"Thomas Beecham's relationship with Jean Sibelius spanned fifty years. He began conducting the composer's works in 1931 & his interpretations in the concert hall & on records were accepted as authoritatve especially in that Sibelius loved & endorsed his readings.
As for these recordings, you would be hard pressed to find a more fulfilling disc packed with such an interesting variety of Sibelius's music; & the interpretations, of course, have the imprimatur of authority. The recordings come from the very early days of stereo (1955), but that should not be a deterrent to potential buyers as the sound is actually very attractive - both warm & crisp.
Special mention should be made of Beecham's unforgettable reading of Tapiola. I first encountered it on an Angel Seraphim LP more than 30 years ago & was immediately struck by its haunting intensity. This truly is a once-in-a-lifetime reading that by itself is worth the price of this cd.
"The past Thursday I received this album by Amazon U.K. and I must confess this has been one of the best anthological musical jewels any time ever made.
Tapiola is simply out of this world. What Beecham achieves through the perfect conjunction of the inner voices, dramatic progression and poetic lyricism is totally absent in any other available recording.
On the other hand the version of Pelleas reaches a level of sublime expressiveness like I had never heard before.
The Seventh Symphony was always one the battle horses in Beecham's repertoire, he captured the numerous dramatic passages hovered by that Pastoral epic that makes it one of the most splendid recordings ever made. Perhaps with the sublime, electrifying and unsurpassed
version made by Leonard Bernstein and the New York Philharmonic , this superb rendition must be included as the best second reading after Bernstein.
The Oceanides is magnificent loaded of this Nordic atmosphere and gelid mystery, expression and conception of first-order.
Don't miss this recording under no pretext.
"
Perfection.
Erik Homenick | San Diego, California | 07/16/2008
(5 out of 5 stars)
"EMI's GREAT RECORDINGS OF THE CENTURY is no misnomer. These truly are great recording and I've sort have begun "unofficially" collecting them. This recording of Sibelius standards with Sir Thomas Beechams and the Royal Phil is my latest acquisition in this series.
First of all, don't let the age of these recordings discourage you. Yes, these recordings were made in 1956 but the restored sound here is, quite honestly, better than a lot of the sound we get today from certain labels. If you crank up the volume, you will hear some slight tape hiss during quiter passages, but when the orchestra goes into a tutti, be prepared!
Everything here is handled with the utmost artistry. Beecham's TAPIOLA is one of the best ever recorded. PELLEAS sounds rich and powerful. THE OCEANIDES has drive yet delicacy. And Beecham's rendering of Sibby's immortal 7TH SYMPHONY gives me the chills every time. (I've listened to it many times since I bought it!)
This unique compilation is ideal as an introductory to Sibelius's later style. And despite its age, the sound is simply fantastic."
Intermittent magic in Sibelius
Santa Fe Listener | Santa Fe, NM USA | 02/15/2009
(3 out of 5 stars)
"Beecham's reputation for conducting Sibelius is so potent that it will surprise newcomers to hear this colleciton from 1955, done in experimental stereo. Collectors know in general that Beecham lost a good deal of his fire and authority in the postwar years, and although he sitll had a magical touch, there were recordings that fell short of excellence. He made legendary recordings of Sym. #7 (NY Phil., 1942) and Tapiola (Royal Phil., 1946) that are full of vigor and insight. by comparison, these stereo remakes sound a trifle wan and undernourished.
Beecham still retains his gift for atmosphere and a "rightness" in phrasing -- these two qualities earned him hi special place as a Sibelian. But if you go to a contemporary live account of the Seventh and Tapiola (on BBC Legends), the same loss of power can be heard. I love Beecham, and I'd encourage listeners to seek out the 1946 Tapiol, which sond quite good on a Dutton remastering, and even the 1942, well refurbished on Sony, to hear what the fuss was all about. Here, the best things are two items I have much less interest in: "The Oceanides," a misty tone poem which Beecham recorded as a favor to his personal firend Sibelius, and the incidental music to Pelleas and Melisande, a Beecham favorite (he left out one number, "By the Sea"). Both are given radiant performances that put the symphony and Tapiola in the shade."