Impromptus, Op. 90, D. 899, Impromptu No. 1 in C Minor
Impromptus, Op. 90, D. 899, Impromptu No. 2 in E-flat Major
Impromptus, Op. 90, D. 899, Impromptu No. 3 in G-flat Major
Impromptus, Op. 90, D. 899, Impromptu No. 4 in A-flat Major
Partita No. 1 in B-flat Major, BWV 825, I. Praeludium
Partita No. 1 in B-flat Major, BWV 825, II. Allemande
Partita No. 1 in B-flat Major, BWV 825, III. Corrente
Partita No. 1 in B-flat Major, BWV 825, IV. Sarabande
Partita No. 1 in B-flat Major, BWV 825, V. Menuet I & II
Partita No. 1 in B-flat Major, BWV 825, VI. Gigue
Simone Dinnerstein's new album, Something Almost Being Said: Music of Bach and Schubert, combines J.S. Bach s Partitas Nos. 1 and 2, with Schubert's Four Impromptus, Op. 90, and was produced by Grammy Award winning produce... more »r, Adam Abeshouse. Dinnerstein says of her new album, "Bach and Schubert, to my ears, share a distinctive quality. Their non-vocal music has a powerful narrative, a vocal element. The effect is that of wordless voices singing textless melodies. Bach and Schubert s melodic lines are so fluent, so expressive, and so minutely inflected that they sound as though they might at any moment burst suddenly into speech." Inspired by lines from Philip Larkin s poem, The Trees, Simone Dinnerstein brings her own unique voice to Bach s first two Partitas and Schubert's Four Impromptus revealing the inherent vocal qualities in these instrumental works.« less
Simone Dinnerstein's new album, Something Almost Being Said: Music of Bach and Schubert, combines J.S. Bach s Partitas Nos. 1 and 2, with Schubert's Four Impromptus, Op. 90, and was produced by Grammy Award winning producer, Adam Abeshouse. Dinnerstein says of her new album, "Bach and Schubert, to my ears, share a distinctive quality. Their non-vocal music has a powerful narrative, a vocal element. The effect is that of wordless voices singing textless melodies. Bach and Schubert s melodic lines are so fluent, so expressive, and so minutely inflected that they sound as though they might at any moment burst suddenly into speech." Inspired by lines from Philip Larkin s poem, The Trees, Simone Dinnerstein brings her own unique voice to Bach s first two Partitas and Schubert's Four Impromptus revealing the inherent vocal qualities in these instrumental works.