Die Zwillingsbr?der, singspiel, D. 647: 'Vergl?het Sind Die Sterne'
Die Zwillingsbr?der, singspiel, D. 647: 'Freundlich Weckten Wir Die Holde Braut'
Die Zwillingsbr?der, singspiel, D. 647: 'Vor Dem Busen M?ge Bl?hen'
Die Zwillingsbr?der, singspiel, D. 647: 'Meine Tochter, Gute Morgen!'
Die Zwillingsbr?der, singspiel, D. 647: 'Mag Es St?rmen, Donnern, Blitzen'
Die Zwillingsbr?der, singspiel, D. 647: 'Endlich Bin Ich Am Ziele'
Die Zwillingsbr?der, singspiel, D. 647: 'Mag Es St?rmen, Donnern, Blitzen'
Die Zwillingsbr?der, singspiel, D. 647: 'Und Nun Sage Mir, Freunnd'
Die Zwillingsbr?der, singspiel, D. 647: 'Zu Rechter Zeit Bin Ich Gekommen'
Die Zwillingsbr?der, singspiel, D. 647: 'Nun Ist Meine Geduld'
Die Zwillingsbr?der, singspiel, D. 647: 'Liebe, Teure Muttererde'
Die Zwillingsbr?der, singspiel, D. 647: 'Meine Hoffnung Hat Mich Nicht Betrogen'
Die Zwillingsbr?der, singspiel, D. 647: 'Nur Dir Will Ich Geh?ren'
Die Zwillingsbr?der, singspiel, D. 647: 'Nun Is Meine Geduld Am Ende!'
Die Zwillingsbr?der, singspiel, D. 647: 'Wagen Sie, Ihr Wort Zu Brechen?'
Die Zwillingsbr?der, singspiel, D. 647: 'Teuerster Herr Spiess'
Die Zwillingsbr?der, singspiel, D. 647: 'Packt Ihn, F?hrt Ihn Vor Gericht!'
Die Zwillingsbr?der, singspiel, D. 647: 'Ich Bin Doch Neugierig, Ob Sie Ihn Zwingen'
Die Zwillingsbr?der, singspiel, D. 647: 'Die Br?der Haben Sich Gefunden'
Schubert's ninth opera (or rather, singspiel--in which music is interspersed with spoken dialog) will be most attractive to fans of Schubert's other, equally unsuccessful stage works, such as Rosamunde. The libretto, a com... more »edy in which a pair of twins complicate the lives of other simple country types, is set to distinctly noncomedic music; Schubert's charming melodies, no matter how lovely, in no way reflect what is happening on the stage. The spoken German dialogue occupies nearly 20 minutes of this 55-minute CD, which may put off many potential listeners. The "live" performance is strong vocally, but rather fuzzy orchestrally. It is not helped by noticeably dull sonics. For some reason, the liner notes and jewel box both misidentify the work as D. 190 (D. is for Deutsch's catalog of Schubert's compositions). The correct attribution is D. 647. --Paul Turok« less
Schubert's ninth opera (or rather, singspiel--in which music is interspersed with spoken dialog) will be most attractive to fans of Schubert's other, equally unsuccessful stage works, such as Rosamunde. The libretto, a comedy in which a pair of twins complicate the lives of other simple country types, is set to distinctly noncomedic music; Schubert's charming melodies, no matter how lovely, in no way reflect what is happening on the stage. The spoken German dialogue occupies nearly 20 minutes of this 55-minute CD, which may put off many potential listeners. The "live" performance is strong vocally, but rather fuzzy orchestrally. It is not helped by noticeably dull sonics. For some reason, the liner notes and jewel box both misidentify the work as D. 190 (D. is for Deutsch's catalog of Schubert's compositions). The correct attribution is D. 647. --Paul Turok