Sonata for lute in G minor (Dresden MS No. 29; London MS No. 19), SC 25: 1. Entrée
Sonata for lute in G minor (Dresden MS No. 29; London MS No. 19), SC 25: 2. Andante
Sonata for lute in G minor (Dresden MS No. 29; London MS No. 19), SC 25: 3. Passepied
Sonata for lute in G minor (Dresden MS No. 29; London MS No. 19), SC 25: 4. Bourrée
Sonata for lute in G minor (Dresden MS No. 29; London MS No. 19), SC 25: 5. Sarabande
Sonata for lute in G minor (Dresden MS No. 29; London MS No. 19), SC 25: 6. La Babileuse en Menuet
Sonata for lute in G minor (Dresden MS No. 29; London MS No. 19), SC 25: 7. Gigue
Track Listings (9) - Disc #2
Sonata for lute in A minor ('L'infidèle') (Dresden MS No. 15; London MS No. 23), SC 29: 1. Entrée
Sonata for lute in A minor ('L'infidèle') (Dresden MS No. 15; London MS No. 23), SC 29: 2. Courante
Sonata for lute in A minor ('L'infidèle') (Dresden MS No. 15; London MS No. 23), SC 29: 3. Sarabande
Sonata for lute in A minor ('L'infidèle') (Dresden MS No. 15; London MS No. 23), SC 29: 4. Menuet
Sonata for lute in A minor ('L'infidèle') (Dresden MS No. 15; London MS No. 23), SC 29: 5. Musette
Sonata for lute in A minor ('L'infidèle') (Dresden MS No. 15; London MS No. 23), SC 29: 6. Paysane
Work(s): Allegro in D major (Duet)
Work(s): Menuet in A minor (Trio)
Fantasia for lute in E minor
Track Listings (7) - Disc #3
Work(s): Sonata No. 1 in E: 1. Prélude
Work(s): Sonata No. 1 in E: 2. Allemande
Work(s): Sonata No. 1 in E: 3. Courante
Work(s): Sonata No. 1 in E: 4. Bourrée
Work(s): Sonata No. 1 in E: 5. Sarabande
Work(s): Sonata No. 1 in E: 6. Menuet
Work(s): Sonata No. 1 in E: 7. Gigue
Track Listings (8) - Disc #4
Sonata for lute in C minor (Dresden MS No. 31; London MS No. 5), SC 7: 1. Prélude
Sonata for lute in C minor (Dresden MS No. 31; London MS No. 5), SC 7: 2. Allemande
Sonata for lute in C minor (Dresden MS No. 31; London MS No. 5), SC 7: 3. Courante
Sonata for lute in C minor (Dresden MS No. 31; London MS No. 5), SC 7: 4. Gavotte
Sonata for lute in C minor (Dresden MS No. 31; London MS No. 5), SC 7: 5. Sarabande
Sonata for lute in C minor (Dresden MS No. 31; London MS No. 5), SC 7: 6. Menuet
Sonata for lute in C minor (Dresden MS No. 31; London MS No. 5), SC 7: 7. Gigue 1
Sonata for lute in C minor (Dresden MS No. 31; London MS No. 5), SC 7: 8. Gigue 2
Track Listings (8) - Disc #5
Sonata for lute in E flat major (London MS No. 6), SC 10: 1. Prélude (1)
Sonata for lute in E flat major (London MS No. 6), SC 10: 2. Prélude (2)
Sonata for lute in E flat major (London MS No. 6), SC 10: 3. Allemande
Sonata for lute in E flat major (London MS No. 6), SC 10: 4. Courante
Sonata for lute in E flat major (London MS No. 6), SC 10: 5. Bourrée
Sonata for lute in E flat major (London MS No. 6), SC 10: 6. Sarabande
Sonata for lute in E flat major (London MS No. 6), SC 10: 7. Menuet
Sonata for lute in E flat major (London MS No. 6), SC 10: Ciacconna (Chaconne)
Track Listings (7) - Disc #6
Sonata for lute in D major (London MS No. 13), SC 18: 1. Prélude
Sonata for lute in D major (London MS No. 13), SC 18: 2. Allemande
Sonata for lute in D major (London MS No. 13), SC 18: 3. Courante
Sonata for lute in D major (London MS No. 13), SC 18: 4. Angloise
Sonata for lute in D major (London MS No. 13), SC 18: 5. Sarabande
Sonata for lute in D major (London MS No. 13), SC 18: 6. Menuet
Sonata for lute in D major (London MS No. 13), SC 18: 7. Passacaglia
Track Listings (8) - Disc #7
Sonata for lute in G major (London MS No. 4), SC 5: 1. Intro
Sonata for lute in G major (London MS No. 4), SC 5: 2. Prélude
Sonata for lute in G major (London MS No. 4), SC 5: 3. Allemande
Sonata for lute in G major (London MS No. 4), SC 5: 4. Courante
Sonata for lute in G major (London MS No. 4), SC 5: 5. Bourrée
Sonata for lute in G major (London MS No. 4), SC 5: 6. Sarabande
Sonata for lute in G major (London MS No. 4), SC 5: 7. Menuet
Sonata for lute in G major (London MS No. 4), SC 5: 8. Gigue
Track Listings (10) - Disc #8
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 1. Interkolomnium
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 2. Entrée
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 3. Prélude
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 4. Allemande
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 5. Courante
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 6. Menuet 1
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 7. Sarabande
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 8. Menuet 2
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 9. Bourrée
Sonata for lute in D minor (Dresden MS No. 5), SC 34: 10. Gigue
Track Listings (7) - Disc #9
Sonata for lute in D major (London MS No. 2), SC 2: 1. Prélude
Sonata for lute in D major (London MS No. 2), SC 2: 2. Allemande
Sonata for lute in D major (London MS No. 2), SC 2: 3. Courante
Sonata for lute in D major (London MS No. 2), SC 2: 4. Bourrée
Sonata for lute in D major (London MS No. 2), SC 2: 5. Sarabande
Sonata for lute in D major (London MS No. 2), SC 2: 6. Menuet
Sonata for lute in D major (London MS No. 2), SC 2: 7. Gigue
Track Listings (8) - Disc #10
Sonata for lute in F minor (Dresden MS No. 28; London MS No. 15), SC 21: 1. Introduktion
Sonata for lute in F minor (Dresden MS No. 28; London MS No. 15), SC 21: 2. Prélude
Sonata for lute in F minor (Dresden MS No. 28; London MS No. 15), SC 21: 3. Allemande
Sonata for lute in F minor (Dresden MS No. 28; London MS No. 15), SC 21: 4. Courante
Sonata for lute in F minor (Dresden MS No. 28; London MS No. 15), SC 21: 5. Sarabande
Sonata for lute in F minor (Dresden MS No. 28; London MS No. 15), SC 21: 6. Bourrée
Sonata for lute in F minor (Dresden MS No. 28; London MS No. 15), SC 21: 7. Menuet
Sonata for lute in F minor (Dresden MS No. 28; London MS No. 15), SC 21: 8. Gigue
The aim of this project is to transcribe for classical concert guitar the surviving lute and theorbo sonatas of Silvius Leopold Weiss (1686-1750), taking into consideration modern performance and compositional techniques. ... more »Weiss was a first-rate composer and a contemporary of Bach, although Weiss was by far the more famous of the two during their lifetime. His twenty-nine surviving works are on a level with the great piano concertos of their age. The only reason for the swift disappearance of Weiss's music from the concert repertoire soon after his death was the speed with which the instruments for which he wrote (the lute and theorbo) became obsolete. Kurt Schneeweiss graduated in classical concert guitar from the Robert Schumann Conservatory of his native city Düsseldorf in 1987, after which he continued his studies at Bonn University's Institute of Musicology. Dedicated to expanding the existing guitar repertoire, Schneeweiss has made guitar versions of Weiss's sonatas, works that are second to none in their genius and that were written for a very similar instrument. In this way he believes he can create world-class repertoire while retaining the characteristics of genuine guitar music.« less
The aim of this project is to transcribe for classical concert guitar the surviving lute and theorbo sonatas of Silvius Leopold Weiss (1686-1750), taking into consideration modern performance and compositional techniques. Weiss was a first-rate composer and a contemporary of Bach, although Weiss was by far the more famous of the two during their lifetime. His twenty-nine surviving works are on a level with the great piano concertos of their age. The only reason for the swift disappearance of Weiss's music from the concert repertoire soon after his death was the speed with which the instruments for which he wrote (the lute and theorbo) became obsolete. Kurt Schneeweiss graduated in classical concert guitar from the Robert Schumann Conservatory of his native city Düsseldorf in 1987, after which he continued his studies at Bonn University's Institute of Musicology. Dedicated to expanding the existing guitar repertoire, Schneeweiss has made guitar versions of Weiss's sonatas, works that are second to none in their genius and that were written for a very similar instrument. In this way he believes he can create world-class repertoire while retaining the characteristics of genuine guitar music.
I hesitate to even review this set, as from what I have heard of it, it has been wrongly labelled. This is not a set of Weiss Sonatas; this is jazz improvisations based around the chord progresions and melodies of Weiss. But even as a Jazz album I would say this is extremely tacky playing. This kind of 'classical crossover' stuff gives guitarists a bad name, and prolongs their 'novelty' status, denying good guitarists their rightful respect as musicians. If it had been given a different title I would be ok with it, but the performer seems to have the nerve to pass this off as an 'interpretation' of Weiss. It is not."