First Part: Adoration Of The Earth: The Augurs Of Spring/Dances Of The Young Girls
First Part: Adoration Of The Earth: Ritual Of Abduction
First Part: Adoration Of The Earth: Spring Rounds
First Part: Adoration Of The Earth: Ritual Of The River Tribes
First Part: Adoration Of The Earth: Procession Of The Saga
First Part: Adoration Of The Earth: The Sage
First Part: Adoration Of The Earth: Dances Of The Earth
Second Part: The Sacrifice: Intro
Second Part: The Sacrifice: Mystic Circles Of The Young Girls
Second Part: The Sacrifice: Glorification Of The Chosen One
Second Part: The Sacrifice: Evocation Of The Ancestors
Second Part: The Sacrifice: Ritual Actions Of The Ancestors
Second Part: The Sacrifice: Sacrificial Dance (The Chosen One)
This is like no other Rite of Spring you're likely to be familiar with, not even the piano four-hands version it's based on. The pianist and Teldec's engineers have done some arcane digital overdubbing, synchronizing, and ... more »overrecording so that Say's two hands sound like many more pounding away at the keyboard. A prepared piano and percussive effects are added to further simulate the orchestra. And Say grunts and groans a lot. Still, piano versions of complex orchestral scores are more suited for study purposes and for clarifying elements that get lost when clothed in instrumental colors. Most people will be satisfied with the many fine orchestral recordings, including those by Dorati, Boulez, Markevitch, and Stravinsky. Despite the disc's synthetic quality, which will make it off-limits for many, it's undeniably exciting, full of raw power and interesting effects. The meager 31 minutes of playing time is justified by Say's claim that no appropriate disc mate could be found. (Someone should tell him about "Stop" buttons--nobody's forced to listen straight through.) As an "enhanced CD," it can be put into the CD drive of your computer, and you'll see a brief MTV-type video of Say doing snippets of Bach, Gershwin, and the Stravinsky in a cell-like room while the camera nervously jumps about. --Dan Davis« less
This is like no other Rite of Spring you're likely to be familiar with, not even the piano four-hands version it's based on. The pianist and Teldec's engineers have done some arcane digital overdubbing, synchronizing, and overrecording so that Say's two hands sound like many more pounding away at the keyboard. A prepared piano and percussive effects are added to further simulate the orchestra. And Say grunts and groans a lot. Still, piano versions of complex orchestral scores are more suited for study purposes and for clarifying elements that get lost when clothed in instrumental colors. Most people will be satisfied with the many fine orchestral recordings, including those by Dorati, Boulez, Markevitch, and Stravinsky. Despite the disc's synthetic quality, which will make it off-limits for many, it's undeniably exciting, full of raw power and interesting effects. The meager 31 minutes of playing time is justified by Say's claim that no appropriate disc mate could be found. (Someone should tell him about "Stop" buttons--nobody's forced to listen straight through.) As an "enhanced CD," it can be put into the CD drive of your computer, and you'll see a brief MTV-type video of Say doing snippets of Bach, Gershwin, and the Stravinsky in a cell-like room while the camera nervously jumps about. --Dan Davis
"This is one of the most radical and profound performances of Stravinsky's Rite of Spring -- haunting, poetic, agressive and innovative. It is a deeply personal performance and is the jolt that classical music needs, rather than the usual academic and perfunctory approach. It still respects the music, but it a singular and unique interpretation that is bound to win Fazil Say many followers, and a few dissenters. The disc is beautifully recorded, and also features a fantastic short "art film" on the CD-Rom side that features Say performing excerpts from Gershwin, Bach and Stravinksy. This is not just another music video or attempt to be "hip" but a gorgeous cinematic compliment to Say's playing, giving the music added dimension and emotional resonance. It is beautifully directed, photographed and designed. The CDs package design is taken from the video. All around, this is a great CD. With any justice, critics and audiences (and Grammys) will follow."
A Phosphorescent Rite of Spring
Grady Harp | Los Angeles, CA United States | 04/11/2003
(5 out of 5 stars)
"Fazil Say has added a significant contribution to the discography of the works of Igor Stravinsky with this fine recording of Stravinsky's own transcription for Piano Four Hands of his ballet THE RITE OF SPRING. Long a staple in the orchestra halls around the world (and very frequently recorded in the orchestral version), this is the first recording of the four hand piano version to my knowledge. Fazil Say has a solid grasp on all of the primordial matrix from which the subsequent musical ideas emerge. Yes, it at times sounds as though there are more pianos on the stage of the recording session than just the one, but that is due in part to the genius of Teldec's engineers. While Say is the only performer his recordings are superimposed to flesh out all of the sonic splendor Strvinsky imagined. Strange sounds arise from the fabric of sound: the piano was 'prepared' for some of the over-recording. For those who know and love the ballet and the pure orchestral frenzy that ignited our last century in music, this recording will enlighten and energize and create even more respect for this masterpiece of Stravinsky's genius. Highly Recommended."
A Masterpiece
12/01/2003
(5 out of 5 stars)
"Don't worry about the "purity" of it, its purely delightful. This pianist truly understands the work, and will elucidate it for you with his interpretation. In his liner notes, Mr. Say describes how, "This music brought me back to life". He has done so for me, hopefully for you too."
A Brilliant, Unique Intrepretation of Stravinsky's Score
John Kwok | New York, NY USA | 11/10/2001
(5 out of 5 stars)
"Fazil Say's performance of Stravinsky's "Rite Of Spring" is a unique, profound, mesmerizing interpretation. Much credit is due to Say as well as his Teldec engineers in creating one of the most exciting performances I've heard by a solo pianist. Purists will cry blasphemy, but those interested in hearing a vividly fresh take on Stravinsky's classic score will find much appealing in Say's heterodox reading."