Musicological Morbidity...
Sébastien Melmoth | Hôtel d'Alsace, PARIS | 08/04/2007
(5 out of 5 stars)
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The music contained in this disc is coloured by the morbid history of circumstances: the Czechs Haas and Krása were both born in 1899, and both murdered at Auschwitz in Oct. 1944. Imagine the horror.
Hass had been a student of Janácek; Krása, Zemlinsky--(which makes him a 3rd generation New Viennese Schooler).
The Quartets themselves are from the 1920s and feature ironic, neoclassical, and jazz elements; colourful instrumentation (viz., extensive glissandi, pizzicati, col-legno, etc.) and grotesqueries.
I prefer Krása's work overall: see also, Hans Krása: Brundibár ; Krása: Brundibár ; Krasa - Verlobung im Traum / Lascarro · J. Henschel · Hellekant · Bartosz · Wörle · Dohmen · M. Kraus · Zagrosek ~ Symphonie / Ashkenazy ; Czech "Degenerate Music" Krasa: Chamber Music (Complete) ; Haas Krasa Schulhoff:Songs .
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