Search - Stacy Dillard :: One

A sophisticated edge

Rick Erben | Omaha, NE | 08/25/2009

(5 out of 5 stars)

"Here's an intriguing recording from an up and comer on the tenor saxophone scene - Stacy Dillard. We heard a tantalizing preview of his work on Vitaly Golovnev's "To Whom It May Concern", and now Smalls Records has released an album under Dillard's leadership. It features James Hurt playing Fender Rhodes, Craig Magnano at the guitar, Amin Salim, bass and Donald Edwards, drums.



Dillard's playing possesses a full-bodied sound with an edge. There's a bit of the unbridled urgency and flair of a James Carter here, as well. This is all good.



As with the Hammond organ, the Fender Rhodes has been making a comeback upon recordings. It's a welcomed development as the instrument's sound is incomparable - possessing of a distinct tone evolving from its tuning forks, hammers and tone bar that yield a particularly appealing sound. Hurt's playing is divine. Magnano's guitar sound is similar to a John Abercrombie or John Scofield. It's really quite a kick to listen to Dillard, Hurt and Magnano exchange fours in this aurally unique setting.



All the compositions on "One" are by Stacy Dillard. They provide captivating settings for soloing. "Three Sides (Ol' Faithful)" is a complex piece with varying rhythms and a release going into the solos that opens up the selection. "Ageless" is likewise a rather complex arrangement with an attractive theme and insistent prodding from Edwards. "Still Waters" features hypnotic chords from Hurt, luring one to be beguiled by Dillard's tenor notes. "Over And Over" is a Sonny Rollins-like workout for tenor, bass and drums; then "Stizzozo" comes at you with an intense Latin edge. Here Dillard recollects Stan Getz in full soaring form, in command of his instrument and driving the rhythm section.



There's many a level to this fine new release. Dillard has his own sound, both informed by his peers and assertive of individuality, with considerable fire and expertise. The unique nature of instrumentation, depth of the compositions and quality of musicianship make "One" a stimulating recording that should establish Dillard as a significant tenor voice."