Symphony No. 4 in F minor, Op. 36: Andante sostenuto - Moderato con anima
Symphony No. 4 in F minor, Op. 36: Andantino in modo di canzona
Symphony No. 4 in F minor, Op. 36: Scherzo, Pizzacato ostinato - Allegro
Symphony No. 4 in F minor, Op. 36: Finale, Allegro con fuoco
1812 -- Festival Overture, for orchestra in E flat major, Op. 49
Slavonic March, for orchestra, Op. 31
Eugene Ormandy's great Tchaikovsky recordings were all made for Sony (then CBS), and this performance of the Fourth Symphony and other goodies features his typically lush, Romantic string sonority, along with a few orch... more »estral retouchings, particularly at the very end. Generations of music lovers grew up on these performances, and hearing them again (in much better sound and at budget price) is like meeting an old friend after a long absence. --David Hurwitz« less
Eugene Ormandy's great Tchaikovsky recordings were all made for Sony (then CBS), and this performance of the Fourth Symphony and other goodies features his typically lush, Romantic string sonority, along with a few orchestral retouchings, particularly at the very end. Generations of music lovers grew up on these performances, and hearing them again (in much better sound and at budget price) is like meeting an old friend after a long absence. --David Hurwitz
Steve H. from FAYETTEVILLE, NC Reviewed on 9/1/2006...
The Philadelphia Orchestra and Ormandy. Classic!
This CD includes the choral version of the 1812 Overture.
CD Reviews
Wonderful, rich 4th, "The Philadelphia Sound" in its glory.
John Grabowski | USA | 09/20/2002
(4 out of 5 stars)
"This is a Fourth that sparkles and shimmers. The Philadelphia Orchestra never sounded better--even the brass is magnificent--and this repertiore fits them perfectly. Ormandy seems at home with the Tchaikovsky 4th--he must have conducted it a thousand times when this 1970 recording was made. Tempi are middle-of-the-road and balances are perfect. The pizzicato third movement is the *fattest* I've ever heard, and the rip-roaring finale will get you doing an infectious Russian dance and longing nostalgically for the Tzar, even if you were born in the USA in the second half of the 20th century.But some of the lushness and comfort in this performance are also a minus. Compared to a Mravinsky, for example, or a Bernstein, Ormandy never got too far below the surface of this music. The same beauty of sound could also be compared to cotton candy--a little goes a long way. So, as usual, I'll say you should supplement this recording with some other viewpoints, such as Mravinsky and Bernstein. (I've reviewed one of Mravinsky's recordings elsewhere on this site, if you're interested.)I can't really comment on that old warhorse, 1812. I'm not nuts about the piece, and don't have a lot of different performances to compare this one to. So you'll have to rely on other reviews.As for Marche Slave, this is a perfectly fine performance, but nothing will ever match the incredible 1969 Stokowski/London Symphony Orchestra performance on London ("Phase 4 Quadrophonic" in its first release on vinyl). I don't know if that has been released on CD, but that is the yardstick if you want a Slave that's larger than life and viscerally thrilling.(P.S.: Feel compelled to straighten out a couple of errors. Despite what another reviewer says below, The Valley Forge Military Academy has nothing to do with this 4th Symphony recording. It's also not a particularly "Russian" interpretation. Russian orchestras, until very recently, used vibrato in the *brass,* for one example. There is nothing like that in this performance. If you want "Russian," check out the aforementioned Mravinsky. Or check out the reviews of it--for many true "Russian" is an aquired taste. The Philly Orch. is all sweetness and light by comparison.)"
Power
John Grabowski | 10/25/2000
(5 out of 5 stars)
"Tchaikovsky's music on this cd can be very accurately summed up in one word- power. The fourth symphony opens with the triumphant horn call, formidably telling what is to come. Marche slave, with the mournful sound of a dirge at times and a nationalistic flair at others, is enough of a reason to purchase this cd. Philadelphia does an excellent job with the pieces, and I highly recommend it."
Positively Worth Listening on 1812 and Marche Slav
Shota Hanai | Torrance, CA | 06/26/2001
(5 out of 5 stars)
"Rather than the fourth symphony, I am more concerned with 1812 and Marche Slave. Ormandy's version of 1812 is far from original; the choir is added, like Karajan and Jarvi. Some classical people often say that 1812 is supposed to be arranged into different versions, although the composer himself probably wasn't willing to do that. 1812 is one of my favorite music by Tchaikovsky, and Ormandy's arranged version of 1812 is truly awesome. The cannons especially you don't want to miss hearing a shot! Marche Slav is another music I like very much, and Ormandy's performance is truly the best. The tempo is slow and melancholy at first, but the finale is absolutely thrilling! For such a really cheap CD, this is positively worth buying and listening!"
Ormandy Still Shines
Shota Hanai | 07/22/2001
(5 out of 5 stars)
"Make no mistake. This CD is about the difficult to find Ormandy rendition of the 1812 Overture. It is the gold standard to which all others must compare. Be careful, there are at least two Ormandy renditions out there. This is the one! Battleship cannon fire and the Morman Tabernacle chorus are balanced with Ormandy's famous Philadelphia Orchestra string section to create a soul-stirring 17 minutes. Ormandy takes his time and lets the music blossom as it should.Too bad the disc version could not have cleaned up the hiss sounds a bit better. Hiss or no, it still deserves 5 stars!"