Die sieben Worte unsers lieben Erl?sers und Seeligmachers Jesu Christi, for soloists, 5 instruments & continuo, SWV 478: No. 1, Intro
Die sieben Worte unsers lieben Erl?sers und Seeligmachers Jesu Christi, for soloists, 5 instruments & continuo, SWV 478: No. 2, Symph
Die sieben Worte unsers lieben Erl?sers und Seeligmachers Jesu Christi, for soloists, 5 instruments & continuo, SWV 478: No. 3, Die s
Die sieben Worte unsers lieben Erl?sers und Seeligmachers Jesu Christi, for soloists, 5 instruments & continuo, SWV 478: No. 4, Symph
Die sieben Worte unsers lieben Erl?sers und Seeligmachers Jesu Christi, for soloists, 5 instruments & continuo, SWV 478: No. 5, Concl
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 1, Chorus
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 2, Der Ostermorgen
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 3, Jesus erscheint Maria Magdalena
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 4, Der J?ngling in Grabe
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 5, Jesus erscheintden Frauen
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 6, Rat der Hohenpriester
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 7, Jesus erscheint den Emma?sj?ngern
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 8, Jesus erscheint den Elf J?ngern
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435a: No. 9, Beschlu?
These are the first real masterpieces in the German oratorio tradition that culminates in Bach's Passions. Each work begins and ends with a chorus, but there are no arias: the Evangelist(s) and the characters speak in a... more »ccompanied, and often tuneful, recitativo arioso. The brief, affecting Seven Last Words uses four Evangelists (singing separately and together); the Easter oratorio uses only one Evangelist but duo singers for Jesus and Mary Magdalene. The Ricercar Consort gives by far the best recorded performances of these pieces, slighting neither the beautiful melodies nor the narrative momentum. The flawless cast includes three of the most beautiful and intelligently used voices in the early music world: Agnès Mellon, Mark Padmore and the extraordinary Paul Agnew. --Matthew Westphal« less
These are the first real masterpieces in the German oratorio tradition that culminates in Bach's Passions. Each work begins and ends with a chorus, but there are no arias: the Evangelist(s) and the characters speak in accompanied, and often tuneful, recitativo arioso. The brief, affecting Seven Last Words uses four Evangelists (singing separately and together); the Easter oratorio uses only one Evangelist but duo singers for Jesus and Mary Magdalene. The Ricercar Consort gives by far the best recorded performances of these pieces, slighting neither the beautiful melodies nor the narrative momentum. The flawless cast includes three of the most beautiful and intelligently used voices in the early music world: Agnès Mellon, Mark Padmore and the extraordinary Paul Agnew. --Matthew Westphal