Polyansky great again. Khudolei dismal, unimaginative
villegem | canada | 02/22/2003
(4 out of 5 stars)
"Great interpretation of the Requiem by Polyansky! That alone is worth owning this CD.
However the fantastic concerto for piano & strings is a write off! Khudolei is an unimaginative pianist, did not even bother to follow Schnittke's precise score. His heavyhanded playing went against the grain of this piece and he managed to make the orchestra and Polyansky become a bad accompanist!
One would think Chandos could afford a good pianist!
The best recording of this piece is pianist Victoria Postnikova on Erato if you can find it!"
Great music, great performance
Giacomo C. | 10/15/2004
(4 out of 5 stars)
"These are some of my favourite pieces by Schnittke, and they are treated well in this recording. It is difficult to imagine a better performance of the Requiem, and the Concerto is also nicely handled (though the recorded sound gets a tad muddled in places).
These are some rigorous, but relatively approachable, late 20th century pieces that are very moving, deeply expressive.
Highly recommended."
Five for the Requiem
Stephen J. Snyder | Lancaster, Texas United States | 12/29/2005
(5 out of 5 stars)
"I also have the BIS recording, and have heard one other. This is by a moderate margin the best as far as interpretation (though it feels just a tad slow in spots) and is definitely the best in sound quality.
(The BIS one seems somewhat flat on the sound recording/engineering, even more so than seems to be somewhat regular with that label.)"
Requiem/Great work/great performance.
paul best | new orleans | 03/21/2007
(5 out of 5 stars)
"Polyansky is one of the best conductors in Schnittke, though obviously there's not much competition, so few multipile recordings. No matter how few, as long as we get one outstanding as this one.
The Requiem is dark and ominious, which is typical of Schnittke, 'the depths" is what he is after. Profiund genius of a man and composer, shows clearly in this Requiem. The words selected by Schnittke are ancient prayers from old sources, and deal with end times of God's dealings with man. Its so apt for todays times. Which confirm my opinion that both Schnittke and Pettersson were convicted in the conscience by the "warp and woof' of this spinning earth and its tragic consequences if continued at such a pace.
Of course the humanists/atheists call such ideas 'fluff and snuff". Which is why Schnittke's music strikes much greater at those with soul."