Search - Tempest :: Shapeshifter

A return to sanity

bogubundus2 | Rochester, NY | 09/18/2003

(4 out of 5 stars)

"This is a really decent step back in the right direction for Tempest. This is vast improvement over Tempest's previous effort "Balance", which would have more appropriately been titled "Out of Balance." That album was all over the board: sloppy, inconsistent production, a mediocre selection of songs, and a sound that could best be described as a failed attempt at annoying, abrasive, harsh heavy metal. In contrast, on the much less pretentious and showy "Shapeshifer" Tempest does not try to be something it is not. Here Tempest accepts itself for what it is, which is a very good folk-rock band, not a heavy metal band. The entire group is in a comfortable, relaxed groove here. This is a true composite of Tempest's sound through the years. It sounds like a combination of early, pre-Magna-Carta-era Tempest and Turn of the Wheel/Gravel Walk, but without all the bombast of those two recordings. Sue Draheim's fiddle playing is smooth and polished, and while it lacks the raw energy of the long-departed Michael Mullin, it adds a warm character to the sound. Sue's vocals provide a nice counterpoint to Leif's vocals, lending a new twist to the Tempest sound. The players all complement each other beautifully without any one member sounding like he or she is trying to show off. In short, all the problems of the previous release "Balance" have been corrected; the production is crisp, smooth and consistent; the annoying harsh, abrasive metal sound has been abandoned; and the selection of songs is much better. Overall, this return to the classic Tempest sound is a fine effort from the band. If you are a Tempest fan, particularly of their early pre-Magna-Carta-era stuff, you will enjoy this very much."

A rocking medley of traditional folk

A. H. Wagner | Austin, TX USA | 09/02/2003

(5 out of 5 stars)

"Tempest expertly infuses ballads and reels with rock, giving traditional folk music a new energy as well as contributing some original pieces that are equally timeless. I like this album even better than their last (titled "Balance"). Though each track is distinct and stands well on its own, they all complement one another and play almost seamlessly as a whole. Maybe I'm partial since I first heard Tempest live as the current ensemble of musicians, but I think newcomer violinist Sue Draheim's harmony vocals add a sweet texture the previous album did not have. Then again, there's just something about the female voice in general that gives authenticity to the emotional layer in folk ballads. At any rate, having seen some of Tempest's live performances, I can attest that all of its current members are highly talented and treat the craft of blending folk and rock with a professionalism that is entirely trustworthy. Listening to this album is like gathering around a home fire and being entertained by a captivating storyteller. Definitely worth hearing...again and again."

Tight ensemble celtic-folk-rock

A. H. Wagner | 05/21/2003

(4 out of 5 stars)

"Tempest is a celtic-folk-rock band that reminds me of Fairport Convention in its heyday. This is their tenth CD, but the first with this line-up.The CD has cohesiveness, despite several different styles of music. The band really plays as a true ensemble, with leads being shared by the 3 lead instruments (guitar, fiddle, mandolin). It seems like the band has made a conscious effort to get closer to their live sound than previous releases, and this is an excellent decision.After listening several times I realized that I didn't notice the rhythm section. The reason being that the drums (Adolfo Lazo) and bass (Mark Skowronek) play exactly perfectly for each song. Both play interesting parts that never "stand out" because of inappropriateness or over playing. The rhythm section is superb (and I'm a guitarist, so I very seldom give praise to a rhythm section). Adolfo continues to be the heartbeat of the Tempest sound while never getting repetitive or boring.Sue Draheim's fiddle has a very warm and rich sound (production by Robert Berry) that just highlights her beautiful playing. Sue really gets to the heart of the song with her playing and makes the melodies come alive, without overpowering the band. It sounds like Sue used an acoustic violin rather than her electric violin, this really adds to the harmonic resonance, and gives it a depth and warmth.Ronan Carroll is the newest member of the band, and an excellent guitarist. Based on this recording, you would think he'd been in the band for years. His playing varies nicely from melodic and mellow to almost heavy metal sound. Like all members of Tempest, his playing fits the songs exactly as needed without overplaying.Lief Sorbye, the lead vocalist and mandolin player, as always gives a strong and dynamic performance. Lief is one of the few singers who seems to live the song as he sings it.There's an old Incredible String Band song that has the line "You know all the words and you've sung all the notes, but you've never quite learned the sung you've sung". This is NOT the case with Tempest; they seem to have learned the songs very well.The harmony singing on this release is very different than prior Tempest releases due to the two high voices of Sue Draheim and Mark Skowronek. In all cases, the harmonies, really work well in supporting the songs. Of particular note are Tamosher and Cruel Brother. On Winter Night, Mark uses a different register, and it really is a nice counter point to Lief Sorbye's lead vocal.The only weakness I see is in some of the song choices. Some songs work great live, but have a tendency to get stale on repeated listening on CD. The two that I think don't hold up are Old Man At The Mill and Byker Hill.The traditional choices other that the two above are outstanding - Tamosher, Coalminers', Fjellmannjenta and Cruel Brother. The original material - Catalina Island, Natural Law, Carnival and Winter Night - is as strong as the above traditional tunes.There are a few standout tracks. Coalminers' is one of the best instrumental pieces that Tempest has done. Strong melodies, excellent playing. Tamosher and Cruel Brother rank up there with the best of traditional material played by a rock band (think Fairport Convention, Steeleye Span, etc.) Winter Night written by Mark is a very pleasant surprise, with a strong tune and good lyrics. The highlight of the original songs was for me - Natural Law, with strong tune and good lyrics, somehow this song just gets me every time.The best track of all, and the only reason you need for buying this CD, is Cruel Brother. At 10 minutes and 5 seconds, it's too short (and very seldom do long tracks justify their length.) Cruel Brother flows from section to section without ever seeming forced. The fiddle moves it along in the beginning, and then the true Tempest ensemble sound takes over, and you don't notice if the melody is played by fiddle mandolin or guitar. Beautiful harmonies from Sue and Mark augment an impressive lead vocal from Lief.Overall, the best CD from Tempest so far. Don't miss this one."