"The Swimming Pool Qs radically change their sound in "Royal Academy of Reality," moving away from a sort of Southern new-wave sound into a... well, they sound like the long-lost Southern cousin of the Elephant 6 Collective. Part spacey, part psychedelic, part southern rock.
It opens with a too-soft-to-really-hear Mini Moog opener, which slides into the sunny pop of "Light Arriving Soon." With several songs like "Yesterday's Rain" and "The Radio in Memphis," the Swimming Pool Qs cling to their Southern pop-rock roots. These songs are a lot grittier, and there are several in the middle of the album, before switching to something a bit odder.
After the brassy cacophony of "Out Of Nothing," the Swimming Pool Qs display their willingness to explore every other kind of music. They take on the watery "The Earth Makes Us Feel Things," ethereal instrumental numbers, funky dancepop about pharaohs and "yin... yang!", stately organs, and languid bassy trip-hop sweeps. In short, a third is Southern-tinged rock, and the other two-thirds are anything else.
It feels like the Swimming Pool Qs are transitioning from one style to another -- and unlike most transition albums, it doesn't feel weird. Instead, it feels like the band is strapping itself onto the "Pharaoh's Rocket," and are heading off to more surreal, spacey places to inspire their music. But, I might add, without leaving their old inspirations behind.
Regal spacepop doesn't seem to meld easily with Southern rock, but it does. More grounded instruments like drums, guitar and bass are paired with cowbells, dulcimer and sax; at the same time, the band weaves in moog, violins, toy piano, turntables and shimmering Mellotron. The result can be funky pop, gritty rock, or sweeping, ethereal soundscapes that tremble under Calder's vocals.
Jeff Calder has an unusually good voice for this kind of music. It's full and flexible; he can sound sexy and languid one moment, and channel Wayne Coyne in "Electron Gardens" the next. The songwriting seems to be a bit out there as well, with songs about a pharaoh in orbit, loneliness in the Deep South, Alpha Centauri and ivy-covered fortunetellers. "Now we're caught in a trance/of high romance and the voltage of plants/will the things that we're seeing/bring us any closer to some new way of being?" Calder asks quizzically.
Take a healthy dose of Southern rock and mingle it with some of the better Flaming Lips songs, and the result is Swimming Pool Qs' "Royal Academy of Reality," a memorable and very promising album."
Music of the Spheres from the Swimming Pool Q's
melkerseyiii | Denver, CODunedin New Zealand | 07/24/2003
(5 out of 5 stars)
"Ten years of magic in the making, the "Royal Academy of Reality" is well worth the wait. It is both hauntingly familiar (sometimes like echoes from "Celestion", "Some New Highway" or "The Common Years", to name a few) and yet remarkably different from anything the Pool Q's have released before. There are lush layers of vintage keyboards, celestial voices and visionary soundscapes in these twenty (yes twenty) new songs. Jeff Calder has shifted his vocal and lyrical horizons, propelled by the elemental powers of the Q's. Combine this excitement with spellbinding production and engineering, and you have an artistic achievement that few can match. Without using the term lightly, this recording is a masterpiece. Own it."
Masterpiece
melkerseyiii | 06/19/2003
(5 out of 5 stars)
"As rock critics all over the country are gradually discovering, this is the best rock and roll album of the past forty years. Maturity has seeped into Jeff Calder's brilliant lyrics as well as into the astonishing arrangements flawlessly played by the band. Moogs, gongs, Eastern stringed instruments - all fall naturally into place. The group has never sounded better. They offer us this great work like tablets, like Manna - Moses descending from the parapet."
There's a strange light over Memphis ...
M. Bromberg | Atlanta, GA United States | 08/31/2005
(5 out of 5 stars)
"... and while Elvis may have indeed left the building on pharoah's rocket, this rocking little mini-symphony takes its view more from ancient Egypt than Tennessee. It's a planetary tour, bending space and introducing time itself to take in all the psychedelic sights: "The Discovery of Dawn," "The Wheel of the Sun," and "Alpha Centauri's Rise" are conjured in all their gauzy, 3-D grandeur. Meanwhile back on Earth, Jeff Calder and company get down with their bad selves and groove to the mysteries of "Yin Yang" and "The Do What and the Who What," muse sweetly about "Yesterday's Rain," and generally cavort in a musical, mystical be-in circa 1968. "I got a big idea/from the walking dead/down at Piedmont Park," Calder sings at one point, but the magic mushrooms must have cleared his head to put together this little gem. Ten years between albums seems a little long, and maybe Jeff can talk Anne Boston in front of a microphone more often, but these are just quibbles in what is really one of 2003's best, if criminally overlooked, pop albums. Where was the single (I nominate "Everybody Knows Tomorrow") that would have put this across?"
A treasure chest of sound, song, and words
loce_the_wizard | Lilburn, GA USA | 08/18/2005
(5 out of 5 stars)
""The Royal Academy of Reality" is a treasure chest of sound, song, and words, a sprawling masterwork without any real connection the Swimming Pool Q's earlier work. Head Q Calder and Q guitarist Elsey are the mainstays, and a swarm of supporting musicians contributes all manner of instruments from the traditional to the exotic.
All manner of adjective suggest themselves as appropriate to describe this collection of songs focused on earth, cosmology, mythology, and physics---not your typical subject matter. It takes several listens to start pulling together the themes that thread their way through the CD, but the music pulls one in from the first: swirling electronic effects, orchestral passages, spacious sections for the instruments (both the normal and the unusual) to shine, great guitar riffs, and enough bass, percussion, drums, and keyboards to keep the enterprise grounded.
Jeff Calder handles the vocals ably, but it's the all too brief appearance of Q's long-time female vocalist Anne Richmond Boston on a few tracks that leaves the listener yearning for more. The lyrics, which are intriguing and well-developed, may send some listeners scrambling for those arcane paperbacks on the Sirius mystery or ancient civilizations or physics and mysticism many of us accumulated during our younger years.
Calder, Elsey, and company spent a decade working on this CD, and the attention they have paid to nuance and detail reveals itself. (I was initially drawn in by the fine packaging and artwork before I realized this was a Swimming Pool Q's CD.) Let's hope the next effort from this collective does not take a decade.