Symphony No. 8 in G major, B. 163 (Op.88) (first published as No. 4): 1. Allegro con brio
Symphony No. 8 in G major, B. 163 (Op.88) (first published as No. 4): 2. Adagio
Symphony No. 8 in G major, B. 163 (Op.88) (first published as No. 4): 3. Allegretto grazioso
Symphony No. 8 in G major, B. 163 (Op.88) (first published as No. 4): 4. Allegro ma non troppo
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Theme: Lento e molto tranquillo
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 1: Un poco pi? mosso, quasi Allegretto
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 2
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 3
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 4: Pi? Allegro
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 5
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 6
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 7: Tempo 1
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 8
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 9: Tempo 1
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 10: Vivace
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 11: Meno mosso, quasi Tempo 1
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 12: Poco Andante
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 13: Allegro
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 14: Lento
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 15: Maestoso, l'istesso tempo
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 16: Vivace
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 17: Scherzo (Allegro Vivace)
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 18: Larghetto
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 19: Tempo di Valse
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 20: Pi? animato
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 21: L'istesso tempo
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 22: L'istesso tempo
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 23:
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 24: Andante
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 25: Pi? mosso, quasi Allegretto
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 26
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Variation 27: Moderato, l'istesso tempo
Symphonic Variations for orchestra (on 'I am a Fiddler' B. 66/3), B. 70 (Op. 78): Finale: Allegro Maestoso - Meno mosso (quasi Tempo
Sir Charles Mackerras hasn't made a bad record in his life, and he certainly doesn't start here. He's a particular authority in Czech music, having studied in Prague with the great Václav Talich himself. This, combine... more »d with his own innate musicality, is a virtual guarantee of superior results in Dvorák, and so it proves here. The coupling--the marvelous and unaccountably neglected Symphonic Variations--adds considerably to the attraction of this excellent disc. --David Hurwitz« less
Sir Charles Mackerras hasn't made a bad record in his life, and he certainly doesn't start here. He's a particular authority in Czech music, having studied in Prague with the great Václav Talich himself. This, combined with his own innate musicality, is a virtual guarantee of superior results in Dvorák, and so it proves here. The coupling--the marvelous and unaccountably neglected Symphonic Variations--adds considerably to the attraction of this excellent disc. --David Hurwitz