Product of the Enviroment (Redfern Gowanus Electro Mix)
By Any Means Necessary (Malcolm & Bobby Mix)
The Art of Getting Jumped
I Like It Like That (Scratch It One Time Mix)
Solid Air (Junk Mood Mix)
Country Grammar (Hydro Mix)
Let's Get It On (Reprise Mix)
Muscles (Mistake Interlude Mix)
Easin' In (Pedro's Letter Mix)
It's Time To Testify (Mc5 Mix)
The Acid Test
Silent Partner (Peace Out)
"Brilliant." -- URB "A masterpiece." -- Salon.com "Jaw-dropping. Perfectly paced, clever, funny, and down-right funky." -- The Wire Steinski (advertising writer, DJ, and record collector Steve Stein) produced his first ... more »record in 1983. In response to a nationwide remix contest by Tommy Boy Records, he and partner Double Dee (engineer and studio wizard Douglas DJ Franco) produced "The Payoff Mix." A panel of ten judges--including Afrika Bambaataa, Shep Pettibone, Jellybean Benitez, and Arthur Baker--unanimously chose the mix as the winner. Within two weeks "The Payoff Mix" became a Top 10 request on urban radio nationwide, but the release never saw official status and was subsequently bootlegged countless times. The Payoff Mix became the first record in a series now known as The Lessons. Double Dee and Steinski followed up with cut-and-paste landmark Lesson Two: The James Brown Mix, which Fatboy Slim called "the record that always gets the crowd going." Then came Lesson 3: The History of Hip Hop. The series quickly became highly sought after collectibles and led to homage records by DJ Shadow, Cut Chemist, DJ Format, and , Steinski has produced a variety of tracks, and this Illegal Art retrospective collects everything from his hip-hop narrative about the Kennedy assassination (originally a white-label promo, also issued as a Flexi-disk for UK music magazine NME) to the 1998 remix of Afrika Bambaataa's "Jazz" with Double Dee. Besides the completist archive, the release will also includes the critically acclaimed "Nothing To Fear: A Rough Mix," an hour-long mashup that was produced for Solid Steel/BBC London, described by Salon as, "the closest thing to a masterpiece the genre has yet produced" and perhaps the most obvious precursor (along with The Lessons) to Girl Talk's Night Ripper.« less
"Brilliant." -- URB "A masterpiece." -- Salon.com "Jaw-dropping. Perfectly paced, clever, funny, and down-right funky." -- The Wire Steinski (advertising writer, DJ, and record collector Steve Stein) produced his first record in 1983. In response to a nationwide remix contest by Tommy Boy Records, he and partner Double Dee (engineer and studio wizard Douglas DJ Franco) produced "The Payoff Mix." A panel of ten judges--including Afrika Bambaataa, Shep Pettibone, Jellybean Benitez, and Arthur Baker--unanimously chose the mix as the winner. Within two weeks "The Payoff Mix" became a Top 10 request on urban radio nationwide, but the release never saw official status and was subsequently bootlegged countless times. The Payoff Mix became the first record in a series now known as The Lessons. Double Dee and Steinski followed up with cut-and-paste landmark Lesson Two: The James Brown Mix, which Fatboy Slim called "the record that always gets the crowd going." Then came Lesson 3: The History of Hip Hop. The series quickly became highly sought after collectibles and led to homage records by DJ Shadow, Cut Chemist, DJ Format, and , Steinski has produced a variety of tracks, and this Illegal Art retrospective collects everything from his hip-hop narrative about the Kennedy assassination (originally a white-label promo, also issued as a Flexi-disk for UK music magazine NME) to the 1998 remix of Afrika Bambaataa's "Jazz" with Double Dee. Besides the completist archive, the release will also includes the critically acclaimed "Nothing To Fear: A Rough Mix," an hour-long mashup that was produced for Solid Steel/BBC London, described by Salon as, "the closest thing to a masterpiece the genre has yet produced" and perhaps the most obvious precursor (along with The Lessons) to Girl Talk's Night Ripper.
David M. Madden | salt lake, utah United States | 08/12/2008
(5 out of 5 stars)
"Long before label mate Girl Talk became known as the King of Mashup, hell, even before M/A/R/R/S sliced together the inimitable "Pump Up The Volume", two advertising dudes named Steve "Steinski" Stein and Douglas "Double Dee" Di Franco put together a mix of the most used hip-hop breaks for a contest, one judged by the likes of Afrika Bambaataa. They won, and thus was born the first in their series of "The Lessons" (Cut Chemist and DJ Shadow would later recreate these live using the original vinyl). This two-disc explores every genre, dropping beats over everything from Humphrey Bogart, Looney Toones, Clint Eastwood and The Zapruder Film samples, the myriad James Brown breaks, Led Zeppelin's "The Crunge" and a whole ton of stuff you have to Google to figure out. Simply put, this collection is the mix-tape dreams are made of, an equal blend of humor, cool and certifiable bada$$ collage-work by the master."
What it means
Brian Siegl | Shorewood, WI | 07/25/2008
(5 out of 5 stars)
""Hey, I recognize that sample from..." If you're into the whole cut-up and dub genre of music, you've probably heard Steinski for years. Maybe it was a Steinski cut, maybe it was Steinski mixed into someone else's work. Many of the actual cuts on this disk floated up to the surface over the years, but saw limited or no release. Now, amazingly, they have a wide release to the masses--what magic happened to clear all of the samples and material is unknown. Any fan will long for more, but this is a great collection that covers the ground back to the infancy of digital sampling, and inspired countless musicians. Buy this 2 disk set, its a great history, and strong sales may pave the way for more treasures."
Be an outlaw, buy this disk!
Jonathan Green | Los Angeles, CA USA | 07/01/2008
(5 out of 5 stars)
"Oh what a lovely collection. Like taking a dictionary to a desert island because it has all the classics in it, just out of order, this is a true desert island disk. I keep expecting the RIAA to break my car window and bust me for the uncleared samples. But it would be worth it.
But wither "Hang on St. Christopher?""
Outstanding Old School Hip-Hop
Chris Garrison | Torrance Ca. USA | 10/28/2008
(5 out of 5 stars)
"Great old school mixes from the early 80's breakdance scene that at one time was hard to find. It's a greatest hits of sorts of every good breakbeat that was ever used by any and all hip hop artists from the 80's until the present day."