Spheric Universe Experience Anima Genres:Pop, Rock, Metal The early beginnings of Spheric Universe Experience dates back to 1999, when guitarist Vince Benaim decided to create a progressive metal band together with his friends Sam (on drums) and John Drai (on bass). The band did... more » some local gigs in and around th« less
The early beginnings of Spheric Universe Experience dates back to 1999, when guitarist Vince Benaim decided to create a progressive metal band together with his friends Sam (on drums) and John Drai (on bass). The band did some local gigs in and around th
"Anima, Spheric Universe Experience's second disc, sees the French prog metal embarking on the sound they introduced with their debut Mental Torments. Both musically and from a production standpoint, Anima is a like logical extension to its predecessor, except that it has some faster and heavier songs. The instrumental sections on the album are longer, still carried by a strong mix of guitar and keyboard wizardy as well as grooving drum and bass battery.
Fred Colombo still extracts all kinds of weird noises from his keyboard, from modern synth elements to jazzy clean phrases. On the opener "Sceptic", he injects a modern synth line into mix providing the backbone to Vince Benaim's shattering rhythm guitars. After a brief vocal melody, the band immediately launch into an extended Images & Words-era Dream Theater worship, exchanging riffs and melodies and concluding the piece with a choppy unison solo. Franck Garcia lays down both multiple vocal parts and aggressive parts, as he did on the debut, at the end as well. His singing isn't as aggressive on this album as it was before though; he seems to have toned it down a bit. He uses more harmonies this time, but I feel the catchy melodic edge of his vocals on the previous album seem to be of secondary importance here.
This time the songs are more centred around the guitar, bass, and keyboard combination. Starting with the moody "Being", the band offers a good dose of Dream Theater-inspired instrumental music, save for the little spoken section in the intro; and lets the keyboardist steal the show on the brief "Stormy Dome", led by a neat piano melody and gorgeous string arrangements -- there is also a sweet female voice singing wordless melodies distinctly in the background. On the more straightahead cut "World of Madness", Colombo's kinetic keyboard intro is very evocative of the intro on Pain of Salvation's "Inside", but the band also brings to mind the fusion-inspired instrumental aesthetic of Liquid Tension Experiment thanks to the fluid guitar lines and Portnoy-like drum fills. Garcia also sings differently here: he goes from fragile whispers to sing-along choruses and soaring screams.
There is a good amount of spoken parts on the songs from different languages. You can hear Japanese, Italian, Spanish, and French among others; and it may be linked to the theme of the CD which I haven't examined thoroughly as of yet. Important to note is that pretty much every member has contributed to lyric writing, so Anima is certainly a band effort in this respect. The two songs I enjoyed the most on this album are "End of Trauma" and "The Key", in part because they seem like the perfect follow-up cuts to the songs on Mental Torments. Bringing forth the highly pronounced bass lines of John Drai, the songs groove with intense rhythmic awareness, sweeping keyboard melodies, and shred-intensive guitar and vocal attacks brimming with energy.
Anima is certainly a strong addition to Spheric Universe Experience's discography, but I don't think it quite matches the intensity and emotional power of Mental Torments. Still, anyone who enjoys melodic prog metal in the vein of Lalu and Tomorrow's Eve would be wise to check this album out."
Some fantastic prog metal!
P. Carnivale | Salt Lake City, UT USA | 02/06/2008
(4 out of 5 stars)
"Some great moments on this CD! If you're into prog, you'll enjoy this without question. With some well written and interesting material, and tight arrangements, these guys blaze through odd meters and metric modualtions seamlessly, while (usually) not overdoing it (i.e., not using odd meters just for the sake of using odd meters). Sometimes, I feel the vocals are a bit "hidden" in the mix, almost played down a bit. Obvious influences would likely be Dream Theatre and possibly Rush, but the band still produces their own "stamp." I feel they are not trying to fill someone else's shoes, but instead have brought their own pair, running on a track built by others...highly recommended."
Amazing 2nd Album!
Michael A. Carra | bronx, new york | 12/14/2007
(5 out of 5 stars)
"Well when the 2nd album from Spheric Universe Experience came out a couple of mounths ago i went and bought it on amazon. I was eagerly awaiting to hear the new album wondering if it will even hold a tourch to the amazing debuit. so does it? yes it does in every way it could. in fact it even tops the debuit. vocals, playing, songwriteing, and production all are stellar in this album, They succeeded in makeing a prog metal masterpeice. The playing is just off the wall at times. This is the first album that really had my jaw hanging open for a long time lol. Their sound is hard to explain, imagine dream theater mixed with zero hour. thats a pretty good description. This is a incredibly tight release and right up there with dream theater's "systematic chaos" for being one of the best releases of 2007. buy this album you wont be dissapoited!"
The True Inner Self of Prog Metal!
Lane R. Miller | Fuquay-Varina, NC | 05/28/2007
(5 out of 5 stars)
"Anima - an individual's true inner self that reflects archetypical ideals of conduct (Webster).
The first album by Spheric Universe Experience (SUE) was the impressive Mental Torments, show casing intricate rhythms, riffs, solos and soaring/moody vocals. Anima, their new album, even surpasses Mental Torments, rising to prog metal greatness.
First and foremost, these guys are a band - tight, intertwined, convoluted, a sum far greater than the individual parts. Second and critically important, each member is a master of his trade elevating the music to fearful heights (typical metal creates simple molecular sounds while SUE weaves polymers approaching the complexity of DNA).
SUE is not just about complexity. They hit you straight between the eyes with super critical crunch. This is best demonstrated on the opening track, Sceptic, which is hard hitting and features some razor sharp Maiden-like riffs. Inner Quest possesses a mid-section break with heavy riffing insanity. Neptune's Revenge sports a nervous rapid fire guitar solo which to me contains middle-eastern overtones. Neptune's Revenge transitions into some beautiful piano before heading into the instrumental, Stormy Dome, with more atmospheric keyboards and guitar.
So far, I would say that my favorite song is Heal My Pain. Heal My Pain has plenty of signature changes to keep you off guard on the main riff, and soulful guitar, keyboard and bass solos, no less. The Key reminds me in feel to Learning to Live by DT - dark and emotional with stunning vocals. The album concludes with the instrumental Black Materia, bringing DT's The Dance of Eternity to mind.
The production on Anima is first class. These gentlemen from France are here to stay. Check them out.