An Another Great Ninth From The Catalog Of The Master
Ekrem Ayyildiz | istanbul,turkey | 01/29/2007
(5 out of 5 stars)
"Giulini recorded this massive and transcendental work two times before this last recording(with Chicago Symphony, studio, in 1976 for EMI and with Wiener Philharmoniker, live, in 1988 for DG).
In my opinion this is an analogous and better recorded version of the Chicago account, especially on tempos and structural analyses. Though this is sentimental and flexible reading when I compare with his earlier tragic/epic accounts. Ofcourse one can see many points of Giulini's fixed approaching and his 'high level'. Powerfull and also very good recorded(with SWR-Stuttgart Radio Symphony Orchestra,in 1996,live,digital).
If you have Giulini's other recordings and if you are lover of this work you must buy this one too. But if you have not a Ninth or Giulini's Ninth, firstly (and first of all) you must buy his monumental and greater DG account with Wiener Philharmoniker.See my Bruckner list."
Giulini soars in concert, giving us a great Ninth
Santa Fe Listener | Santa Fe, NM USA | 09/26/2008
(5 out of 5 stars)
"The best news about Giulini's third Bruckner Ninth on disc is that it presserves the spiritual strength of his much-loved Vienna account from 1988 but cuts three minutes from the first movement and four from the finale. I hate to reduce criticism to timings, but the pacing had gotten glacially slow. Here, at 25 min. each for the first and last movements, we are still proceeding slowly, but Giulini's sense of grandeur doesn't devolve into stasis.
The SWR Stuttgart orchestra ranks far below the Chicago Sym. and Vienna Phil. that Giulini conducted for EMI and DG, but they play beautifully, responding to a great conductor with deep expressivity. The hardest thing with any Bruckner symphony is to make it tell a story, and here Giulini accomplishes that. We aren't moving from peak to valley and back again; each episode unfolds in a new shade of mood and atmosphere. Frankly, I get bored sitting in cathedrals too long, and it's heartening to find a Bruckner Ninth that has more than one or two facets.
Even if you own both of the earlier readings, this one richly rewards the lsitener and is far from a carbon copy of Giulini's previous interpreatations. It achieves its own greatness."