CD Details
Synopsis
Album DescriptionThe 80-minute work, performed by the Atlanta Symphony Orchestra and the men from the Atlanta Symphony Orchestra Chorus, with baritone Nathan Gunn and mezzo-soprano Charlotte Hellekant, was conducted by ASO Music Director Robert Spano and recorded at the Woodruff Arts Center in May. The all-volunteer Atlanta Symphony Orchestra Chorus learned Finnish in order to perform this piece. Jeff Baxter, assistant director of choruses in Atlanta and a tenor in the ASO chorus, began learning the language from a native speaker about a year ago, in preparation for training the chorus to sing the piece. The Finnish native speaker did not know music, so she intoned the syllables, and then Baxter and Director of Choruses Norman MacKenzie made a phonetic translation. The chorus undertook months of preparation, including drilling on Monday nights on the language alone. Kullervo is a powerful figure from the Kalevala, the epic Finnish saga composed of 50 poems compiled by Elias Lönnrot, a physician and folklorist who traveled throughout the Finnish-Russian borderlands recording the lyrics, stories, and ballads sung to him by rural people. Born with magical powers, Kullervo was raised as an orphan by his tribe's enemies. As a young man, Kullervo finds his family, who thought he was dead, but learns that his sister is missing. Because he is inept at farm tasks, Kullervo is sent off to pay the family's taxes. On his return he seduces a beautiful maiden who, they both discover, is his long-lost sister. In horror and shame, she kills herself, Kullervo goes to battle, and finally kills himself as well. Sibelius's music for this dark tale abounds with the rhythms and meters of Finnish folk music, which captures the poetry's brooding sense of hard lives with the ever-present spectre of tragedy. Intent on making this composition - his first large-scale orchestral work - "thoroughly Finnish in spirit," Sibelius traveled to the coastal town of Porvoo to hear Larin Paraske, the famed female folksinger, perform Finnish laments and runes in order to internalize the rugged, archaic style.
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CD Reviews
Finest sound in Telarc's history Dennis Brandt | Red Lion, PA United States | 05/25/2007 (5 out of 5 stars) "Bob Woods and the boys and girls out there on the shore of Lake Erie have created some great sounding recordings in their day but none better than [as good as?] Jean Sibelius's Kullervo. Atlanta's Symphony Hall is virtually a second home to these Ohioans, and they've got its sound down to a tee.
I admit I was not familiar with the work, a youthful composition played in its entirety but once in the composer's life. Probably the mature Sibelius would have written it differently, but here and there you get a glimpse of the 2nd Symphony or Finlandia that would eventually emerge from his pen. I need to spend some more time with young Mr. S's piece to gain full appreciation, but it is quite accessible on first hearing. Its form is hard to classify. The multi-movement format lends itself to being called a symphony, but given the heroic program on which it's based, symphonic poem would be closer to the truth. And how many classical pieces have you ever heard that have incest at the core of its program? (For the squeamish, it didn't happen on purpose.) The Atlanta Symphony's playing gets better every year, and this recording is no exception.
Is the SACD worth the additional money? First, of course, you have to have an SACD-capable player, and, to take advantage of the surround channels, you have to have at least a four-channel system. (Five is better.) Frankly, unless you have a very fine audio system, you are unlikely to discern much sonic difference other than the surround experience. But if you do have quality gear, it is definitely worth the few extra bucks because SACD reproduces violins and soprano voices more accurately than in the standard CD world.
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