When reading through the song titles on Starflyer 59's new album, Leave Here A Stranger, they resolve themselves into a list of common "found" phrases that sensitize a reader in the same way, oddly, that SF59's music sensi... more »tizes a listener. Throughout the band's shoe-gazer, emo, and punk-pop periods, and now as it settles into an everything-old-is-new-again space with an '80s-influenced retro-pop album, listening to the band's music has been a game of spotting the musical allusion. Is that a Pixies cover? A rare My Bloody Valentine B-side? Singer-songwriter Jason Martin has an unusual ability to pull from the pop canon while missing most of the pitfalls of such referencing. This time he rifles through his Breakfast Club-era albums to create 10 swirly, orchestral, mid- to down-tempo songs that recall nothing so much as early MTV, or the music that played at public swimming pools and skating rinks circa 1985. Martin's vocals are high in the mix, turning soaring violin, harp, and keyboard into a whispery texture when he sings. A testament to the songs' power comes when he stops singing, and skillfully focuses attention on the music. Noticing every crescendo, bridge, and chorus? Of course you are. Because this music deserves it. --Sarah A. Sternau« less
When reading through the song titles on Starflyer 59's new album, Leave Here A Stranger, they resolve themselves into a list of common "found" phrases that sensitize a reader in the same way, oddly, that SF59's music sensitizes a listener. Throughout the band's shoe-gazer, emo, and punk-pop periods, and now as it settles into an everything-old-is-new-again space with an '80s-influenced retro-pop album, listening to the band's music has been a game of spotting the musical allusion. Is that a Pixies cover? A rare My Bloody Valentine B-side? Singer-songwriter Jason Martin has an unusual ability to pull from the pop canon while missing most of the pitfalls of such referencing. This time he rifles through his Breakfast Club-era albums to create 10 swirly, orchestral, mid- to down-tempo songs that recall nothing so much as early MTV, or the music that played at public swimming pools and skating rinks circa 1985. Martin's vocals are high in the mix, turning soaring violin, harp, and keyboard into a whispery texture when he sings. A testament to the songs' power comes when he stops singing, and skillfully focuses attention on the music. Noticing every crescendo, bridge, and chorus? Of course you are. Because this music deserves it. --Sarah A. Sternau
A beautiful masterpiece - Pet Sounds for a new millenium
Jason A. Hoffman | Fort Wayne, IN USA | 10/02/2001
(5 out of 5 stars)
"Some albums are great albums, full of wonderful songs. Some albums reek to high heavens. A very select few albums are works of art. Although it may sound pretentious, Leave Here A Stranger by Starflyer59 is definitely in the latter category. From the very first spin, something about the flow, the cohesiveness of the songs and how they interact with each other makes you realize that SF59 had high aspirations for this album and that they hit their mark perfectly. While listening to this disc I am reminded at times of the landmark OK Computer, early The Cure, and Pet Sounds, lofty sources of inspiration indeed. In a conscious effort to strip down their sound, SF59 recorded the album in glorious mono, forcing themselves to distill their vision into a potent concentrate. Much like Pet Sounds, there is an amazing breadth of instrumentation including harps, saxophones, strings, timpani and more. The fact that such lush orchestrations do not cloud the songs is a tribute to all involved. As with past SF59 efforts, there is a great bit of creative use of noise and heavily reverbed guitar alongside Jason Martin's trademark wispy vocals not unlike those of Radiohead's Thom York. The songs are low-key and atmospheric yet filled with haunting melodies and arrangements. For lyrical inspiration, the band looked to their immediate world. The opening track, "All My Friends Who Play Guitar" cascades a wash of sound like the waves on a beach as Martin sings about a life spent on the road. The chorus of "Can You Play Drums?" has Martin lamenting that "I already know what we're gonna play" and in "Things Like This Help Me" he "stays up late [to] fix all the sounds." For this musical brew, all influences are fair game including The Smiths ("Give Up the War") and Roy Orbison ("Night Music"), although like the best cooks, the ingredients are combined to create a completely new dish with only hints of the original sources. My personal favorite is "I Like Your Photographs", a mesmerizing epic of a song whose topic still eludes me. The six minutes of this song are a well-written novel with chapters that flow effortlessly into each other. This beautifully lonely indie-pop masterpiece will appeal to fans of Radiohead, Belle & Sebastian, and The Smiths and is sure to send shivers of delight down your wicked spine."
Another incredible starflyer album
andrew | 06/06/2001
(5 out of 5 stars)
"SF59 has done it again! anothern great album of the starflyer we all know and love. some great sounds not heard used much in their records, if at all, such as strings and a harpsichord. well rounded, well written, well played, well produced. just great!"
Pet Sounds.....yes it's Starflyer
The Specialist | Dallas, Tx | 06/06/2001
(5 out of 5 stars)
"Starflyer 59 could have reached the point where they just might be musically bored. Fortunately, for the music fans Starflyer 59 keep producing quality albums and "Leave Here a Stranger" displays the band's best work to date. This is quite an accomplishment considering that Starflyer already has quite an impressive resume. On LHAS, the band explores the experimental sounds that it had been tinkering with on the "Fahion Focus" and "Everybody makes Mistakes". The difference is that LHAS flows so well it sounds like the masterpiece that Jason Martin and company went searching for. Or were they searching at all? Jason's vocals seem a little bolder and the music has never sounded better. The album was recorded in mono much like the Beach Boys "Pet Sounds" and LHAS displays the best music Starflyer 59 has produced. Jason sings "I already know what were going to play" on the track "Can you play drums?" but on LHAS you'll get the idea that you have no idea what Starflyer 59 might play next. The songs are brillant on this album and finally just maybe Starflyer 59 left as a stranger."
Theses Guys NEVER Make Mistakes!
Allen W. Nyhuis | Indianapolis, IN USA | 11/05/2001
(5 out of 5 stars)
"Starflyer 59 is, and always will be, my favorite band of all time. In a world where Britney Spears reigns supreme and girls fling themselves at N'Sync, there still is some hope as long as Starflyer is around. With them, there is no glamour. There's no "oh, this sounds cool"; you know it's cool the minute you hear it. And why is it cool, you may ask? Because Starflyer focuses on making good music, and that only. Every song they make is carefully constructed to its best. They make the kind of songs that you like, finally get used to, then you suddenly discover a neat bass trick or drum beat that you never noticed before.Their newest album ever, "Leave Here a Stranger," will go down in history (for those who care) as Starflyer 59's masterpiece. Every song flows smoothly into the next, which could be a somewhat problem in some of the band's past efforts. It opens with "All My Friends Who Play Guitar," which is not my favorite song on the album, but a good five-minute song nonetheless. After that, we get the wonderful "Can You Play Drums?" which is one of my favorites. The next three are good, nicely-crafted songs, followed by another ingenious melody, "This I Don't Need" The plucked strings will leave you breathless and sobbing for more. The final four (actually three) tracks are mighty good ones; yesireebob, mighty good. "I Like Your Photographs" is one of the most eeriest songs to ever come from Starflyer, with an "X-Files"-like whistle and a cool marching beat. "Night Music" is exactly that; I'd love to drive downtown in a car with this song coming out of my speakers at midnight. That would be really cool. The last song is another "good" one, like the first, and is a good closing track. I didn't like it that much at first, but it's come to grow on me (as all of Starflyer 59's music eventually does).Do you thirst for good music? Do you crawl out of bed screaming in agony at the top of your lungs for that melody that you desire? Now you don't have to! Starflyer 59 is here for you. Go buy "Leave Here a Stranger"; it's worth every singly milli-penny you have."
Their best album yet- "Pet Sounds 2001"
andrew | Blacksburg, Virginia United States | 06/05/2001
(5 out of 5 stars)
"Starflyer 59 have been heading away from their shoegaze/dream pop roots, favoring a new "poppier" direction for the past several albums. "Leave Here a Stranger" shows the full maturation of that style- there's hardly a distorted guitar to be found, and when the old "wall of sound" does come back, it's supplied by thick synths, organ, piano, xylophone, strings, etc. in addition to SF59's tried-and-true guitar/bass/drums lineup. Jason Martin's vocals are in top form- this album contains some of his most beautiful vocal melodies, and his voice is once again mixed up-front (past albums hid the vocals under the layers of guitars). On songs like "can you play drums?", "this I don't need", and "when I learn to sing", Jason sounds like a long-lost member of the Brian Wilson clan, with lush arrangements, his trademark lazy surf guitar, and gorgeous vocals. There's a definite "Pet Sounds" influence on the record, as well as a bit of that recent Flaming Lips/Mercury Rev/Dave Fridmann vibe, but it still sounds like the next logical step for SF59. This might just be the best album of 2001 so far."