The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Marche / Entr?e du Roi Florestan et sa cour
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Sc?ne dansante / Entr?e des f?es bonnes
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Pas de six. (a) Introduction
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Pas de six. (b) Adagio
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Candide (Variation 1)
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Coulante, Fleur de Farine (Variation 2)
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. F?e aux Miettes (Variation 3)
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Canari qui chante (Variation 4)
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Violente (Variation 5)
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. F?e des Lilas (Variation 6)
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Coda
The Sleeping Beauty, ballet, Op. 66: Le Prologue. Le Bapt?me. Finale. Carabosse et la F?e des Lilas
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Sc?ne. Le jardin du palais du roi
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Valse
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Sc?ne. Les quatre princes
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Pas d'action. (a) Adagio (Rose Adagio)
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Pas d'action. (b) Danse des Demoiselles d'honneur
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Pas d'action. (c) Danse des Pages
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Pas d'action. (d) Variation d'Aurore
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Pas d'action. (e) Coda
The Sleeping Beauty, ballet, Op. 66: Act 1. Le sortil?ge. Finale
Track Listings (17) - Disc #2
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. Entr'acte et Sc?ne
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. Colin-maillard
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. (a) Sc?ne
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. (b) Danse des Duchesses
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. (c) Danse des Baronnes
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. (d) Danse des Comtesses
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. (e) Danse des Marquises
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. Farandole / Sc?ne et Danse
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 1. Sc?ne / D?sir? et la F?e des Lilas
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Pas d'action. (a) D?sir? et Aurore
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Pas d'action. (b) Variation d'Aurore
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Pas d'action. (c) Coda
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Pas d'action. Sc?ne
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Pas d'action. Panorama
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Entr'acte
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 2. Entr'acte symphonique (Le Sommeil) et Sc?ne
The Sleeping Beauty, ballet, Op. 66: Act 2. La vision et le r?veil d'Aurore. Scene 2. Finale
Track Listings (24) - Disc #3
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Marche
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Polacca. Cort?ge des Contes de F?es
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. Introduction
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. La F?e-Or (Variation 1)
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. La F?e-Argent (Variation 2)
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. La F?e-Saphir (Variation 3)
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. La F?e-Diamant (Variation 4)
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. Coda
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. Pas de caract?re / Le chat bott? et la chatte blanche
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. Cendrillon et le Prince Fortun? (Variation 1)
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. L'Oiseau Bleu et la Princesse Florine (Variation 2)
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de quatre. Coda
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de caract?re. (a) Chaperon Rouge et le Loup
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de caract?re. (b) Cendrillon et le Prince Fortun?
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas Berrichon. (a) Le Petit Poucet, ses fr?res et l'Ogre
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas Berrichon. (b) Coda
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de deux. Aurore et D?sir?
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de deux. (a) Entr?e
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de deux. (c) D?sir? (Variation 1)
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de deux. (d) Aurore (Variation 2)
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de deux. (e) Coda
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de deux. Sarabande
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de deux. Finale
The Sleeping Beauty, ballet, Op. 66: Act 3. Les noces. Pas de deux. Apoth?ose
Tchaikovsky suffered from an extreme example of musical post-partum depression. There isn't a single piece he wrote that he didn't hate as soon as he finished it. Except this one. Sleeping Beauty is uniformly regarded as... more » the greatest full-length, classical ballet in the history of the universe. Tchaikovsky lavished all of the love and attention of which he was capable, and produced an amazing score in which the demands of the dance are perfectly integrated within a symphony musical structure. There's every reason to listen to the complete work, even if it is quite long, because there really isn't a dull moment. Naxos's series of complete Tchaikovsky ballets is extremely fine--a great deal at budget price. --David Hurwitz« less
Tchaikovsky suffered from an extreme example of musical post-partum depression. There isn't a single piece he wrote that he didn't hate as soon as he finished it. Except this one. Sleeping Beauty is uniformly regarded as the greatest full-length, classical ballet in the history of the universe. Tchaikovsky lavished all of the love and attention of which he was capable, and produced an amazing score in which the demands of the dance are perfectly integrated within a symphony musical structure. There's every reason to listen to the complete work, even if it is quite long, because there really isn't a dull moment. Naxos's series of complete Tchaikovsky ballets is extremely fine--a great deal at budget price. --David Hurwitz
"That there is more than one worthwhile recording of any composer's work should be understood at the outset. This particular version of The Sleeping Beauty is said by some (one, at least, in this crowd) to be slow. Well, yes, it is slow. But of the four complete Sleeping Beauties out there (actually, I can only speak to three of them--the Bonynge I've not heard) this is the only one that presents a true, three-dimensional stage upon which one can imagine a dance taking place. Both the Dorati and the Gergiev are symphonic pieces--and both are quite good in their own way--but ballet is a unique art, where physical gesture and music are equally articulate. This dynamic requires a lot of space, an opening through which both languages proceed, converse, accomodate, and finally resolve into one. Since the physical presence of dance is nonexistent on aural recordings we generally ignore it altogether and there's an end to it. This recording will not allow you to do that. Strictly, as "music," it is inferior to the Dorati and the Gergiev--curiously, since Gergiev conducts for the Kirov the difference should not be as apparent here--but as music for the ballet it is, in this company, without parallel."
Just like you are there
JimmyB | 12/11/2000
(5 out of 5 stars)
"Yes, this recording is for the person familiar with the ballet and wants to be transported back to the stage. The tempo is just right for your imagination to allow the performers to dance in your head. Other faster recordings may be more accessible to people not as familiar with the ballet, such as Dorati. My reason to listen to ballets, operas, soundtracks etc. is to go back to the performance and feel the emotion which makes the music all the more enjoyable and significant. You can listen to this CD in it's entirety (that's right entirety) at naxos.com and make a completely informed decision...."
Good, but not the best...
JimmyB | 07/15/1999
(3 out of 5 stars)
"Sleeping Beauty is probably the best of Tchaikovsky's ballets. If you are looking for a good recording of it, this one is nice, but a little slow and muffled. Since it is slow, it might be easier to dance to. But, if you want a clear, dynamic recording, I suggest the one conducted by Antal Dorati and the RCA label."
Possibly the greatest ballet ever written.
D. R. Schryer | Poquoson, VA United States | 09/15/2002
(4 out of 5 stars)
"Tchaikovsky was a great composer who wrote symphonies, concertos, and other works which are beloved by classical music lovers. But his greatest compositions almost certainly were his three ballets, and the most uniquely beautiful of Tchaikovsky's ballets is The Sleeping Beauty. In my opinion it is the most beautiful ballet -- and one of the most beautiful works in any genre -- ever written by any composer. My favorite (five star) performances of The Sleeping Beauty are those by Richard Bonynge and Andre Previn. But Andrew Mogrelia is a very fine ballet conductor and this complete 3-CD set is a wonderful bargain."
Full of sonorous depth and meticulous detail
D. R. Schryer | 02/27/1999
(5 out of 5 stars)
"I've been a Tchaikovsky afficionado for several years, and because his three ballets have remained my favorites among his works, I was determined to own the finest performances given of them. Regarding Sleeping Beauty, I had to sample a multitude of recordings before discovering the finest of them all-- the Naxos version conducted by Mogrelia. The reason should be clear to anyone who has experienced it: the strings are flush with vivacity and resonance; the overall tempo is nearly perfect; and the acoustical quality transports one to a choice seat in a symphonic hall. Final verdict: Buy it!"