Second Coming - The Stranglers, Black, Jet [the Str
Waiting for the Meninblack
Turn the Centuries, Turn
Two Sunspots
Four Horsemen
Thrown Away
Manna Machine
Hallow to Our Men
Top Secret
Maninwhite
UK repackaged reissue of 1981 album, includes new artwork with extensive sleeve notes & previously unseen photos. 13 tracks including three bonus tracks, 'Top Secret', 'Maninwhite' & 'Tomorrow Was Hereafter'.
UK repackaged reissue of 1981 album, includes new artwork with extensive sleeve notes & previously unseen photos. 13 tracks including three bonus tracks, 'Top Secret', 'Maninwhite' & 'Tomorrow Was Hereafter'.
Phoebe's take on one of the best stranglers albums
Phoebe Rush | Baltimore | 08/31/2005
(5 out of 5 stars)
"After working in a record store for 6 years and coming from a family of musicians and music lovers alike I thought I had heard
a great deal of good music,and then I discoverd this cd.
Meninblack is one of the most innovative albims I have ever heard. Apparently when it was released in '81 it garnerd little fanfare and no 'hits'- not suprising, it was way ahead of it's time.Forget Tangerine Dream- this album pioneered techno while still being very much a rock album. The more I listen to it the more I love it,a must have for fans of Talking Heads,Gang of Four,Devo etc., notable tracks:'It's Like Nothing on Earth','Waiting for the Men in Black',and 'Manna Machine' which listens like a distant stare into space."
One of the best of the 'New Wave"
Paul Wilczynski | Sacramento, CA USA | 04/22/2004
(5 out of 5 stars)
"This was one of the albums that got me through high school... DEFINITELY a 'desert island disc'. Just heard it again for the first time in 10 years. Better than I remembered! HIGHLY recommended. Possibly the greatest concept album ever made."
Favorite Stranglers record
Dave Portola | the airport | 11/23/2005
(5 out of 5 stars)
"Been listening to this one for many years, never tire of it, always something new to hear. They conjure it all on this record with intensity and restraint. The songs are brilliant in a framework of their own, rather than any sort of "hook laden" pop/rock or punk style. The musicianship is masterful, almost neurotically precise drums and bass and lots of keyboard jumping around. The guitar playing is just insane, especially on tracks like "Nothing on Earth". Hugh delivers the vocals totally deadpan with at times a sort of fake east-european accent. Intro. track features chipmunk-like creepy aliens laughing at the plight of humanity (I suppose)."
Heady Topics for All Those Concerned...
P. T. Ostiguy | MA | 06/30/2009
(3 out of 5 stars)
"With the deluge of seemingly unresponsive earthly inhabitants scurrying about in the early 80's, it's no wonder that the topics described herein by The Stranglers on "The Gospel" are as relevant and damning as ever. Covering vast extremes of religious fundamentalism to even the congregating masses awash in Americana's eyes, this album is a culmination and dare say climax of a synthesis of personal insight lead by the quad and furthered by a near silly progressive synth backdrop awash in goof speak as well as serious complications with personal faith. If there could be a contemporary album by the Stranglers, this was there initial fray into attacking even headier topics than "Black and White". Taken in this context, the album offers a startling venture in a (ahh hum) Godless world whose inhabitants, driven by media and inclusiveness, seemingly damn "the second" coming of what would've been the next prianna. It seems these topics where even troubling to the crew itself, and personally one of the standout tracks has to be Greenfields only vocal contribution that explores what is quite possibly his own issues with faith (namely Christianity) in a subtle exploration of "What if He came back today?" At the end...it would seem the Returner would be apt. to sit quietly in an institution quite unaware of his seeming relevance. This an album, nary a single to be plucked from its confines, but taken as whole it warrants consideration and appreciation for the subtleties of its lyrical adventurism and more often than not, lo-fi, driving synthesis."