A mature, often dark singer enjoying his mastery
Santa Fe Listener | Santa Fe, NM USA | 12/09/2009
(5 out of 5 stars)
"Matthias Goerne has a large fan base and much critical acclaim, but even with these advantages and his honeyed voice, it's risky to record a dozen Schubert CDs. He won't be covering every song suitable for the male voice, as Fischer-Dieskau did for DG, so completists won't be attracted on that score. The artistry of each installment will have to speak for itself. So far, it has, and using different pianists as collaborators has helped leaven the sameness of the first four editions. This time we get the noted German conductor Ingo Metzmacher, who proves to be capable and thoroughly musical, if not exactly a revelation. The theme centers on the ancient world of Greece (or Griechenland as the first, haunting song has it).
I'm no specialist, but as a lover of Schubert lieder, I recognized as old favorites about a third of the songs presented here, and about an equal number were completely new, including the paired Heliopolis songs, D. 753 and D. 754, that give the album its title. I am an on-again, off-again fan of Goerne's smooth, creamy delivery, and having heard him now in over a hundred lieder since the series began, I find it harder to find much variety. Yet I must hasten to add that this is singing of a very accomplished order -- it's not as if Goerne has to worry about close rivals except for a veteran like Thomas Hampson. I wish he weren't so eternally serious, to the point of grimness, in this repertoire. Schubert has lightness as one of his main characteristics, but Goerne is never carefree, even when Schubert is. The cursed Orestes is meat for him, or any song that's tragic, gloomy, declamatory, or lamenting.
In short, Goerne likes to stay on the dark side, and as a result, his Schubert can grow wearisome. Take his intense artistry a few songs at a time, and you find an exceptional singer enjoying the fruits of his maturity."