CD Details
Synopsis
Album Description"Don?t rush me," Hendrix asserts on her unflinching new CD. "I?m coming along." Judging from the sound of it, Hendrix has arrived, with a collection of songs driven by a survivor?s grace and an optimist?s soul. An album of extraordinary depth and stylistic diversity, The Ring serves as an apt?and for some unexpected?culmination to the first six years of Hendrix?s journey as an independent artist. From the opening notes of "Goodbye Charlie Brown," the songs here affirm Hendrix?s revered strengths as a writer and performer while serving notice that times have changed. On her last studio album, the eloquent Places In Between (2000), Hendrix struck a reflective chord that suited the often highly personal subject matter; on The Ring, she takes a considerable step forward: her ambitious vocals, melodic instincts, and expertly crafted songs are unified as never before, supporting the album?s clearly delineated focus and showcasing a voice at once mature and unabashedly honest, confident and courageous. "I?ve been who I am, and I?ve been who I?m not," Hendrix sings. "Both have led me to find my own point of view." Along the way, she?s discovered much about herself?she?s wiser now; stronger too?and she?s gained an appreciation for the enduring truths that anchor us: the need for love; family and friends; and undying faith?in oneself, in each other, in the universe. On The Ring, Hendrix reminds us that the cycles of our lives lead us into territories both familiar and unknown, changing us in unexpected ways, forcing us to consider and reconsider our place in a shifting universe. And yet, in its permanence, the ring reminds us that even as we grow and change, with grace, we?ll ultimately arrive back where we started?knowing the place, perhaps, for the first time.
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CD Reviews
The Fact Is 08/24/2002 (5 out of 5 stars) "I generally ignore others' claims about an album "never leaving my CD player," because my tastes and moods change too often for that kind of thing. But "The Ring" is an exception. I've spun this thing every day since it's release in early June, and figure I'll continue to do so for a long while. As a fan of Hendrix's music, I came to this with no small amount of bias, but the leap in maturity and songwriting on this album still impresses me. Hendrix's style has often been summed up (somewhat lazily) as sunny and effervescent, and there's enough here to keep fans of that stuff happy, but it's the darker, more introspective songs that really hit home: "Spinning Off," "Nightwolves," "I Found the Lions" -- these aren't happy-go-lucky folk-pop songs. Even the bouncier tunes -- the scat-happy "From Another Planet" and catchy "Consider Me" -- are far more spice than sugar, if you can wipe the smile off your face long enough to pay attention to the lyrics. Add the moving and eloquent title track--a testament to the endurance of love-- along with Hendrix's stubborn, determined mission statement on "The Fact Is," and you've got one of the smartest and most enjoyable singer-songwriter albums of the year--or any year, for that matter." Solid 10/13/2002 (5 out of 5 stars) "A decent album. It repeats many of the same themes from other Hendrix albums. She seems more adventurous musically. Recommended." A pleasant surprise Charles M. Brotton | 10/03/2002 (5 out of 5 stars) "Picked this up on the recommendation of a friend, and I'm loving it! She reminds me somewhat of Dar Williams (and maybe a little Rikki Lee Jones), but mostly she's in a class by herself. Great voice, phrasing, playing and writing. I love pretty much every track, but "Nightwolves" is the one I keep going back to -- it's got a nice, spooky groove that really stands out. And "Long Time Coming," I think one of maybe two tunes she didn't write, is gorgeous. Definitely worth checking out."
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