Whatever Schubert needs, Lenny has it!
Alan Majeska | Bad Axe, MI, USA | 12/13/2006
(5 out of 5 stars)
"Although you might not think of Leonard Bernstein and the Concertgebouw Orchestra as the ideal team for recording Schubert Symphonies: many listeners have loyalties to Bohm/Berlin (DG), Kertesz/Vienna (Decca), Walter/New York (Sony), and Beecham/Royal Philharmonic (EMI, 5) in these works - whatever Schubert needs, Bernstein and the Concertgebouw Orchestra have it in these mid 1980s recordings. Bernstein is sensitive to changes in mood and slight variances of tempo, and the DG sound is better than what Sony has for Bernstein's New York recordings of these same works from the 1960s.
The Concertgebouw Orchestra is one of the world's top 5 orchestras, along with the Vienna Philharmonic, Berlin Philharmonic, and Philharmonia Orchestra, and this recording is evidence of their excellence. Bernstein's tempos are expansive, but never drag. The beautiful Concertgebouw sound is well served by DG's engineers.
Highly recommended, and not only to Bernstein fans."
Lovely, genial Schubert, but Bernstein isn't very involved
Santa Fe Listener | Santa Fe, NM USA | 12/04/2008
(4 out of 5 stars)
"I'm a great lover of Bernstein's conducting, but the Amazon reviewer over-sells these genial live recordings, which show no special interest other than first-rate music-making, which isn't to be slighted. If I had attended this concert in 1987, I would have been very happy. (Mr. Libbey is on another planet when he refers to the Unfinished in terms of "problematic expressiveness," whatever that even means.) In both symphonies tempos are completely middle-of-the-road, although the first movement of Sym. #8 feels slightly rushed. There's no hint anywhere of Bernstein's tendency to adopt slow tempos, as often happened in his late career. I'm a bit baffled at how he could turn in performances where he is so uninvolved, especially considering that he gave us a great Unfinished from his NY Phil. years, still available on Sony.
However, the playing is never less than gorgeous, and DG's live recording does justice to the famous warm acoustics of the Concertgebouw hall. Overall, I think the only listeners who will be delighted are those who complain that Bernstein is too over the top. He certainly isn't here."