Inside Out Music is proud to present the outstanding new release from the mighty Spock's Beard, the ninth studio album from one of the world's best loved progressive rock acts. The self-titled CD features over 78 minute... more »s of mind-boggling musicianship played the way that only Spock's Beard can play it. Their songs feature the now trademark combination of memorable hooks, lush harmonies, and dazzling instrumentation executed with a skill that few possess but all can appreciate.« less
Inside Out Music is proud to present the outstanding new release from the mighty Spock's Beard, the ninth studio album from one of the world's best loved progressive rock acts. The self-titled CD features over 78 minutes of mind-boggling musicianship played the way that only Spock's Beard can play it. Their songs feature the now trademark combination of memorable hooks, lush harmonies, and dazzling instrumentation executed with a skill that few possess but all can appreciate.
Joel Israel | Cedar City, UT United States | 12/02/2006
(5 out of 5 stars)
"I have been an enormous fan of Spock's Beard for years, and I have been a bit disappointed with the band's output since the departure of Neal Morse, who seemed to be the creative powerhouse of the band. After one solid album ("Feel Euphoria") and one fairly bad album ("Octane") since Neal's departure, I was beginning to wonder if the Beard was still capable of attaining the glory of such albums as "V" and "Snow". Thankfully, with this self-titled release, the answer is a resounding "yes!"
The odd thing about this disc is that track three, "Is This Love" is actually so bad that I wonder why it is even on the disc. Apparently I was not the only one who noticed, since other reviewers have made the same remark. I still give this album a perfect score, because every second of the rest of the album is just superb. Any fan of modern progressive rock should own this one....this was the most satisfying album in this style I have heard in years. Sophisticated arrangements, complex (yet grooving) interplay between the instruments, and even some wild experimentation with mood and texture that harkens back to the classic SB album "V".
Great musicianship, intelligent and emotive lyrics, and phenomenal performances from all band members....it would be perfect, if not for the inexplicable, glaring blemish of the hokey "Is This Love?"; which just seems so out of context when compared to the rest of the album....every last bit of the rest is compelling, innovative, passionate, and amazing. Awesome! The band has finally gelled into a lean, mean machine. Gentlemen, my hat is off to you!"
Let's Face the Facts....And Give Credit....
Jeffrey G. Stevenson | F.W.B.,FL | 03/10/2007
(4 out of 5 stars)
"....Let's face it, the departure of Neal Morse left a void in Spock's Beard that the remaining members have fought hard to fill ever since. There are no doubts or arguments about the significance of Neal's contributions with SB....he was the prominent singer / songwriter, and, quite frankly, the driving force behind the band. Well, he's gone on to a "higher calling" musically and produced some GREAT progressive style music with a message. However, with this release, it's time to give credit and a "pat on the back" to the guys in SB. This IS the album I have personally been waiting for from the band....and, from most of the reviews here, the one that has put them back on the Progressive Rock Map. Some reviewers have said that "this is NOT Spock's Beard"....."they shouldn't be calling themselves SB", Etc....Well I say Bullcrap! Sure Neal's signature vocals and song structures may be gone, but listen to the opening section of 'On a Perfect Day' (among others) and tell me that is not the Beard! These guys are back on top of their game musically and vocally...it simply took a few releases for them to find their new "voice".
I would say that 70% of this album embodies everything that originally turned me into a Beard fan many years ago....memorable compositions, nice vocals and harmonies and great musicianship from all involved. Now don't get me wrong, this is no 'Kindness of Strangers', but many of the songs are not far behind that great release in terms of memorable, quirky SB music. My favorites would be "All Thats Left", "Slow Crash Landing Man", "On a Perfect Day", "With Your Kiss", "Skeletons at the Feast" and the underrated epic "As Far as the Mind Can See" (which very well may be my stand-out pick of the album). As for the rest of the album, it's somewhat "hit and miss"....none of the songs are terrible, just unmemorable and possibly underdeveloped. I can personally do without "Rearranged", "Hereafter", "Sometimes They Stay..." and "Is This Love" (though its not as bad as some reviews would have you believe). All-in-All this is a strong release that gives promise of what may come from the guys in the future....I will be looking forward to it. Money well spent!"
Still waiting for that great Beard album
The Old Rocker | SF Bay Area | 11/30/2006
(3 out of 5 stars)
"Spock's Beard eponymous CD, their third post-Neal Morse release, leaves me as conflicted and confused as the songs that make up this sprawling album. I'm a big fan of both versions of the Beard and I really want to like this album but after three releases I'm losing heart that the four remaining members will ever find their own definitive, unique and consistent sound.
This is one of those albums that ought to be really good, but because there is so much going on, so many musical directions and contradictions, that I wind up scratching my head wondering what the band has in mind or what kind of statement they were trying to make. It's like they didn't know themselves so they ended up putting everything on it and hoped the epic length of this album would make up for its lack of focus and direction. I'd rather have a tight and focused 45 minute CD than a CD that runs for 80 minutes and loses my interest. There are as many uninspiring or poorly composed tracks as there are good tracks.
Ok, here's what I like. I like the fact that Dave Meros has become one of their principal song writers since his body of work starting with Feel Euphoria is the strongest and most consistent since Neal left. I love the sounds that Ryo gets on this CD. He's really opened up his palate and has some of his best playing on any Beard CD. And as usual the sound is amazing.
Favorite tracks: On A Perfect Day, Skeleton's At The Feast, Slow Crash Landing Man, As Far As The Mind Can See and Rearranged.
So for me it's a mixed bag. Some really good music lost among some several other dull pieces that keep this album from building any kind of momentum and leaving me wanting more. Maybe for their next project they should bring in an outside producer to help tighten up their writing.
"
Beard Found
Russ Bellinger | Bradenton, Florida USA | 11/26/2006
(5 out of 5 stars)
"At last! Spocks Beard has finally gelled as the new Spocks Beard! I've been very impressed with this latest release and consider it another step in the right direction. There are some great melodies here along with the great musicianship they are known for. A better piece of work than Octane. The bonus disc with Octane hinted at this new full-blown direction and has landed them fully in control and ready to start giving the audience an unforgettable show. Who needs Neal anyway!?! The Beard have produced the most incredible CD of their career. They can only keep getting better."
Excellent 9th album from the Beard...the best post-Neal albu
Sakos | United States | 12/15/2006
(5 out of 5 stars)
"Spock's Beard is the self-titled 9th album from the excellent prog band of the same name (obviously). It's a fantastic album from start to finish and is easily their best album since Neal Morse left following their masterpiece, 2002's Snow.
The album kicks off with one of Spock's Beard's finest moments, with or without Neal, On a Perfect Day. It's a mini-epic in its own right with a killer riff, amazing vocals from drummer Nick D'Virgilio, and just all around a fantastic piece. It's followed by an awesome instrumental, Skeletons At the Feast. Is This Love is short and kind of throwaway, but they come back with a fury with the next tracks: All That's Left is a bittersweet look at lost love wrapped in an pretty song, With Your Kiss is 11 minutes of prog greatness, and Sometimes They Stay Sometimes They Go is killer...a rockin' riff with some killer vocals from guitarist Alan Morse. After a couple more excellent songs, we get to the epic of the album, As Far As the Mind Can See...17 minutes of progressive magic split into four sections: Dreaming In the Age of Answers (an overture of sorts with soaring vocals), Here's a Man, with its spoken word delivery contrasting nicely with the chorus, The Know We Know is the pop-section of the piece, and Stream of Unconciousness (perhaps the title is an homage to friends Dream Theater, who had an instrumental called Stream of Conciousness on their Train of Thought album?) finishes the suite as an instrumental with a short reprise of the first section at the end. Nicely, the album ends with another killer track, Rearranged.
All in all, an excellent Beard album...easily the best of the post-Neal era, showing the band really established in their new identity and forging ahead with confidence. Here's to more Beard!"