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Supergenerous
Supergenerous
Supergenerous
Genres: Jazz, Pop, R&B, Latin Music
 
  •  Track Listings (13) - Disc #1

Super sessioneers Kevin Breit (guitar) and Cyro Baptista (percussion) have recorded and worked with everyone from Holly Cole, Cassandra Wilson, and K.D. Lang to Paul Simon, Herbie Hancock, and John Zorn. But none of their ...  more »

     
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CD Details

All Artists: Supergenerous
Title: Supergenerous
Members Wishing: 0
Total Copies: 0
Label: Blue Note Records
Original Release Date: 9/12/2000
Release Date: 9/12/2000
Genres: Jazz, Pop, R&B, Latin Music
Styles: Avant Garde & Free Jazz, Latin Jazz, Latin Pop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 724352463329, 0724352463350

Synopsis

Amazon.com
Super sessioneers Kevin Breit (guitar) and Cyro Baptista (percussion) have recorded and worked with everyone from Holly Cole, Cassandra Wilson, and K.D. Lang to Paul Simon, Herbie Hancock, and John Zorn. But none of their credits can prepare you for the sonic shindig of their debut as Supergenerous. Using their collection of guitars, otherworldly percussion, and original instruments, the pair make fiery, joyous, highly improvisational music that is also quite mad. Recalling the Latin Playboys, but with a much wider stylistic palette, SG's songs are full of lonely vistas, strange sendups, and utter weirdness that is refreshing. Like High Plains Drifters lost in time, SG work the theme of dislocation with such song titles as "Dreamin of a Train" and "God's Parking Lot." They turn "Caravan/Camel, Sand and Caravan" into an unrecognizable improv, and feature Cassandra Wilson on an earthy but ultimately unmoving "Home on the Range." Better is the 22nd-century boogie of "Sao Paolo Slim," the Mexicali romance of "A Sigh in a Shiver," and the freak mambo of "Marisa O'Brien." The album closes with a wonderful rendition of "Love Is All Around," a.k.a. the Mary Tyler Moore Show theme. As Breit snappily unveils the familiar melody, Baptista surrounds him with an atmospheric barrage of oddball scratches, zings, and hand jives. It's a magical end to a curious, creative, and unique album. --Ken Micallef

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CD Reviews

Utter Musical Genius
Jan P. Dennis | Monument, CO USA | 08/28/2002
(5 out of 5 stars)

"Cyro Baptista, percussionist extrordinaire and brain behind one of the three greatest jazz beat albums ever--Vira Loucas--here teams with stringman-without-peer Kevin Breit to produce a disc that defies catagorization and, almost, description. Undaunted, I'll give it a go.A photo on the back of the jewel-case insert kinda gives the game away: seemingly randomly placed are 50 or more musical instruments, about half guitar-family, half drum-family. Many are obscure or unrecognizable (at least to a non-specialist like me). That two players would even have vague familiarity with--let alone mastery of--such a wide assortment of instruments boggles the mind. But they do. Strangely, given the surface esotericism, this music is eminently listenable. Yeah, it gets weird, yeah, it's beyond category--sorta folk-jazz-world-bluegrass-Brazilian-old-timey-blues-cowboy--but it's never not accessible, if you've got big ears. And there are moments of sheer beauty, such as about the last minute and a half of Dreaming of a Train/Take the A Train, and Cassandra Wilson's strangely artless and moving singing on Home on the Range.In the hands of lesser musicians, an endeavor of this sort would degenerate into mere oddness; with their rare combination of savvy, acuity, and largesse, Baptista and Breit have created a cultural artifact that is, indeed, supergenerous."
Kevin Breit, the most underrated guitarist alive? Maybe.
Richard J Gebhard | Manistee, MI United States | 11/01/2000
(5 out of 5 stars)

"Virtuoso Kevin Breit (Holly Cole, Cassandra Wilson, many more) finds even more space to fill with his off-beat, sometimes intricate, sometimes dissonant, jazzy style. He is truly a brigh spot among the often stagnant guitar world."