"Cleveland plays these symphonies with a wonderful balance of power and finesse. Dohnanyi's readings are lucid, clean and precise with enough fire and passion to make these performances interesting. The performance of the 2nd is the best I have ever heard. The slow movement is especially glorious and noble. The 1st and 4th are vital and full of propulsion and brisk tempos. The last movements really sing as the strings play at break-neck speeds. The 3rd is the weak link in the cycle. It comes off rather modest lacking the fire of the other three. Having these four put togther in one single package is a great bargain."
Well Done
Ryan Richards | Midland, MI United States | 11/20/2002
(5 out of 5 stars)
"Dohnanyi and the Cleveland Orchestra bring to these CDs all of the crisp technique, explosive power, and enlightened interpretation that I remember from their Beethoven symphony cycle. Surprisingly, however, the recorded sound of these symphonies is *clearer* than the sound of their Beethoven symphonies was, possibly owing to London's different recording techniques. This serves the strings particularly well, as they're finally allowed to take a prominent place in the Cleveland Orchestra's sound... which is good, for (as has been noted) there are several places where the strings really fly, most notably in the finales of the First and Fourth symphonies, and in the scherzo of the Second. Unlike other orchestras I've heard performing these symphonies, the Cleveland Orchestra is clearly not afraid to take these symphonies up to tempo, and that tendency creates an energetic, fiery sound that bursts with life and exuberance while maintaining a heroic nobility. It's true that of the four symphonies, the "Rhenish" is the most modest-sounding. However, it must be emphasized that with this orchestra and this conductor, "modest" doesn't translate to "bad," but rather to simply "well done"--as opposed to the outright heroism of their interpretation of the Second symphony, which converts that often overshadowed work into a veritable masterpiece. The bottom line is, it's probably possible to find better individual interpretations of each symphony... but it's pretty hard. These interpretations are so well performed that there's no way you can go wrong buying these CDs; indeed, if you're looking to get all four Schumann symphonies in one set, I'd go so far as to say this is THE set to get, particularly for a bargain price like this."
A mixed bag
Mark Jordan | Gambier, Ohio, USA | 09/23/2001
(3 out of 5 stars)
"Christoph von Dohnanyi is a great conductor, but his set of Schumann symphonies is not an unqualified success. The best thing here (and one hopes it will be reissued in a bargain series in the future) is a deeply felt, noble peformance of the Symphony No. 2. The First and Fourth symphonies are both good, yet they both seem a bit to dogged and relentless to really take flight. Dohnanyi's approach to the Third keeps the middle movements flowing along to avoid the blandness of routine that creeps into so many performances, but in doing so, he also misses most of the varied and endearing emotions of these movements. Recorded sound is good, but I must say this: Having heard this conductor and orchestra in concert several times, I think it's a real shame that no recording company ever caught their glorious sound quite right."
Extremely Satisfying Performances
Ryan Richards | 03/02/2004
(5 out of 5 stars)
"I've lived with this CD set for over six years now. When I first picked up this set I admit to being a classical music novice. As I have grown as a classical music fan so to has my affection for these recordings. At a surface level you may immediately be impressed by the 1st and 3rd with their dramatic openings. But over time I think you will come to realize (as others have) that the truly special performances of this set are the 2nd and the 4th. They are both the best recordings of these symphonies I know.Of the two the 2nd is my favorite. I have read reviewers comment that Dohnanyi is too plain, to unwilling to push tempos in this symphony. It is true that others (like Szell) take far more liberties with tempo, especially in the finale. However, in my opinion Dohnanyi's is smart not to try to add artificial "excitement". I don't fully understand how, but his performance creates a nobility that is very affecting and emotional, partly because it doesn't slap you in the face with it.The fourth is thrillingly performed. I've heard other conductors attempt to do "more" with individual movements, Dohnanyi takes the superior strategy (in my opinion) of "selling" the symphony as complete work, producing a convincing single-minded performance.I'd be remiss if I didn't mention the orchestra. It is usually difficult to tell where a conductor ends and where a great orchestra begins, but I don't think anyone could argue with the reviewer from New York that Cleveland provides (perhaps unmatched) "agility, precision, power, balance and grace"."
As good as I have heard
Steven Tiger | 01/12/2008
(5 out of 5 stars)
"Over the years, I have heard all of these symphonies played by a large number of ensembles under many conductors. Many performances are competent but not especially enthralling. This set by Dohnanyi and the Cleveland Orchestra rivals and maybe even surpasses the performances I had previously regarded as the best -- by Leonard Bernstein with the NY Philharmonic.
On the matter of Schumann's weaknesses as an orchestrator, Bernstein rejected the idea of tinkering with the instrumentation, and he made the symphonies sound glorious nonetheless. So does Dohnanyi, and the sound on this set is not at all thick or muddy; on the contrary, the clarity of the recording is such that the weaknesses we do hear are more likely to take the form of an occasional exposed phrase that simply sounds anemic. By contrast, the re-orchestrations by Mahler (a composer I revere) are interesting to hear but ultimately just wrong; Schumann is who he is, and I don't want his music "cleaned up" or "strengthened" by other composers, even great composers.
I haven't heard many of the other complete sets of these symphonies, so I can't compare this set to everything that is currently out there; I would certainly like to hear John Eliot Gardner's performances, for example. But I am very satisfied with this set."