An accessible contemporary work with real substance
David M. Charvonia | Midland, VA USA | 07/27/2003
(5 out of 5 stars)
"I will admit to a small bias, as Ms. Silver was a teacher of mine back in the early 70's, but I was completely blown away by the Piano Concerto. I have spent so much time with it, in fact, that I haven't even listened to the solo pieces on the CD yet. One small complaint to get out of the way: a bit too heavy on octatonic scale passages in the first movement (of course one could level the same charge at Debussy with his frequent over-reliance on the whole-tone scale.) It has taken me many long years of suffering through insipid works of Neo-Romanticism, Minimalism, etc. before finding a voice as profound, honest and convincing as Silver's. There is a real and powerful sense of this music drawing from the vast cultural stream that precedes it, and speaking in an individual way to our own time and experience. I urge anyone interested in the future (and present) of concert music to hear this concerto -- I have already described it to friends as a masterpiece. And unlike with many Naxos releases, both the performance and recording are superb."
Derivative
Estelle | 11/20/2003
(1 out of 5 stars)
"Silver's compositions are derivative to say the least. First of all, the solo piano works are hack job reworkings of Debussy. The piano concerto is a boring mishmosh of scales and textures, again derrivative of French impressionism, romanticism, and Bartok. In fact, the last movement even rips off a tune from Bartok. Don't waste your time with this - why not listen to the original sources."
Magnificent 21st century music
Estelle | Washington, D.C. United States | 08/29/2003
(5 out of 5 stars)
"I found listening to this CD a most rewarding experience.It is new music at its best. I loved the first hearing and become even more enthused each time I play it. This is a piece that should be on the program of all the great orchestras both here and abroad."
Exciting, accessible 20th century music
Peter G. Moll | Arlington, VA USA | 01/17/2004
(4 out of 5 stars)
"I liked most the concerto's third movement. At about 8 minutes it has a long slow section with a recurring motif of 11 notes, building to a gargantuan climax. I also appreciated the tone-poem "La mer a Cassis" which struck me as Debusssyist. It has a chromatic figuration in the middle range and a melody above, and then later a long descending chromatic figuration with the melody in the left hand. I also liked "La, tout n'est qu'ordre et beaute, luxe, calme et volupte", with its modal melody and occasional fauxbourdon harmonization. Five stars for these parts! I hope Ms. Silver brings out her second piano concerto soon."