Swan Lake Op. 20: Act I No. 1 Scene (Allegro giusto)
Swan Lake Op. 20: Act I No. 2 Valse (Tempo di valse)
Swan Lake Op. 20: Act I No. 3 Scene (Allegro moderato)
Swan Lake Op. 20: Act I No. 4 Pas de trois: I. Intrada (Allegro), II. Andante sostenuto, III. Allegro semplice - Presto, IV. Moderato, V. Allegro, VI. Coda (Allegro vivace)
Swan Lake Op. 20: Act I No. 5 Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato, II. Andante - Allegro - Molto piu mosso, III. Tempo di valse, IV. Coda (Allegro molto vivace)
Swan Lake Op. 20: Act I No. 6 Pas d'action (Andantino quasi moderato - Allegro)
Swan Lake Op. 20: Act I No. 7 Sujet
Swan Lake Op. 20: Act I No. 8 Danse des coupes (Tempo di polacca)
Swan Lake Op. 20: Act I No. 9: Finale (Andante)
Swan Lake Op. 20: Act II No. 10 Scene (Moderato)
Swan Lake Op. 20: Act II No. 11: Scene (Allegro moderato - Moderato - Allegro vivo)
Swan Lake Op. 20: Act II No. 12 Scene (Allegro - Moderato assai quasi andante)
Act II No. 13 Danses des cygnes: I. Tempo di valse, II. Moderato assai - Molto piu mosso, III. Tempo di valse, IV. Allegro moderato, V. Pas d'action (Andante - Andante non troppo - Tempo I - Allegro), VI. Tempo di valse, VII. Coda (Allegro vivo)
Track Listings (17) - Disc #2
Swan Lake Op. 20: Act III No. 15 Allegro giusto
Swan Lake Op. 20: Act III No. 16 Danses du corps de ballet et des nains (Moderato assai - Allegro vivo)
Swan Lake Op. 20: Act III No. 17 Scene. Sortie des invites et valse (Allegro - Tempo di valse)
Swan Lake Op. 20: Act III No. 18 Scene (Allegro - Allegro giusto)
Act III: No. 19: Pas de six: I Intrada - II Moderato assai - III Variation 1 (Allegro) - IV Variation 2 (Andante con moto) - V Variation 3 (Moderato) - VI Variation 4 (Allegro) - VII Variation 5 (Moderato - Allegro simplice) - VIII Coda (Allegro molto ...
Swan Lake Op. 20: Act III: Numero supplementaire: Pas de deux: I Introduction - II Moderato - Andante - III Variation 1 (Allegro moderato) - IV Variation 2 (Allegro) - V Coda (Allegro molto vivace)
Swan Lake Op. 20: Act III: No. 20: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace)
Swan Lake Op. 20: Act III: No. 20a: Numero supplementaire: Danse russe (Moderato - Andante simplice - Allegro vivo- Presto)
Swan Lake Op. 20: Act III: No. 21: Danse espagnole (Allegro non troppo. Tempo di bolero)
Swan Lake Op. 20: Act III: No. 22: Danse napolitaine (Allegro moderato - Andantino quasi moderato - Presto)
Swan Lake Op. 20: Act III: No. 23: Mazurka (Tempo di masurka)
Swan Lake Op. 20: Act III: No. 24: Scene (Allegro - valse - Allegro vivo)
Swan Lake Op. 20: Act IV: No. 25: Entr'acte (Moderato)
Swan Lake Op. 20: Act IV: No. 26: Scene (Allegro non troppo)
Swan Lake Op. 20: Act IV: No. 27: Danses des petits cygnes (Moderato)
Swan Lake Op. 20: Act IV: No. 28: Scene (Allegro agitato - Molto meno mosso - Allegro vivace)
Swan Lake Op. 20: Act IV: No. 29: Scene finale (Andante - Allegro agitato - Alla breve. Moderato e maestro - Moderato)
"It seems that no matter what work or composer Charles Dutoit conducts, the result always yields a solid performance by the Montreal Symphony Orchestra. This Swan Lake, in particular, is an audiophile's delight: superb orchestral hall acoustics, and wonderful playing by the orchestra that is both thoughtful and soulful. You just might find a tear coming to your eye as the final notes bring down the curtain of this extraordinary performance of what is, arguably, the world's most famous ballet."
A vivid realization of all of the beauties in Tchai's score.
JPH | Crawley | 09/03/2003
(5 out of 5 stars)
"This is a performance best appreciated by people who are primarily fans of Tchaikovsky's symphonic output. Ballet aficionados and budding dancers are better served by one of the rival versions.It is not that Dutoit's intepretation lacks any genuine feeling for dance --- indeed he and the Montreal orchestra offer dazzling accounts of the big dance numbers. However, compared to Previn's LSO version, for example, which, from the first bar to the last positively sways with the spirit of dance, Dutoit seems to have invisibly divided his intepretation into a chain-series of slow "interludes" and fast dance numbers. Using broad tempi to play up the atmospheric beauty of the former and brisk ones for the latter, many interesting musical contrasts are achieved. (Just listen to the lead-ups to the Goblet Dance.) You could say that while eminently danceable versions like Previn's and Ozawa's operate in one smooth gear throughout, you can hear Dutoit constantly changing gears! Hence, Dutoit's Swan Lake really plays like one of Tchaikovsky's orchestral tone poems, more so than being a thoroughly balletic reading. Dramatically and musically it remains just as effective. However, I can imagine the frustrations felt by budding dancers trying to practice to this recording. It is possible to become schizo-ic, attempting to traverse Dutoit's wide range of tempi.A beautifully atmospheric performance of Tchaikovsky's masterpiece nonetheless, and certainly the recording with the best sound. A Swan Lake for arm-chair listeners!"
A superb set
jhorro | VA | 07/11/2001
(5 out of 5 stars)
"Dutoit has a good feeling for ballet and the Montreal orchestra give sparkle and color to this fine music. The recording is up to the high standard Decca gave Montreal. The score remains virtually complete, unlike most other versions of Swan Lake. It is amazing how often this work has been recorded, both as a "suite" and as a whole, and yet it sounds so new and fresh in Dutoit's hands - a great compliment."
Very crisp and technically impressive
jhorro | 12/30/2002
(4 out of 5 stars)
"Although others have rated this lower for what they claim is a lack of color, I believe that the marvel in this recording comes from the precision in Montreal's playing. Fine, Dutoit may be harsh on the musicians, but his demands are well met. As far as the recording itself is concerned, the mic setup captures the accoustics of the hall extremely well and all sections of the orchestra are heard at appropriate levels. Finally, this recording continues the quality line of classical CD's that Decca/London has produced."
One of the front runners, especially for drama and gorgeous
Santa Fe Listener | Santa Fe, NM USA | 12/23/2007
(5 out of 5 stars)
"I'm usually a non-fan of Dutoit, but this 1993 Swan Lake is riveting in its brash dramatic impact and vivid sound. It far surpasses Decca's two other older versions, Ansermet and Ashkenazy, in both departments, although Dutoit lacks Ansermet's precision elegance. His reading aims for the throat from the first bar. As far as which version of the changing score has been chosen, I quote the Gramophone, which says that this is "an absolutely complete recording of Tchaikovsky's original score, but including also the ''Russian dance'' in Act 3 (No. 20a, which the composer added after the first performance for the dancer, Pelegaya Karpakova) and the ''Pas de deux'' for Siegfried and Odile another addition (an Introduction, two variations and coda, of which Tchaikovsky orchestrated only the second variation). The ''Pas de deux'' (No. 5) which has sometimes recently been interpolated into Act 3 is now restored to its right place in Act 1."
Some listeners may find Dutoit too hectic and the sound overly aggressive (there are also some inexplicably sluggish tempos here and there, as in the Act 1 Pas d'Action), in which case they can turn to Decca's latest Swan Lake from Gergiev, which is slower, more relaxed, but very satisfying in its musicality."