Sometimes recording even a single Beatles cover can be a perilous undertaking. So for the Smithereens to have the impudence to rerecord Meet the Beatles in its entirety (even though some purists don't recognize it as canon... more »ical) is like taking the studio to edge of the cliff. But wait! While reaching the Fab Four stratosphere is impossible, this New Jersey pop combo, whose last record was released in 1999, comes about as close as any band could in celebrating the 43rd anniversary of this groundbreaking record. Sure, the lead-vocal fury that Lennon and McCartney created in 1964 can't be restored, and the three-part harmonies are less than hair-raising. But from the opening three chords of "I Want to Hold Your Hand," the Smithereens are respectful to the album's legacy, and let virtually no element slip past them. There's that "1-2-3-4!" countdown to "I Saw Her Standing There," the same virile harmonica in "Little Child," and a doo-wop tang to the ever-underappreciated "This Boy." And when "Not a Second Time" fades out the last of the album's 28 minutes, it leaves you wondering if the boys are bold enough to take a crack at Abbey Road in September 2009. --Scott Holter« less
Sometimes recording even a single Beatles cover can be a perilous undertaking. So for the Smithereens to have the impudence to rerecord Meet the Beatles in its entirety (even though some purists don't recognize it as canonical) is like taking the studio to edge of the cliff. But wait! While reaching the Fab Four stratosphere is impossible, this New Jersey pop combo, whose last record was released in 1999, comes about as close as any band could in celebrating the 43rd anniversary of this groundbreaking record. Sure, the lead-vocal fury that Lennon and McCartney created in 1964 can't be restored, and the three-part harmonies are less than hair-raising. But from the opening three chords of "I Want to Hold Your Hand," the Smithereens are respectful to the album's legacy, and let virtually no element slip past them. There's that "1-2-3-4!" countdown to "I Saw Her Standing There," the same virile harmonica in "Little Child," and a doo-wop tang to the ever-underappreciated "This Boy." And when "Not a Second Time" fades out the last of the album's 28 minutes, it leaves you wondering if the boys are bold enough to take a crack at Abbey Road in September 2009. --Scott Holter
Walt W. from BALLSTON SPA, NY Reviewed on 1/23/2010...
80's power popsters The Smithereens have a great idea with covering some essential roots of rock and rool. The Beatles are essential, and Meet The Beatles was groundbreaking. The Smithereens remain mostly true to the original, with some small changes, and overall this effort comes off strong.
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CD Reviews
Brilliant Cover
Oshram | Lakewood, OH United States | 01/25/2007
(5 out of 5 stars)
"While the Beatles' influence on the Smithereens could always be heard, it takes a particularly special type of genius to cover one of your influences in such a way that captures the spirit of the original and yet reflects your own style. This is especially difficult with a group as outstanding and well known as the Beatles, and yet the Smithereens manage it here in a major way; 'All My Loving' sounds like it could be a DeNizio composition. This is a must for any Smithereens fan; I always knew this was an underrated band, but this album proves beyond any doubt the Smithereens are one of the best bands out there. An almost impossible idea pulled off with class and style. Bravo."
The Smithereens Plus The Beatles Equals "Fab Four" Treat!
TAS | 01/17/2007
(5 out of 5 stars)
"The Smithereens show "all their loving" for the "Meet The Beatles" album with this wonderful tribute to the fab four's 1964 U. S. release. And what an excellent labor of love it is! The Smithereens affectionately invoke the original spirit of the Beatles' landmark album while still managing to sound unmistakably like the Smithereens in the process. Pat DiNizio's distinctive vocals make the band's version of "This Boy" both poignantly wistful and beautiful at the same time. His feverish harmonica playing on "Little Child" is a bluesy-rock jam that builds on the original John Lennon mouth organ blueprint. Jim Babjak prods his guitar to power pop and crunch on rockers like "Hold Me Tight" and he even takes a rare lead vocal turn on "Don't Bother Me". Severo "the Thrilla" Jornacion thrills on pulsating bass. Dennis Diken masterfully switches gears from propulsive drumming on "I Saw Her Standing There" to a rhumba beat on "Till There Was You". He trades vocals with Pat on "Little Child" and follows Ringo's example by doing the lead vocal duties on "I Wanna Be Your Man". The sum of the parts equals a whole lot of fun for Smithereens and Beatles fans alike as The Smithereens joyously celebrate an album that has obviously inspired them and pretty much everyone else who loves rock `n' roll. The Smithereens have taken on a daunting task here but it all works remarkably well from infectious beginning to triumphant end.
The CD comes with a fun booklet that includes informative liner notes by Dennis Diken, Beatles experts/historians like Bruce Spizer, Andy Babiuk, Dave Connolly, musician Lenny Kaye and concert promoter Sid Bernstein. The Smithereens "meet the Beatles" and what a delightful get-together it is!
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Too good to be just a tribute
Fairleigh Brooks | Louisville, KY United States | 03/12/2007
(5 out of 5 stars)
"I was driving my fifteen-year-old daughter somewhere as she picked up the jewel case for "Meet the Smithereens!" The disc was loaded and playing as I explained to her that The Smithereens had recorded a complete cover of "Meet the Beatles!" with the intention of exacting the Fab's sound as much as could be. It wasn't an interpretation, at least not by intent.
After a pause she asked honestly, "Why don't you just put on 'MtB!' and listen to that?" Her question was not only a good one, but also a fair one.
I countered by asking why she comes in the door after school to immediately IM a friend she saw eight minutes ago on the bus. It was a lame comeback without any correlation, which left me with her question. Why didn't I just cue up "Mtb!" and listen to the real thing? Is "MtS!" any different from an Elvis impersonator?
Yes, because the Elvis impersonator tries to become Elvis, however incompletely. And because The Smithereens are The Smithereens, with a long history of great original music. And not even The Beatles can eclipse the sound of The Smithereens, which leaks out of their high resolution tribute to their source in the same sort of way that a real laugh is unavoidable and can't be contained. After all, eventually the shape and content of the protege no longer fits the contours of the mentor, which is of course the entire point.
In larger scope, culturally, The Smithereens are reminding us - those of us old enough to remember - of those electric months that straddled the end of 1963 and the start of 1964. For those not old enough, "MtS!" - and the dedication of the group to recreating the sound of The Beatles - is a sort of implicit documentray of a Western cultural watershed.
The emergence of "MtB!" in the fall of 1963, followed by the first of the appearances "The Ed Sullivan Show," was a rip in traditional mores. In such a short time, at least by popular perception, the old ended and the new began. This schism had been incubating since before JPG&R came of age, of course, and so The Beatles in no way wholly created it; nor did any one entity. But they did happen to catch the wave at just the right moment to become the presenters of "Why not?" to the masses.
For anyone who, by age or isolation, was somehow unaware of The Beatles at that time it's not really possible to fully describe their impact, so I'll just say this. I was ten years old and in the fourth grade. I left school on Friday, February 7th to enjoy the weekend. On the night of Sunday, February 9th, I watched The Beatles perform on Ed Sullivan. When I returned to school Monday, February 10th, I was a different person. I couldn't appreciate intellectually what had happened, but I knew viscerally something had. A lot of us did that Monday morning, which was only confirmed by our teacher refusing to let as talk about what we had heard and seen. But we talked anyway. Quietly at lunch and enthusiastically on the playground. Something was up, something so powerful it washed over us despite being delivered in a black-and-white image and through a tinny mono speaker. Something big, something permanent.
That, really, is what "Meet the Smithereens!" is about. And so here we are in 2007, the 21st century, dealing not with The Future as we imagined it would be way back then, but with tribal warfare, religious fundamentalist nut jobs and, once the calculated selling of cool is removed from the mix, a stunning degree of conformity. I can't think of a better time of which to be reminded than when we met The Beatles. Thanks, Smithereens, you're gear!"
I give it 5 stars only because I can't give it six !!!!
Tom E. DeShovelle | 01/26/2007
(5 out of 5 stars)
"This is the most inspired tribute to the Fabs in a LONG time. Folks who complain about it being "only 28 minutes" might do well to brush up on their Beatle history ... that's all there was on the original album! That's the point. Yet, as disciples of classic rock (see their many & varied covers - The Seeker, Just A Little, etc) these guys pay homage like very few can. They don't make it an attempt at being "the Fab Faux", "Beatlemania" or any of those other "copy bands" out there and create the "note perfect" clones, with fake accents, etc. That stuff is OK to check out "live" but why buy a record of people trying to sound exactly like the Beatles (just buy the originals for chrissakes). No, this first and foremost sounds like a SMITHEREENS album. That said, you can hear the group's musical DNA in all it's big fat ringing guitar glory. Look, nobody's going to even TRY to tell you it's "better than the beatles" - if that were the case - NOBODY would ever get a good review ! But if you love the Beatles and even LIKE the Smithereens, this record is, to put it simply, ESSENTIAL listening. Pat D and the boys carry the torch in admirable fashion. The way the Fabs passed on their musical heritage (how many Carl Perkins songs did you REALLY know without hearing of them through one or more of the fabs ?), The Smithereens are doing for us in 2007. Don't think twice - this one is WAY MORE than alright !"
Brilliant cover from a great band
BethG | Georgetown, KY | 05/12/2007
(5 out of 5 stars)
"The Smithereens are NO Joke! I started listening to these guys when I was in college in the late 1980's. There has always been a Beatles influence in their music. In fact if I remember right a music critic once described their music as "the Beatles meet AC/DC".
While I never got to see the Beatles during their heyday (I was born in 1966), I have grown to love their music. I find the Smithereens album to be an acknowledgement and a "thank you" from them and bands like them that own a lot of their musical influence to the Beatles. Remember, imitation is the sincerest form of flattery.
And if you want acknowledgement of true Beatles fans from back in the day of how great this tribute cover album is, my in-laws, who were in college during the Beatles invasion, LOVE THIS ALBUM!"