beach Boys' loss of creative energy by 1980. --Rickey Wright
DEAN M. Dent | SAN LEANDRO, CALIFORNIA USA | 10/10/2003
(5 out of 5 stars)
"The Beach Boys have the unfortunate situation of having their 1962-1966 hits shamelessly recycled on oldies radio,commercials,and period films,thus their post-Pet Sounds/Good Vibrations recordings go unnoticed by the general public,making the group forever pigeonhold as a 60's relic and the music only dealing with beaches,surfing,chicks,& cars.
Once you dig a little deeper(as well as get inside of Pet Sounds)you find that alot of great music was produced in the late 60s,early 70s.GH3 represents the period where the other group members rise to the challenge of creating quality music as Brian Wilson sporadically contributed to sessions.The highlights are the tracks from 1970's criminally underrated Sunflower(Add Some Music To Your Day,Forever) and 1971's classic Surf's Up(Til I Die and the title cut are magical).Sail On,Sailor(from Holland) is an underrated piece of great pop music.Unfortunatly after the freak success of 1974's oldies repackaging Endless Summer,the group descended into a nostalgia act ( although 1977's Loves You was the last album of any great merit).Yet, this collection serves as a reminder that the group was more than the recycled oldies dictate."
One for those who think they did nothing after Pet Sounds
Johnny Bacardi | Horse Cave, KY United States | 02/26/2000
(4 out of 5 stars)
"This seems to be the rationale for releasing this compilation of the Boys' "lost years", the period in which they made some fascinating music with and without Brian. This collection especially becomes relevant since you can't buy most of the albums in question at the moment (Sunflower, Holland, Surf's Up, Carl and the Passions-So Tough) on CD, and good luck finding them elsewhere or in other formats since nobody much bought them when they came out, and the ones who did held on to them. Although it would have been nice to have included All I Want To Do, Feel Flows and All This Is That, I can't nitpick too much since the only track I would have left off would be the cheesy Disney Girls (am I the only person that dislikes this song?). I especially am happy to see "Honkin Down The Highway" from Love You included here, which (despite the silly title) is a catchy, playful tune which has a kind of forlornness to it, somewhat like the Love You album itself. This CD is an excellent place to investigate a period which has been unjustly overlooked."
Beach Boys catalog revamp underway...
Dave | United States | 02/08/2000
(3 out of 5 stars)
"The "Brother Is Back" review below is quite true, however, the booklet does not say the 12 albums from the 1970-1985 era will be released as 6 twofers (although my copy did have a card inserted suggesting that twofers will appear)--it simply says that they will be reissued. I've read it would be impossible, considering "The Beach Boys In Concert" is a double album (relased on a single CD in 1990), & that "Holland" is too long to pair with any other album. Also, the Capitol twofers from 1990 are, with almost 100% certainty, not going to be reissued, as they are planning to do as they have done with the recent "Pet Sounds" reissue, & that is to include the albums in both mono & stereo.
As for this compilation, it works better as a supplement for big fans than as a summary for those curious as to what the Beach Boys were up to in this time. It does contain "This Whole World", "Marcella", "Surf's Up", & "Til I Die", however, I agree that out of respect for Dennis Wilson if anything, "Forever" should have been included. As far as using the single mix of "California", it's nice for big fans who already own the album version (the same goes with the other "single" mixes), yet it's in no way preferrable with the group vocals which soar on the album version sounding very muted here. The "Rock & Roll Music" single mix sounds good, but basically the album versions of the songs are totally preferrable. Also entirely noteworthy is that for the 1st time on CD, the drum intro on the brilliant "Honkin' Down the Highway" has been restored. It should be noted as well that "Peggy Sue" was previously in the "wrong mix" on the CD release of the "M.I.U. Album".
Overall, disc 3 & disc 4 of the "Good Vibrations" box give a not quite flawless, but much more enjoyable representation of this era. However, for completists there are some finds here."
SURFING WATERS BOTH DEEP AND SHALLOW
STEPHEN T. McCARTHY | a Mensa-donkey in Phoenix, Airheadzona. | 03/05/2006
(4 out of 5 stars)
"
THE BEACH BOYS are one of those bands that have provided the soundtrack to my life. Growing up in Southern California, their music really does become a part of one's experiences. For instance, I can't hear 'Help Me, Rhonda' or 'The Girls On The Beach' without recalling my years of bodysurfing the waves near Santa Monica's lifeguard station #26. 'Good Vibrations' automatically transports me back to Santa Monica High School - located conveniently 2 blocks from the Pacific Ocean. (Sometimes the sound of the surf called more insistently than the school bell did.) Samohi's official school song, 'Hymn Of Praise' written by Ken Darby from the Class of 1927, starts out, "Oh Samohi, dear old Samohi / Queen of the setting sun / For you we toil, for you our banners fly / We win for you when victory's won!" But every pep rally I attended from '74 through '77 ended more "excitationally" with...
Good, good, good, good vibrations
(oom bop bop)
I'm pickin' up good vibrations
She's giving me excitations
(oom bop bop)
'In My Room' humorously reminds me of the time in 1986 when I found it on a jukebox in a Reno lounge and drove every other patron out of the place with it. I was in the bartender's doghouse, but what are ya gonna do with a liquidated cowboy who wants to hear 'In My Room'.....18 times? And while the richly melancholic 'The Warmth Of The Sun' is my all-time favorite Beach Boys song, there is a lot to be said for many of the tracks found on this compilation.
This is the final part of Capitol's Beach Boys Greatest Hits trilogy series. This one - which features 20 of The Boys' late period minor hits and nonhits - will be ignored by the casual Beach Boys fan, and that is an unfortunate mistake. True, these "leftovers" were recorded and released after the height of the band's popularity and creative success according to the music critics, but the Beach Boys, though they had largely moved away from their gorgeous and complex trademark vocal harmony arrangements, were still making some magic music. And some of it as sensitive and more intense than anything that preceded it.
For every lightweight and silly 'SUSIE CINCINNATI' and 'PEGGY SUE' on this collection, you'll also find a brooding 'TIL I DIE', or nostalgic 'DISNEY GIRLS (1957)', or yearning 'SURF'S UP.' No, we didn't need another version of 'ROCK AND ROLL MUSIC' or 'COME GO WITH ME' and yet, I'd hate to have missed out on the world-weary, but defiant 'LONG PROMISED ROAD', or the intricate protest song, 'THE TRADER', with its catchy movements that force my toes to tap or my feet to stomp.
Some of these songs, being more melodically subtle and lacking that instantly recognizable sound of The Boys' early hits, will require a bit more patience from the listener, but with time, that open-minded patience will certainly be rewarded. Of course, 'SAIL ON, SAILOR' you probably already know (I invented my pen name while it was playing through the sound system in a Coco's Restaurant); the lovely 'GOOD TIMIN'' is reminiscent of that lush harmonizing adopted from The Four Freshmen during The Beach Boys' infancy. And the well-chosen closer, 'CALIFORNIA DREAMIN'', with its urgent tenor sax solo actually eclipses the classic Mamas And Papas version. (Yeah, I couldn't believe it either!)
If all you desire is a balanced career retrospective of some of The Beach Boys' best music on a single disc, then go with 'Classics: Selected By Brian Wilson'. But the REAL fan will want the 3-part Capitol compilation series: 'The Greatest Hits, Vol 1: 20 Good Vibrations'; 'The Greatest Hits, Vol. 2: 20 More Good Vibrations'; and this disc, 'THE GREATEST HITS, VOL. 3: BEST OF THE BROTHER YEARS, 1970 - 1986.'
[*This review is dedicated to my new friend, the surf-riding, beach bike path-riding, and book-writing, MYSTICAL MARY. Evidently she was too shy to approach me on the beach bike path in 1989 to ask, "Riding my way?" She waited seventeen years and until I was living in Airheadzona, and she in Joisey, before saying anything to me. However, Mystical Mary is one of my favorite living writers, and I think you're going to be hearing about her before too long.]