Search - Antonin Dvorak, Cesar Franck, Willem Mengelberg :: Symphony 9 New World / Symphony in D Minor

Symphony 9 New World / Symphony in D Minor
Antonin Dvorak, Cesar Franck, Willem Mengelberg
Symphony 9 New World / Symphony in D Minor
Genre: Classical
 
  •  Track Listings (7) - Disc #1

Willem Mengelberg was the prototypical arch-Romantic conductor, taking freedoms more common to an earlier age. In part, that accounts for the enduring fascination of his interpretations, which, however odd-sounding to mode...  more »

     
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CD Details

All Artists: Antonin Dvorak, Cesar Franck, Willem Mengelberg, Concertgebouw Orchestra
Title: Symphony 9 New World / Symphony in D Minor
Members Wishing: 0
Total Copies: 0
Label: Elektra / Wea
Release Date: 6/5/2001
Album Type: Original recording remastered
Genre: Classical
Styles: Historical Periods, Modern, 20th, & 21st Century, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 685738302529

Synopsis

Amazon.com
Willem Mengelberg was the prototypical arch-Romantic conductor, taking freedoms more common to an earlier age. In part, that accounts for the enduring fascination of his interpretations, which, however odd-sounding to modern ears, can often result in compelling performances that make listeners hear familiar works anew. The Franck, with its own Romantic excesses, doesn't always respond well to an approach full of arbitrary tempo changes, but Mengelberg tempers the work's lushness with a hard-driving performance that generates excitement. The Dvorák is also driven hard, but there are luscious pauses to smell the flowers. Bryan Crimp's transfers of the mediocre original recordings from 1940-1941, are first-rate, helping to make this release attractive to Mengelberg's many fans and collectors of historical recordings. --Dan Davis
 

CD Reviews

Stunning performance
Devoted reader | California USA | 03/05/2008
(5 out of 5 stars)

"Recording during a live performance after the Germans occupied Amsterdam, Dvorak's "New World" Symphony throbs with emotion (Mengelberg was involved in sheltering the Jewish members of the orchestra and helping them to escape). Did the orchestra and conductor collectively look beyond the Nazis in the audience, toward the freedom represented by the United States?"