Search - Stephan Moore :: To Build A Field

Stephan Moore has spent the last five years touring with the Merce Cunningham Dance Company as a core member of their live band, alongside such notables as Christian Wolff, Takehisa Kosugi, David Behrman, John King, and William Winant. At the same time, he has been collaborating with a number of younger choreographers to create sound scores for their performance works. To Build A Field collects the best of these pieces, drawn from six of his commissions by four very different choreographers. The CD's title refers to Moore's view of his role in these collaborations: designing and executing sonic structures that define the emotional and rhythmic topography of time. Each track negotiates a balance between acoustic sound sources and electronics, live performance and studio composition, and human vs. algorithmic control of sound materials. Time is continually bent into new shapes, challenging the listener, and his collaborators, to think beyond the easy comforts of a regular tempo, and confront rhythm as texture instead of a reliable grid. Brooklyn-based sound artist Stephan Moore's recent musical work centers around the collection and use of real-world sound, the creation and perception of sonic environments, and technological manifestations of improvisation and interactivity. He develops his own performance software and builds point-source loudspeakers for use in his performances and sound installation work. His current ongoing collaborations include the Xenolinguistics performance project with visionary video artist Diana Reed Slattery, projects with choreographers Yanira Castro and Kimberly Young and performance artist Kyle DeCamp, sound design for the Nerve Tank theater collective, and the performing/recording duo Evidence with sound artist Scott Smallwood. He curates a concert series at the Merce Cunningham Dance Studio called Experiments in the Studio, and co-curates an annual month-long Floating Points festival of performances and sound installations at the ISSUE Project Room in Brooklyn, pairing the permanent sixteen-channel installation of his Hemisphere speakers there with diverse artists. Moore has been commissioned to create sound installations and performances for a number of dance companies and site-specific venues. He has been awarded residencies by Hunter College, the Experimental Television Center and Wave Farm for his work in music and new technology. His performance and exhibition credits include Tonic (NYC), Axiom Gallery (Boston), Zeitgeist Gallery (Boston), Deep Listening Space (Kingston, NY), ffmup (Princeton, NJ), Massachusetts College of Art (Boston), Yale University, Princeton University, The Tank (NYC), Roulette (NYC), the Music and Alternative and X-Disciplinary Approaches in Sound Festival (Sheffield, UK), Sound Practice (Dartington, UK), Music Without Walls? (Leister, UK), Disjecta (Portland, Oregon), Warehouse 23 (Boston), Issue Project Room (Brooklyn), The Chocolate Factory (Queens), ACM/Siggraph, International Conference on Musical Perception and Cognition, International Computer Music Conference, Society for Electro-Acoustic Music in the United States, the Acoustical Society of America's semiannual meetings, American Theater in Higher Education's annual conference, International Society for Electronic Arts, World Forum for Acoustic Ecology, and the Burning Man Festival, among many others. As an improviser and musician, he has appeared on stage with John Paul Jones, Pauline Oliveros, Alex Waterman, Keith Rowe, Michael Haleta, MV Carbon, Andrea Parkins, Zach Layton, Troy Pohl, Curtis Bahn, David Linton, Mikel Rouse, Maria Chavez, Newton Armstrong, Seth Cluett, Ikue Mori, Kenta Nagai, Larry Polansky, Jesse Stiles and Joan La Barbara, among others.