Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): Visions and passions
Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): Un bal: Valse, Allegro non t
Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): Scene au champ, Adagio
Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): Marche au supplice, Allegro
Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): Songe d'une nuit du Sabbat
Muti's perfectionism is everywhere clear in his stirring, crisp leadership of this many-layered, flavorful work. Some have argued that it's a bit over-the-top; we call that exciting. This is not to say that in the more ele... more »gant moments, we don't get some beautifully sculpted, feathery sounds. And clearly, each section of the orchestra was ideally rehearsed: the strings are lush, the winds reedy and spicy, and the brass wonderfully aggressive. Wow! --Robert Levine« less
Muti's perfectionism is everywhere clear in his stirring, crisp leadership of this many-layered, flavorful work. Some have argued that it's a bit over-the-top; we call that exciting. This is not to say that in the more elegant moments, we don't get some beautifully sculpted, feathery sounds. And clearly, each section of the orchestra was ideally rehearsed: the strings are lush, the winds reedy and spicy, and the brass wonderfully aggressive. Wow! --Robert Levine
Charles Emmett | Oroville, California (the boonies) | 10/11/2003
(5 out of 5 stars)
"What is it that Muti continually seems to bring something new to the table. This recording, as his performance of 'Romeo and Juliette' is filled with absolute fire, yet the juxtaposition of the clarity and tenderness that he seems to bring to every recording. 'Reveries-Passions' The string writing and how the Maestro plays with transparency and tenderness and the ferocity when needed. The wonderful playing of the brass section, especailly in the finale along with that horrendous bell and how it rings in time to an inexorable ending.The Philadelphia Orchestra plays with such passion and virtuosity and such wonderful tone. Maestro Muti really shapes the tone and seems to be on top of that with the strings. You can feel his every movement with his hands as he conducts them.I wish that EMI would re-release all of the PHO recordings with the Maestro.Has anyone got his recording of Mahlers 'Titan' yet? Breathtaking. A must for everyone also! Berlioz is the early 'Mahler'to me. There are dissonances that haven't been heard before and they always resolve so beautifully. He takes us musically where no one of the period had ever gone/The highest recommendation. Should be one of the top one hundred in a music library.Highest recommendation, again. It's a bargain anyway and unequaled by anything else out there."
Breathtaking!
Brian Douglas | Brighton, England | 09/02/2001
(5 out of 5 stars)
"I LOVE this symphony - I've listened to it over and over again. And this is the finest recording I've ever heard of the Fantastique. More than any other, this recording captures the emotion of Berlioz's self-portrait symphony. You cannot help but be sucked into the story, the transition from Romantic emotionalism of the first movement to the sheer horror of the last. The gruesome power of the 5th movement is absolutely breathtaking, and this recording does the music perfect justice. And you can't beat the price!If you like Romantic music, buy this CD!"
Brilliant Berlioz from Muti/Philadelphia
Alan Majeska | Bad Axe, MI, USA | 11/28/2005
(5 out of 5 stars)
"I purchased the Muti/Philadelphia Berlioz "Fantastique" in 1986 on the strength of reviews I read in STEREO REVIEW magazine, and am glad I did, although this is not my only Fantastique recording. Muti and the Philadelphia are very well recorded here by EMI's engineers, and the orchestra has a brilliant sheen, emphasizing the high frequencies, but not at the expense of the treble or bass ranges. Muti pushes the tempo where needed, but it is always at the service of Berlioz' fantastic, passionate music. One example is in V, the witches sabbath, which in many recordings comes off as tame and lukewarm. (Berlioz depiction of this grotesquery should be anything but lukewarm...)
I should point out my FANTASTIQUE is the earliest issue, with no discmates.
Ormandy/Phiadelphia also recorded Symphonie fantastique in 1965, available in Sony's "Essential Classics" series, and I like that recording also, along with Muti. There are other options, each different from the others, yet all excellent: Bernstein/French National Orchestra (EMI); Karajan/Berlin (DG); Markevitch/Lamoreux Orchestra (DG); Colin Davis/London Symphony (Philips); Talmi/San Diego (Naxos)."
Undoubtedly the best "Fantastique"
Joseph Hubbard | Pflugerville, TX | 04/15/2006
(5 out of 5 stars)
"Even after hearing this symphony constantly growing up, I never once found myself notably drawn in by the music. While I liked to listen to it and was impressed by its historical significance, it never struck my fancy as anything other than background music. Sure, the music itself is loaded with plenty of stuff to enjoy, but I never heard any interpretation of it that showcased it enough and really delivered some actual substance to the hype of this Romantic masterpiece.
However, this recording slams it in your face.
This is by far the most intense reading of the work to date. Dynamics are finally maximized here and Muti layers the voices of the orchestra with perfection. The brass playing is incredible throughout and when they really bring the heat in the March and the Witches' Sabbath, you will literally be set aflame. I can't imagine a better recording of these last two movements as they bring complete death and destruction here. And as one reviewer has already pointed out, Charlie Vernon delivers a performance here that you will not hear on any other recording of this work. He comes bearing many bass trombone gifts and all we can do is calmy sit back and bask in his generosity. Listening to him destroy the pedals in the March will never get old. Thank you Charlie Vernon, thank you.
As far as comparing them to other recordings goes, I much favor this to the famous Ormandy recording on Sony Classics that I just frankly find bland and rather uninspiring. I also don't understand why they split up the last movement into four tracks on that CD. Trivial yes, but it is just very annoying to me. I also prefer this Muti recording to the Davis/Concertgebouw, which is taken with a much lighter approach. However, some people like that approach better and there is nothing wrong with preferring it that way, so if you are looking for a more pastoral sound for this music, I would definitely look into the Davis recording, now a part of the Philips 50. But let's be real here kids. If you want a recording that will melt steel, look no further than this disc.
Buy immediately. Perhaps you did not hear me, but I said immediately.
(Also, it is ridiculously inexpensive.)"
A Berlioz Opus 14 CD to KEEP !
John L. Miller | Sterling, Virginia United States | 10/29/2004
(5 out of 5 stars)
"Years ago (probably in the 80's when this recording was made ), Muti and the Philadelphia Orchestra performed this work on TV. I viewed the telecast and thought it was a great performance (even on a small, non-stereo TV ). .... Since then, I have owned a few recordings of this symphony performed by other conductors and orchestras. I always ended up selling them after only playing them one time. ... When I saw that this version was available on cd and realized that it was that performance that impressed me so greatly years ago, I had high hopes that it would be a "keeper". .. And it is !! .. I have played it many times and it is one of the "definitive" recordings in my cd collection. ... I don't understand why it is not being sold at full price. Buy it now .. before they realize their error !