The team of composer Jerry Bock and lyricist Sheldon Harnick came up with only six shows--but what shows! In addition to the phenomenally successful Fiddler on the Roof, aficionados usually gush about 1963's She Loves Me a... more »nd 1959's Fiorello!. The latter turned a not particularly appetizing topic--the years leading to Fiorello LaGuardia's election as mayor of New York--into a great musical. (It even won the Pulitzer Prize for drama, only the third musical to do so.) Harnick and Bock's versatility was in evidence as they wrote numbers in every Broadway style: novelty, ballad (about sweatshops), duet (the absurdly catchy and funny "Marie's Law"), and, of course, a rousing number that doesn't really fit anywhere but is so good that it simply must be included (Eileen Rodgers's "Gentleman Jimmy"). This may be one of the wittiest, most melodic shows you've never heard. --Elisabeth Vincentelli« less
The team of composer Jerry Bock and lyricist Sheldon Harnick came up with only six shows--but what shows! In addition to the phenomenally successful Fiddler on the Roof, aficionados usually gush about 1963's She Loves Me and 1959's Fiorello!. The latter turned a not particularly appetizing topic--the years leading to Fiorello LaGuardia's election as mayor of New York--into a great musical. (It even won the Pulitzer Prize for drama, only the third musical to do so.) Harnick and Bock's versatility was in evidence as they wrote numbers in every Broadway style: novelty, ballad (about sweatshops), duet (the absurdly catchy and funny "Marie's Law"), and, of course, a rousing number that doesn't really fit anywhere but is so good that it simply must be included (Eileen Rodgers's "Gentleman Jimmy"). This may be one of the wittiest, most melodic shows you've never heard. --Elisabeth Vincentelli
"When I read the following phrase in the review which will (soon enough) be directly below mine - "The music by Jerry Bock and lyrics by Sheldon Harnick (best known for "Fiddler on the Roof") are certainly not spectacular" - I just had to add my two cents. "Fiorello" is spectacularly brilliant!Here's just a snippet of Sheldon Harnick's masterful lyrics: From "Unfair": "Must we sew and sew solely to survive/So some low so-and-so can thrive?/NO!!! He'll fry in Hades/If it's up to the ladies/Waistmakers' Union, Local 25!"From "I Love a Cop": "Then there's Thea...Oh, how gruesome!/Can you see me introduce 'em?/'You remember her? She detested you./You remember him? He arrested you.'"From "Marie's Law": "Here's another law we women'll/Do our best to legislate:/It shall be completely criminal/For a man to break a date./Each offender shall be rapidly thrown in jail where he belongs./Thus we'll write our Bill of Wrongs."They just don't write them like that anymore (sigh)."
A classic, underrated Broadway gem
Byron Kolln | the corner where Broadway meets Hollywood | 11/04/2003
(4 out of 5 stars)
"FIORELLO! is a lovely, ahead-of-its-time musical, based on the career of New York mayor Fiorello La Guardia. It starred Tom Bosley as La Guardia with a dream cast including Ellen Hanley, Pat Stanley and Eileen Rodgers.The score, an early collaboration from Jerry Bock and Sheldon Harnick (SHE LOVES ME, FIDDLER ON THE ROOF) is very strong, and includes several show-pieces like "Politics and Poker", "Little Tin Box" and "On the Side of the Angels".Ellen Hanley (who had previously been criminally under-used as Polly Bergen's understudy in FIRST IMPRESSIONS) glows in the role of feisty Thea, the sweatshop workers' leader. She has two of the score's best ballads, "'Til Tomorrow" and "When Did I Fall in Love".Pat Stanley (who earned a Tony for her performance in the disastrous GOLDILOCKS) gets the cute number "I Love a Cop". Eileen Rodgers (who later starred in a successful off-Broadway revival of ANYTHING GOES) sings the showstopping "Gentleman Jimmy", a manic flapper tune. FIORELLO! is a fantastic show in that it has no less than 3 strong female roles.For those who only started following Tom Bosley's career during his 'Happy Days', the fact that he was a top-drawer musical theater talent will come as a big surprise. Bosley played the entire run of 795 performances. Bosley later made many more successful Broadway appearances including BEAUTY AND THE BEAST and (as of this review's writing) a triumphant stint in the Sam Mendes revival of CABARET.This lovely reissue on the Angel Broadway label sounds as fresh as paint. An excellent remaster job and an excellent cast album."
An outstanding score - A neglected masterpiece
Mark Andrew Lawrence | Toronto | 10/20/2000
(4 out of 5 stars)
"FIORELLO was the 3rd musical in history to be awarded the Pulizer Prize for drama. It also won the Tony award for Best Musical of the season (1959-60). After a successful Broadway run the show closed and has seldom been seen since. No movie was made. No TV adaptation. Nothing. A shame because this show has a wonderful score (preserved here) and the book is very well written.Broadway Angel has done their customary outstanding job transferring this early stero recording to CD and the extensive liner notes in the booklet provide fascinating information about the creation of this musical. The booklet also includes a detailed synopsis.Outstanding numbers: Politics and Poker; Till Tomorrow; Litle Tin Box; and (one of the best love songs ever written for the stage) When Did I Fall in love?The cast is good. A young Tom Bosley played Fiorello H. Laguardia. Not the greatest singing voice but then he only sings the title song. (The show is constucted so that Fiorello does not sing except during his campaign speech...all the other characters sing about him. Another innovation.) Ellen Hanley as his loving wife has a somewhat overipe operatric voice (with a bit of a wobble) but it's so in character that she makes her big number (When Did I Fall in Love?) all the more dramatic. Actually the same comment applies to most of the cast: The voices are not terribly musical but so loaded with character that they sound real. And Sheldon Harick's lyrics are dazzlingly conversational. Get the Cd - then petition your local community group to revive the show. (A Broadway revival of this one is needed!)"
The musical that tied with "The Sound of Music" for the Tony
Lawrance M. Bernabo | The Zenith City, Duluth, Minnesota | 02/13/2001
(4 out of 5 stars)
""Fiorello!" is one of those Pulitzer Prize winning musicals that is now pretty much forgotten. But would you believe "Fiorello!" TIED for four Tonys with "The Sound of Music" in 1959? Look it up: Best Musical, Authors, Composer, and Producers. In the title role Tom Bosley won the Tony as Best Featured Actor while the legendary George Abbott (then 72 years old ) picked up the award for Director. The idea of making a musical about a New York Mayor (who had only been out of office 13 years at that point) might seem strange, but since "Fiorello!" there have been shows on Broadway about Gentleman Jimmy Walker and an off-Broadway one about Edward Koch. But this show is about how an honest politician became Mayor rather than about La Guardia's three terms in office. The story line in the first act follows La Guardia's career from lawyer cleaning up the sweat shops, to his surprising election to Congress, and his military service in the Great War. The second act, which has long stretches of dramatic action without any songs, focuses on his unsuccessful run against Walker and then his ultimate election as Mayor. What might be most surprising is that along with the politics there is romance. Although his secretary Marie (Patricia Wilson) is clearly in love with him, La Guardia falls in love with Thea (Ellen Hanley), the leader of the sweatshop workers. Although La Guardia marries Thea, Marie does get a second chance at love. The music by Jerry Bock and lyrics by Sheldon Harnick (best known for "Fiddler on the Roof") are certainly not spectacular (can you name a single song from this show off the top of your head?), but are entirely enjoyable and several tunes do a nice job of capturing the musical stylings of the time. For example, the "Gentleman Jimmy" number is clearly a Roarin' Twenties tune. All of the best songs belong to Howard Da Silva and his chorus of Politicians: "Politics and Poker," "The Bum Won" and the showstopper "Little Tin Box." This was the show that brought Da Silva back from being blacklisted, although his greatest triumph in a musical would come years later when he played Ben Franklin in "1776." Even thought this is the show that turned Bosley from a journeyman into a star, there are only two songs where he does any of the singing. "Fiorello!" is not a great Broadway musical, but it is certainly a good one, worth remembering. Abbott did some fairly innovative work, using newsreel clips of the war and the real Fiorello H. La Guardia reading the comics over WNYC radio during a 1945 newspaper strike to move the story along. This 1959 recording, which remained on the Billboard charts for 89 week and peaked at #7, even manages to avoid a lot of the technical problems we have come to associated with records from the 1950s represented in CD format."
"Fiorello"- A Great Underrated Musical
revictoria | Columbia, MD United States | 04/10/2000
(4 out of 5 stars)
"I don't know why there aren't more productions of this show in local and regional theatres. If you think that Bock and Harnick's only great contributions were "Fiddler on the Roof" and "She Loves Me," treat yourself to an hour or so with this disk. Tom Bosley has a rather strange vocal interpretation of the diminutive mayor, but Pat Hanley, Howard DaSilva and other cast members more than make up for that. Don't miss smoky-voiced belter Eileen Rodgers' rendition of "Gentleman Jimmy" or the classic men's show-stopper, "Politics and Poker." There are some great audition songs for all vocal types in this score, and you won't have to worry that the director has heard the number performed twenty times already. For an ironic reminder of the tradition of sexism in the American musical theatre, listen to "I Shall Marry the Very Next Man" ("and if he likes me/ what does it matter if he strikes me/I'll wear his slippers with my arm in a sling/just for the privilege of wearing his ring"). Despite these lyrics, this show is terrific."