Search - Pyotr Il'yich Tchaikovsky, Andrew Mogrelia, Czecho-Slovak State Philharmonic Orchestra (Kosice) :: Tchaikovsky: The Sleeping Beauty, Op. 66

Tchaikovsky: The Sleeping Beauty, Op. 66
Pyotr Il'yich Tchaikovsky, Andrew Mogrelia, Czecho-Slovak State Philharmonic Orchestra (Kosice)
Tchaikovsky: The Sleeping Beauty, Op. 66
Genre: Classical
 
  •  Track Listings (22) - Disc #1
  •  Track Listings (17) - Disc #2
  •  Track Listings (24) - Disc #3

Tchaikovsky suffered from an extreme example of musical post-partum depression. There isn't a single piece he wrote that he didn't hate as soon as he finished it. Except this one. Sleeping Beauty is uniformly regarded as...  more »

     
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Tchaikovsky suffered from an extreme example of musical post-partum depression. There isn't a single piece he wrote that he didn't hate as soon as he finished it. Except this one. Sleeping Beauty is uniformly regarded as the greatest full-length, classical ballet in the history of the universe. Tchaikovsky lavished all of the love and attention of which he was capable, and produced an amazing score in which the demands of the dance are perfectly integrated within a symphony musical structure. There's every reason to listen to the complete work, even if it is quite long, because there really isn't a dull moment. Naxos's series of complete Tchaikovsky ballets is extremely fine--a great deal at budget price. --David Hurwitz

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CD Reviews

Did you say "Two for the price of one?"
JimmyB | Philadelphia | 03/09/2000
(5 out of 5 stars)

"That there is more than one worthwhile recording of any composer's work should be understood at the outset. This particular version of The Sleeping Beauty is said by some (one, at least, in this crowd) to be slow. Well, yes, it is slow. But of the four complete Sleeping Beauties out there (actually, I can only speak to three of them--the Bonynge I've not heard) this is the only one that presents a true, three-dimensional stage upon which one can imagine a dance taking place. Both the Dorati and the Gergiev are symphonic pieces--and both are quite good in their own way--but ballet is a unique art, where physical gesture and music are equally articulate. This dynamic requires a lot of space, an opening through which both languages proceed, converse, accomodate, and finally resolve into one. Since the physical presence of dance is nonexistent on aural recordings we generally ignore it altogether and there's an end to it. This recording will not allow you to do that. Strictly, as "music," it is inferior to the Dorati and the Gergiev--curiously, since Gergiev conducts for the Kirov the difference should not be as apparent here--but as music for the ballet it is, in this company, without parallel."
Just like you are there
JimmyB | 12/11/2000
(5 out of 5 stars)

"Yes, this recording is for the person familiar with the ballet and wants to be transported back to the stage. The tempo is just right for your imagination to allow the performers to dance in your head. Other faster recordings may be more accessible to people not as familiar with the ballet, such as Dorati. My reason to listen to ballets, operas, soundtracks etc. is to go back to the performance and feel the emotion which makes the music all the more enjoyable and significant. You can listen to this CD in it's entirety (that's right entirety) at naxos.com and make a completely informed decision...."
Good, but not the best...
JimmyB | 07/15/1999
(3 out of 5 stars)

"Sleeping Beauty is probably the best of Tchaikovsky's ballets. If you are looking for a good recording of it, this one is nice, but a little slow and muffled. Since it is slow, it might be easier to dance to. But, if you want a clear, dynamic recording, I suggest the one conducted by Antal Dorati and the RCA label."