Anarchy In the U.K. [Denmark Street Demo, July 1976] [Denmark Street De
Pretty Vacant [Denmark Street Demo, July 1976] [DeNmark Street Demo Jul
No Fun [Unedited Version, October 1976] [*] - The Sex Pistols, Alexander
First official release in it's own right for this notorious bootleg! The classic line-up of Paul Cook, Steve Jones, Glenn Matlock and Johnny Rotten blast their way through would-be classics prior to Matlock leaving and the... more » rest recording the legendary Never Mind The Bollocks. Features the album's original 12 tracks plus three bonus cuts: Denmark Street Demos of 'Anarchy In The UK' and 'Pretty Vacant' plus the Unedited Version of 'No Fun'. 15 tracks in all. Castle. 2006.« less
First official release in it's own right for this notorious bootleg! The classic line-up of Paul Cook, Steve Jones, Glenn Matlock and Johnny Rotten blast their way through would-be classics prior to Matlock leaving and the rest recording the legendary Never Mind The Bollocks. Features the album's original 12 tracks plus three bonus cuts: Denmark Street Demos of 'Anarchy In The UK' and 'Pretty Vacant' plus the Unedited Version of 'No Fun'. 15 tracks in all. Castle. 2006.
Punk's lost recordings finally resurface in original packagi
mojo_navigator | 11/05/2006
(5 out of 5 stars)
"To my mind, there are four landmark recordings that characterise and embody '70s punk - The Ramones first album, The Clash first album (UK version), The Buzzcocks Spiral Scratch EP and Spunk, the Sex Pistols demos. And what a stormin' powerhouse of a record this is!
To those unfamiliar with the story, The Pistols recorded a series of demos in late '76 / early '77 while Glen Matlock was still in the band. These were issued as a bootleg called Spunk several weeks before the Never Mind The Bollocks LP and then promptly withdrawn. To this day there is still a mystery as to who put it out in the first place but it was obviously someone well-placed because the sound quality was extremely good. The recordings have re-surfaced here and there over the past 30 years but now finally, to commemorate the 30th anniversary of these recordings, here are those magical nuggets once again, re-issued in exactly the same packaging as the original.
Perception of the Pistols has often suffered due to their iconic status. It's often been very hard for people (myself, at least) to separate the myth from the music, to able to appreciate the band's recordings without being aware of the phenomenon behind it. No such dilemmas with Spunk. On this record, you'll get to hear what a sledgehammer of a Rock 'n' Roll band they really were. They didn't need all the negative publicity or the cachet of being 'iconic'. These demos are as powerful as anything in Rock 'n' Roll's history.
Although most of the tracks later surfaced in re-recorded form on ..Bollocks, the re-recorded versions suffered from a slickness and polish that did not truthfully represent the band. On Spunk, we get the unadulterated action - raw and snarling. So compact and basic are these recordings that they all sound as though they were recorded in mono even though they were cut in stereo. Steve Jones' axe sounds ferocious throughout and you just have to appreciate the contribution that Glen Matlock made to the band - his wonderful bass playing evidenced here gives The Pistols both a musciality and a muscularity missing on their legit record. The rhythm section as a whole is totally pumping! And this is all before John Lydon/Rotten opens his mouth, spewing venemous attitude in a way that makes his lyrics seem all the more necessary and pointed. With the recordings on Spunk, you get to really understand the Pistols and what they were trying to achieve. And you get to rock out to the boys with wild abandon.
Take God Save The Queen for example. Although to less cultured ears the version here may sound distinctly similar to the Bollocks version, there's something tighter and more focused about this performance. It's one of numerous subtle revelations. My personal fave has to be Submission - a slower, grinding, sleazeball performance complete with swampy underwater effects. And this is just one of the many delights on show here.
The Sex Pistols were a great Rock 'n' Roll band as well as a social force to be reckoned with. This record will appeal to anyone who wants to discover that former quality of the band that changed the world we all live in.
"
Sorry to Contradict you...
Catherine Rubsam | 09/30/2006
(5 out of 5 stars)
"But it has to be done. In fact, this is a bootleg that was released a month before "Never Mind the Bollocks". It's a different album, containing different songs, or at least much different versions of said songs. This really isn't a rehash so much as a reissue of something you can't get anywhere else."
It's No "Never Mind the Bollocks"
Kirk A. Gauthier | Dundalk MD U.S.A. | 09/25/2008
(3 out of 5 stars)
"This one's for true fans of the Sex Pistols only. While it's a treat to here some of the raw footage of the band's first-ever recording, the sound quality is less than professional, and the band lacks the energy found in "Never Mind the Bollocks, Here's the Sex Pistols" and later recordings. The only true gems on this album are the '76 demo versions of "Anarchy in the UK" and "Pretty Vacant" and their cover of the Iggy Pop classic "No Fun," which was also recorded in '76.
Aside from that, stick to never minding the bollocks when it comes to the Sex Pistols. Your ears and your wallet will thank you."
One Powerful Story
Mr. Richard D. Coreno | Berea, Ohio USA | 04/07/2009
(5 out of 5 stars)
"It is one of those music industry mysteries that will probably never be solved; about a month before the release of the debut album on Virgin Records, 12 tracks from sessions produced by Dave Goodman appeared on this then bootleg. It had pristine sound quality and captured the "punk" power better than the official album.
And to make things even more intriguing, a bootleg (No Future UK?) of the bootleg - with additional tracks - made it into the "underground" marketplace. The lineup is bassist Glen Matlock (before he was replaced by Sid Vicious), John Lydon, Paul Cook and Steve Jones.
The 15 tracks of this now official bootleg (there has also been a number of "official" releases of Spunk) captures the band in full-flight, minus the media drama that was drummed up by Malcolm McLaren. Goodman understood his role as producer and let the music do the talking.
The back-story is interesting, but the music shows the full potential of the "Fearsome Foursome," since the person directing the show understood that "punk rock" needed a healthy dose of the latter to go with the swagger of the former."