Sehnsucht ('Nur wer die Sehnsucht kennt'), quintet for male voices, D. 656
Die Nacht ('Wie schön bist du'), quartet for unaccompanied male voices, D. 983c (Op. 17/4)
Ständchen ('Zögernd, leise'), for alto, chorus & piano ('Notturno'), D. 920 (Op. posth. 135)
Grab und Mond ('Silberblauer Mondenschein'), quartet for unaccompanied male voices, D. 893
Der Entfernten ('Wohl denk' ich allenthalben'), quartet for male voices, D. 331
Nachtviolen, song for voice & piano, D. 752
Die Lotosblume II ('Die Lotosblume ängstigt'), part song for male voices, Op. 33/3
Die Rose stand im Tau, part song for male voices, Op. 65/1
Der träumende See ('Der See ruht tief im blauen Traum'), part song for male voices, Op. 33/1
Nachtstück ('Wenn über Berge sich der Nebel breitet'), song for voice & piano, D. 672 (Op. 36/2)
Sechs geistliche Lieder, for chorus: Aufblick
Sechs geistliche Lieder, for chorus: Einklang
Sechs geistliche Lieder, for chorus: Resignation
Sechs geistliche Lieder, for chorus: Letzte Bitte
Sechs geistliche Lieder, for chorus: Ergebung
Sechs geistliche Lieder, for chorus: Erhebung
Abendstern ('Was weilst du einsam an dem Himmel'), song for voice & piano, D. 806
Hoffnung ('Letzte Lust und letzte Blüten'), for chorus
Fiesole ('Alles Tosen ist zerstoben'), for chorus
Choruses (3) for male chorus, o.Op. 123 (TrV 270, AV 123): Vor den Türen
Choruses (3) for male chorus, o.Op. 123 (TrV 270, AV 123): Traumlicht
Gesang ('Was ist Sylvia,...'), song for voice & piano, ('An Sylvia'), D. 891 (Op. 106/4)
The nineteenth century was a golden age for choral singing in Germany and Austria. Singing clubs, and later on, choral societies, shot up all over this part of the world. With its goal of stimulation and promotion of Germa... more »n poetry and music, this movement produced a wealth of wonderful vocal music. On Sensucht, The Gents offer a broad selection of music from this unique musical repertoire. The album also celebrates the 10th anniversary of the group and is their first recording with new conductor Beni Csillag.« less
The nineteenth century was a golden age for choral singing in Germany and Austria. Singing clubs, and later on, choral societies, shot up all over this part of the world. With its goal of stimulation and promotion of German poetry and music, this movement produced a wealth of wonderful vocal music. On Sensucht, The Gents offer a broad selection of music from this unique musical repertoire. The album also celebrates the 10th anniversary of the group and is their first recording with new conductor Beni Csillag.